The Lola Quartet: A Novel by Emily St. John Mandel (Unbridled Books, $24.95, 288 pages)
The Lola Quartet, the new novel by Emily St. John Mandel (The Singer’s Gun and Last Night in Montreal) reads like an unsettling dream, sliding between present and past in the lives of a group of high school acquaintances. The title refers to the jazz quartet in which four of the characters played in high school — they’d named it after a German film they liked. Playing jazz from the back of a pickup truck one night at the end of senior year is a scene revisited with longing throughout the novel, as it represents the end of their innocence or the beginning of their futures, when all things seemed possible.
The classmates scatter the moment they graduate but remain connected by bad choices, honorable impulses, and blood. To say they are friends would stretch the definition of the word, but perhaps that is appropriate in the era of Facebook, an age that the author paints in shades of alienation.
Although several characters tell their versions of their roles in the incidents that connect them, the primary narrator is Gavin Sasaki, who achieves the most career success in the decade after high school – before he almost inexplicably sabotages himself. He’s a reporter who lies, a discordance that underscores the sense of unease and hopelessness that pervades the novel. On one level, The Lola Quartet presents a mystery as Gavin searches for a child he thinks may be his. On another level, it seems like a photo printed in a darkroom: the image that slowly forms on the page is that of a generation hungry for connection and mired in hopelessness. It’s a page-turner and a thought-provoker.
A review copy was provided by the publisher. The Lola Quartet was released on May 1, 2012. It is also available as a Kindle Edition and Nook Book download.
This is a review of The Singer’s Gun: A Novel by Emily St. John Mandel: