Alive at the Center: Contemporary Poems from the Pacific Northwest (Pacific Poetry Project; Ooligan Press, $18.95, 277 pages)
“This is something new in our shared lives, how she turns so gentle.” I Am Pregnant with My Mother’s Death by Penelope Scambly Schott
Nine editors selected 151 poems for inclusion in this anthology. The poets, each represented by one or more poems, live in Vancouver, Seattle and Portland. What they have in common is a sense of un-commonality, representing the free spiritedness of the Pacific Northwest. This free spiritedness is reflected in “an array of poems that challenge… preconceptions, including those of what a poem might be.”
The reader is encouraged to “think your own thoughts,” about the worthiness of each composition. I was pleased that this buffet serving of art allows the reader to sample different styles and tastes in order to discover what resonates with one’s own life experiences. I identified with the more traditionally-styled poems, but others will no doubt be drawn to the ones with youthful edginess and rebellion.
It was a joy to discover poets whose work I want to read more of, including Alex Winstaley, Christoper Levenson, Lilija Valis, Catherine Owen, Kagan Goh, Susan Rich, Kathleen Holme, Jesse Morse, and Penelope Scambly Schott. The rainy weather that these three locales share apparently fosters rather than dampens creativity. Let’s hope that Alive at the Center is but the first release of many comprehensive – insightful yet challenging – collections of poetry from the Pacific Northwest.