He’s a Runner

Shoe Dog: A Memoir by the Creator of Nike – Phil Knight (Scribner, $29.00, 386 pages)

“In 1962 I told myself: Let everyone else call your idea crazy… just keep going. Don’t stop. Don’t even think about stopping until you get there, and don’t give much thought to where ‘there’ is. Whatever comes, just don’t stop.”

Phil Knight’s memoir is a wildly entertaining look at the founding – a difficult one, to be sure – of the world’s most successful athletic company. As Knight makes clear, the path forward was never easy. He began by cooperating with the Onitsuka Company of Japan (now Asics) to sell its shoes on the west coast of the United States; and, he eventually went to war with the company.

Shoe Dog shows us the value of grit, as Knight and his early partners were often knocked down but never out. He also fully acknowledges the many instances in which luck, pure luck, was on his side.

This is not just Knight’s personal and professional tale, it is also the story of two major figures of the early days of the running movement: Coach Bill Bowerman of Oregon – inventor of the waffle sole, and Steve “Pre” Prefontaine. Go Pre! If Knight was the mind of Nike, these legends constituted its heart and its soul.

“God, how I wish I could relive the whole thing.”

Oddly, this account appears to have been largely written back in 2007. Very late in the telling, Knight refers to Nike’s sales “last year,” in 2006. No matter, this is an inspirational work that’s well worth reading.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher. This book was published on April 26, 2016.

An excerpt from Shoe Dog can be found in the latest issue of Runner’s World magazine accompanied by this summary statement: “To Nike’s creator, Steve Prefontaine was much more than a talented runner. He was an inspiration for how the fledgling company would do, well, everything.”

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You Can Close Your Eyes

Music review: The Essential James Taylor

Does a buyer get his or her money’s worth with this 2 CD, 30 song collection?

Sony’s Legacy Recordings gets some props for truth in labeling with this collection. They could have simply placed James Taylor’s 20 best-selling singles on one CD and it would have constituted a purchase-worthy collection. Instead, on The Essential James Taylor the listener/purchaser has those 20 songs plus an additional 10 more on two CDs.

For any greatest hits collection there will be some quibbles. I would have left off the overly short “Long Ago and Far Away” (which seemed to be an idea for a song rather than a finished item, on which Taylor was accompanied by Joni Mitchell). Instead, I would have included “Mockingbird,” on which Taylor sang with his then-spouse Carly Simon – assuming the rights were available for licensing from Elektra/Warner. And I would have preferred “Suite for 20G” instead of the live take on “Steamroller.” Nevertheless, all of Taylor’s hits – as documented by their Pop and Adult Contemporary peak chart positions – and several lesser-known songs are found here.

“Honey Don’t Leave L.A.,” written by Danny Kortchmar, is one of the fun and unexpected selections in this compilation. Fortunately, “Her Town Too,” co-written and performed by Taylor and the very talented J.D. Souther, is included. There’s an interesting track, “Hard Times Come No More,” recorded with Yo-Yo Ma and a jaunty live version of the classic “Country Road.” “Secret O’ Life” – recorded live, is a nice surprise for those not previously familiar with it.

The second of the two CDs concludes almost perfectly with two inspiring and life-affirming songs performed live, “My Traveling Star” with the Tanglewood Festival Chorus and “You Can Close Your Eyes.”

A word about the sound. This compilation was produced by Bill Inglot and mastered by Vic Anesini. Anesini has been involved in mastering several Legacy discs, including Over the Bridge of Time: A Paul Simon Retrospective (1964-2011). Here, the Inglot-Anesini team has delivered a set of discs with a nice, warm mid-range tone that’s generally pleasing to the ear. This collection is not a case where artificial “punch” and jarring loudness are added for dramatic effect. The sound is as soothing as Taylor’s voice. And Taylor’s and Kortchmar’s guitar work is easily heard in the mix. There are a couple of tracks that sound a bit flat, as if one were listening to the songs over a set of television speakers. But all in all, it’s a compilation that sounds consistently fine whether one is listening at home or in the car.

