In all the world I had never seen anything so strangely inhumanly beautiful.   In this place, man would soon seem simply extraneous.   I shivered.   I did not think I would feel welcome for long in this world where the very earth spasmed and the great trees would not acknowledge my presence.

Between finishing college and starting graduate school, I was lucky enough to have a summer job that involved taking young people camping in the Santa Cruz Mountains in northern California.   This is a unique area – a special place – filled with ancient redwoods and wild animals, including bears, and being there is an other-worldly experience.   If you can’t take a trip there, you may wish to read Fault Lines, which permits the reader to experience the place via the eyes of a Southerner making her first trip to California; and, for good measure, Siddons throws in visits to Los Angeles and San Francisco in this novel about a woman whose life is shaken up – a woman who experiences “an earthquake in the soul.”

Merritt Fowler is a proper Atlanta housewife, married to a succesful physician named Pom, and mother to Glynn, her sensitive sixteen-year-old daughter.   For years she also served as a pseudo-mother to her younger sister Laura, an actress who fled to southern California after finding it impossible to live in the household of the stern doctor Fowler.   Pom turns out to be one of those good men (he provides free health care to the poor of Atlanta) who practices good deeds everywhere except in his own home.   He’s also unable to face reality when his mother – whom he insists be referred to as Mommee – is afflicted by Alzheimer’s and her actions become literally life-threatening.   When Glynn insists that Mommee be placed in a residential care facility, Pom becomes so hostile toward his daughter that Glynn runs away to join her aunt Laura in Palm Springs.

Merritt has been the responsible and forgiving one her entire life, but this single incident permits her to see that her husband has become (in the words of Jackson Browne) a “perfect fool”   She stands up to Pom for the first time, and elects to go and find her daughter and bring her back home.   Once she gets to California, she sees that both Glynn and Laura are different people there than they were in Georgia…  and the environment begins to also take hold of her actions, and of her very being.

In California, Merritt – who is said to resemble the late actress Kay Kendall – realizes that she and her sister and daughter are all viewed as great beauties, even in a city (Los Angeles) filled with actresses.   And she begins to become fascinated with the notion of earthquakes, especially after experiencing her first one.   She’s unaware that the big earthquake, in her personal life, is soon to hit.

Oh, it was such a day, it really was.   A pinnacle day, a ball bearing on which a life turns.

While this novel starts slowly, filled with dialogue that initially seems to be both clumsy and awkward (I had an image of actors practicing their lines off-screen – never able to get them right), the reader’s patience is rewarded with an engaging story that warms up to the point where you don’t want to put the book down.   If Merritt begins as a cardboard figure, she soon turns into a person alive as you or me…  Merritt’s a person – a mature person – who is still trying to find her place in the world.   She’s lost herself in the air somewhere between Atlanta and LAX, and now she has to decide if she’s the Merritt of Old Atlanta or the Merritt of the New West.   The way in which she finds herself will surprise you.

Highly recommended.   Siddons is a writer who wisely pulls her punches before delivering a knockout blow.

Joseph Arellano

A review copy was provided by the publisher.   “A literary meteor shower…  One great read.”   Detroit News/Free Press

Note: There is one glaring error in the novel.   The college in Santa Cruz is called USC Santa Cruz on page 274, when it is actually the University of California, Santa Cruz (UC, Santa Cruz or UCSC).

Homer The Cat by Reeve Lindbergh, Illustrated by Anne Wilsdorf (Candlewick Press, $15.99, 32 pages)

Any child that lives with an indoor cat is likely to both love and identify with this story of Homer the cat.   Homer’s a contented feline…  Although he does not go outdoors, he’s got toys to play with and birds to watch and is well fed by a nice, quiet lady who lives in a quiet house.   Then one day, as the quiet lady is off at work (at a place unknown to Homer), a window suddenly falls out of its housing and Homer finds himself out in the world.   It’s a place that – to his sensitive ears – is loud and frightening, and no matter where he goes in town, he can’t find the “cozy, cat-size space” that he craves.

Homer visits various locations on his unplanned journey, and has a few near-misses with bad consequences before he discovers  ”a quiet building across a quiet floor.”   This turns out to be the public library where his quiet lady owner is reading books aloud to several children.   Quiet lady and Homer are ecstatic to see each other, and the children naturally love seeing and petting the great orange cat.   So Homer decides to make the library his new second home, a plan approved by the library kids as being “purr-fect!”

This is a beautifully illustrated children’s book, which will make a fine addition to the library of any young reader aged 4 and above.   The moral of the rhyming tale (or is that tail?) seems to be that no matter what happens, a splendid place to call home can always be found.   This should prove reassuring to any socially nervous young ones.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.

http://fairytaleinterrupted.com/read-fairy-tale-interrupted

“These thinkers were searching for intellectual tools that could help solve what Keynes called ‘the political problem of mankind: how to combine three things: economic efficiency, social justice and individual liberty.”

Sylvia Nasar’s most recent foray into the marvels of humankind, Grand Pursuit, is an ambitious look at the science of economics.   Rather than a neatly-constructed timeline with milestones clearly indicated, this is a convoluted, back and forth expose’ of the real people behind the rise and fall of the world economy from the early 1800s to present day.   The book should have included a preface that states: Warning -- a reader whose education lacks Econ 101 will be easily, if not greatly, confused.