It’s a bit of a puzzle as to why Inglot placed the songs in almost, but not quite, chronological order. Perhaps it has to do with the segues, deciding which song would sound best followed by another particular song. I would not change a thing about the song order on either disc.

This fresh look at Taylor’s career that spans the years 1968 through 2007 reminds us that he is, like Paul Simon, a true American treasure. James Taylor’s music has not just helped to – in the words of the liner notes – “define a generation,” it helped a generation to grow, survive and prosper even when times seemed to be at their worst (“Sweet dreams and flying machines in pieces on the ground.”).

Thank goodness we’ve been able to experience his artistry in our times. How sweet it was and still is.

Highly recommended.

Joseph Arellano

A review copy was provided by Sony Legacy Recordings.

This review first appeared on the Blogcritics site as an Editor’s Choice article:

http://blogcritics.org/music-review-james-taylor-the-essential-james-taylor/

Life Is No Way…

Life Is No Way to Treat an Animal

“Yes, I received your letter yesterday/ (About the time the doorknob broke)/ When you asked me how I was doing/ Was that some kind of joke?” – Bob Dylan, “Desolation Row”

Kurt Vonnegut: Letters by Kurt Vonnegut and Dan Wakefield (Delacorte Press, $35.00, 464 pages)

Kurt Vonnegut’s Letters, published posthumously (Vonnegut died in 2007 due to complications related to a fall at the age of 84), is a compilation of letters he wrote spanning seven decades. Longtime friend, fellow Indianapolis native, novelist and screenwriter Dan Wakefield edited the book.

There is a cottage industry that exists on how to make money off dead artists. Some initial skepticism as to whether or not a Vonnegut fan, or literature buff in general, would actually enjoy the book or glean any insight into the man is natural. Not to worry. The book is excellent.

Reading Vonnegut’s work can be an adventure, both literally and figuratively. To put the pieces of his work, career and life together from his perspective with his own words and thoughts in personal communications is quite fascinating. They move the reader one step beyond the musings of his essays and non-fiction work. For those of us who did not have the pleasure of hearing him speak, and obviously now never will, Letters is both as close as one could get, and in some cases, a more intimate experience.

To no surprise, Letters takes the reader through the early years when the writer was struggling to find an audience and make a buck. The book chronicles his feelings toward his first wife, Jane, before, during and after the breakup. Vonnegut held a warm affinity for her throughout his lifetime. The split with his second wife, Jill, was far less amiable. And, from a man who implored us to cultivate deeper relationships with our fellow humans, it is his first person portrayal of feelings and thoughts about those closest to him that are the most compelling aspect of the book. The witty, warm, intelligent, ironic, and sardonic Vonnegut is on display at all times.

Vonnegut’s post-divorce longing for a closer relationship with daughter Nanny is riveting, as are his thoughts on writing and the industry. Sadly, especially for a fan, it is downright sad to experience his account of the end of his life when the well of ideas is drying up and loneliness and boredom permeate his existence (Fates Worse Than Death, indeed).

For those of us inclined to honor the man, we should perhaps simply live by the last words of advice he wrote to be delivered to an audience: “And how should be behave during this Apocalypse? We should be unusually kind to one another, certainly. But we should stop being so serious. Jokes help a lot. And get a dog, if you don’t already have one… I’m out of here.”

Highly recommended.

Dave Moyer

Dave Moyer is an education administrator and the author of Life and Life Only: A Novel.

Vintage Clothes

Astor Place Vintage: A Novel by Stephanie Lehmann (Touchstone, $16.00, 396 pages)

The theme of Astor Place Vintage is familiar — vintage clothes, an old apartment and mysterious experiences provide a marvelous link to the past. It’s as if The Secret Lives of Dresses melded with Her Fearful Symmetry and The Secret Keeper. Alternating chapters, from 2007 and 1907, make for engaging reading. The issues faced by women who choose to be on their own, but a century apart, are similar and yet not.

This is a multi-generational tale about women; however, it is clearly not chic lit. Author Stephanie Lehmann has invested serious time and effort researching very early 1900s New York City. The restaurants, stores, street names and events portrayed (such as the Triangle Shirtwaist Factory Fire) are real. Numerous excellently-reproduced photographs allow the reader to have a glimpse into the working world of women of that era. Department stores and garment factories were their primary employers.

In 2007, Astor Place Vintage shop owner, Amanda Rosenbloom, who is nearing 40, wishes she could convince her lover of many years, Jeff, to leave his wife. Jeff has been subsidizing the shop and the apartment upstairs; in other words, Amanda is a kept woman. Her livelihood is in peril when she receives a notice to vacate the store. Relocating is unrealistic as shop rents have become astronomical.

In 1907 upper middle class 20-year-old Olive Westcott moves to NYC with her widower father who manages a Woolworth’s store. She yearns to be on her own. Be careful what you wish for! Olive’s life takes a sharp turn and the tale begins in earnest.

A very elderly woman, Jane Kelly, who is 98, is the living link between the clothes worn by Olive and Amanda’s shop. Although the book is a novel, the lives of the characters naturally lead to intrigue and prompt the reader to speculate how the story lines will converge.

This is Stephanie Lehmann’s fifth novel, and while it is the first of hers that this reviewer has read, it won’t be the only one. Ms. Lehmann’s smooth writing style, excellent dialogue and meticulous research efforts prove to be an unbeatable combination.

Highly recommended.

Ruta Arellano

A review copy was provided by the publisher. “Insightful, charming and wholly entertaining.” Khaled Hosseini, author of The Kite Runner.

Astor Place Vintage will be released on Tuesday, June 11, 2013.

This is the Day

Defending Jacob: A Novel by William Landay (Delacorte Press, $26.00, 432 pages)

William Landay’s courtroom novel, Defending Jacob, is interesting and engaging, but is it – as per the hype – this year’s version of Presumed Innocent?   Sorry, but no, it’s not.   This is one of those novels that comes down to the fake ending, where there are usually one or two twists that the reader didn’t anticipate or see coming.   But, this time around, the reader has to deal with three feints and it all seems a bit much.   The author is a graduate of the Boston College of Law, and I presume that at some point he heard an instructor state that, “The game is not worth the candle.”   That’s a law professor’s way of saying that a lawyer’s or judge’s argument is far too clever to be convincing; which is precisely the way I felt about Defending Jacob.

This is a story about a Chief Assistant District Attorney who takes on a case involving the stabbing death of a 14-year-old student at his own son’s high school.   It turns out his son is the prime suspect and, before you can sing a song by the 80s band The The, he’s banished from the office.   The next thing he knows, he’s the second chair to a criminal defense attorney who’s defending his son on a charge of murder.

“After a thousand years or so of refining the process, judges and lawyers are no more able to say what is true than a dozen knuckleheads selected at random off the street.”

“…it was a little late in the day to be switching sides.   I was not sure I could bring myself to defend the same scumbags I had spent a lifetime locking up.”

What Landay does well – quite well – is to express in a firm and gruff voice his doubts (as a former prosecutor) about the workings of the American criminal justice system.   But his protagonist Andy Barber comes off sounding less like a lawyer and more like one of those grizzled former cops who becomes a hard-shoe Private Investigator.   There were times, in fact, when I felt the story – set in 2007 – turn from color to black and white.   It sometimes seemed that, except for references to personal computers, I was reading something set in the 1950s rather than in near-current times.

Defending Jacob has its moments, but a better read in this genre is Tell No Lies: A Novel by Julie Compton, a taut courtroom drama that comes replete with “a surprise ending.”   That’s one surprise ending, not two or three.   Because when it comes to Scott Turow-style surprise endings, less is more.