The review copy read for this review is an Advance Reader’s Copy.   There are no graphics, photos or embellishments to illustrate the text.   Clearly, Ms. Nasar’s intent is not to deliver a rather lengthy lecture series on the evolution of the science of economics (how business and money and people interact).   Instead, she weaves a detailed account of the persons who make up the pantheon of stars in her chosen field of study (e.g., Maynard Keynes and Paul Samuelson).   The ups and downs of their lives might be fascinating if the reader possesses a basic knowledge of who they are/were and their contributions.   It’s quite boring to read about someone whose genius is not made clear in Nasar’s text.   The theories of these individuals were alluded to, but not clearly defined; and the case to be made for their status as genius is lacking.

The lives of the economists featured were intertwined due in no small part to the challenges placed before them – several great economic depressions and two world wars.   Their need to satisfy personal goals, both intellectual and romantic, fueled their unrelenting efforts to create an ever-lasting formula for a stable world economy.   Alas, the effort continues to this very day.

While it is helpful and enlightening to step out of one’s area of expertise, doing so can be less than enjoyable.   As much as this book missed the mark, The Age of Comfort by Joan Dejean was an unqualified hit.   (A brief review is posted below.)   Both books require a background in the underlying topic and a genuine appreciation of the effort required by the public at large to grasp the evolution of a critical concept.

Ms. Nasar’s writing style seems to mimic the period that she is discussing.   The sentence structure in many of the early chapters is ornate and required re-reading in order for this reader to grasp the meaning.   As she brings the reader into the 20th century, the wording becomes relaxed and takes on a familiar cadence.   Perhaps some editing took place before the final version went to press – one can only hope!

Had this treatise been severly editied, it would have the makings of an engaging inflight magazine article.   As it is, it is much ado about nothing.

The Age of Comfort: When Paris Discovered Casual – and the Modern Home Began by Joan Dejean (Bloomsbury USA, $16.00, 304 pages)

The setting for this book is Paris in the late 17th and early 18th centuries where the notion of comfort in daily living became all the rage among the ruling aristocracy and the wealthy upper class.   Today, we take standards of comfort for granted such as flush toilets, running hot and cold water, showers, private bedrooms and cotton clothing items that gently envelop the body.   Back then the ideal was reflective of the age of magnificence embodied by layers of stiff clothing, standing around or perching on a straight chair.

Thanks to some clever and unrelenting ladies and gentlemen in the courts of Kings Louis XIV and XV, there was rapid change that took only one century to take hold.   Along with the royal shift came the first foray into investing in “the market” which produced a boom with vast monetary rewards for a new non-royal upper class.

Author Joan Dejean is a well-respected authority on France and all this is uniquely French.   She delivers the equivalent of a university-level course in this well-written and nicely-illustrated book that is worthy of a place in the library of a designer or student of design.

Highly recommended.

Ruta Arellano

Review copies were provided by the publishers.

http://www.scribd.com/doc/78645064/Spin-by-Catherine-McKenzie

Joseph Arellano

Don’t you ever feel like we’re chasing something?   Something bigger.   I don’t know, it’s like something that only you and I can see.   Like we’re running, running, running?   Yeah, I said.   We’re running alright.   Running with scissors.

I was intrigued when my book club chose this memoir, Running With Scissors, as our first nonfiction choice.   Rumored to be both dark and humorous, it did not fit our typical book club culture.   However, our discussion was lively and laden with comments from “disturbing” to “hated it.”  

Those that grew up in the 1960s recognized some of the “character traits” mentioned in the book, while a younger group was left on the edge of their comfort zone.   Yet the discussion was one of the best we’ve had.   We found ourselves discovering the humor as we recalled particular details described within the book.   As a memoir it was, to me, a refreshingly different view of the typical, mostly not-so-interesting portraits of everyday life.

Burroughs describes his eccentric and unconventional upbringing with incredible detail and honesty, yet with a large serving of humor that made it  hard to put down.   He describes his childhood, mostly under the guardianship of Dr. Finch – his mother’s Santa Claus look-a-like psychiatrist, following his mother’s series of mental breakdowns.   This was a home with high energy in which arguments were encouraged to dispense anger and to develop emotional growth.   Within Burroughs’s unpredictable daily life, regular off the wall adventures occurred and conventional standards like rules, discipline and structure were unheard of.

The problem was not having anybody to tell you what to do, I understood, is that there was nobody to tell you what not to do.

Burroughs’s story includes atypical details of his life such as his relationship with a patient of Dr. Finch’s, a man three times Burroughs’s age, and the witnessing of his mother’s psychotic breakdowns.   Many of the details are descriptive, vulgar and somewhat horrifying, yet the story is written in delightful prose with dark humor and such blatant honesty you’ll find yourself continuing to read…  If only to find out what else Augusten could possibly be exposed to, and feeling the need to find out what happens to these real-life characters.   (An update is contained in the Epilogue.)

While I truly enjoyed the tremendous writing skill and recommend Burroughs for sharing his eccentric story, I have to admit that the themes and facts were disturbing enough to impact my enjoyment of the book.   However, good books are created to challenge us with new perspectives.   They can challenge us with new, unique perspectives and force us to think outside of the box and outside of our comfort zones.   This memoir most certainly does that and, therefore, this book is recommended.

Kelly Monson

This book was purchased by the reviewer.   “Running With Scissors is hilarious, freak-deaky, berserk, controlled, transcendent, touching, affectionate, vengeful, all-embracing…  It makes a good run at blowing every other (memoir) out of the water.”   Carolyn See, The Washington Post