Joseph Arellano

A review copy was provided by the publisher.

The Power of Love

One Day: A Novel by David Nicholls (Vintage Contemporaries, $14.95, 448 pages)

Twenty years.   Two people.   ONE DAY

“(She was) unable to recall a time when she felt happier.”

“…he is more or less where he wants to be…  Everything will be fine, just as long as nothing ever changes.”

Sometimes we need to wait until the right time to read a particular book.   I received a review copy of this novel, which had already become the #1 bestselling book in England and throughout most of Europe, in early 2010 (it was released in trade paper form in the U.S. on June 15, 2010).   But it didn’t strike me as something that urgently needed to be read…  That is, until I read that Anne Hathaway had agreed to play the female lead in the upcoming film version, with Jim Sturgess as the male lead.   Knowing that Hathaway has a skill for finding great scripts, I felt that the time had come.

This is the story of two people, Emma Morley and Dexter Mayhew, who meet cute on their graduation night (called “university graduation” in England) and spend the entire evening together.   They plan to commence a sexual relationship the next day; a plan which is forsaken due to some unexpected circumstances – something unexplained until the later pages of the story.   So, instead, they vow to be friends.   Dexter is to become Emma’s true male friend, but not boyfriend.

Nicholls tells the story, a very remarkable love story, by having us look in on the happenings of Emma’s and Dexter’s lives on the same date – July 15th – of each year.   The story begins on July 15, 1988, and concludes on July 15, 2007.   No spoiler alert is needed here, as no details will be revealed about what occurs to Emma and Dexter over the decades.   Let’s just say that the reader will be surprised.

I don’t want to play coy, so I will state that this is likely the best pure love story that I have read – it’s a tale that tugs at our heartstrings even while it makes us laugh.   And it will definitely bring tears prior to its dramatic and life-affirming ending.   It’s all the more remarkable that Nicholls, a man, writes with such a huge heart about life and love.

What can be revealed is that Emma and Dexter, despite their class differences (Dexter was born wealthy, Emma lower-middle class), know that they would be perfect for each other…  Maybe.   But each one faces too many temptations in the form of other people, and each thinks that the other wants different things out of life.   So despite their vow to be close forever, they begin to slide away from each other as they encounter life’s often not-so-gentle surprises.

“Everyone likes me.   It’s my curse.”

A few cautions…  Please disregard those who compare One Day to When Harry Met Sally (“Can a man and woman be best friends?”).   One Day is more adult and serious, and English humor is quite distinct from American humor; to me, it is, thankfully, more subtle.   That comparison caused me to hold off on reading this novel, which was unfortunate.   And if Dexter’s personality, early on, sounds a bit like Dudley Moore’s over-the-top character in the film Arthur, don’t worry, it will pass.   Dexter matures with age.

“…I can barely hear the compilation tape you made me which I like a lot incidentally except for that jangly indie stuff because after all I’m not a GIRL.”

There are many references to period music in the telling, which is both positive and not so positive.   (Emma can spend an entire day making the right mix tape.)   References to songs like “Tainted Love” make one smile; however, the numerous references to Madonna’s music wind up becoming painful in their datedness.

This is a novel that is stunning – so much so that on finishing it, I was both eager and fearful of reading it again one day.   (My response was to purchase the unabridged audiobook version, so that it’s there on the shelf if and when the urge strikes me to revisit it.)   This is simply a great story about two people who must decide which is better or worse:  the fear of confronting happiness, or the fear of never actually encountering it.   The message it delivers is a gift.   Please consider taking it.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   “Big, absorbing, smart, fantastically readable.”   Nick Hornby   “A totally brilliant book…  Every reader will fall in love with it.”   Tony Parsons   “A wonderful, wonderful book: wise, funny, perceptive, compassionate…”   The Times (London)

“One of the most hilarious and emotionally riveting love stories you’ll ever encounter.”   People

Note:  The film version of One Day will be released on August 19, 2011.