What Goes Around Comes Around

On September 19, 2010, we posted a preview-review of On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (St. Martin’s Press).   The book was released 9 days later, and we’ve learned that the author posted this reaction to our review on her blog:

Success!

“If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!”

Now that’s a review!   Seriously, since what I was going for was a whole new style – and exactly that one – it’s a gas to know that, at least for one reviewer, I’ve succeeded.

Read the whole thing here – https://josephsreviews.wordpress.com/2010/09/19/hold-the-line/ .

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Hold the Line

On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (St. Martin’s Press; $24.99; 336 pages)

If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!

Rozan writes in a style that is part 1950s detective magazine, part retro (think of Denis Johnson’s Nobody Move), part Miami Vice/Hill Street Blues and more than a bit of Batman and Robin.   In order to follow her story you will need to suspend reality or believe in – as does the main character – miracles.

As the story opens our protagonist P.I. Bill Smith receives a mysterious message on his cell phone telling him that his partner and love interest Lydia Chin has been kidnapped.   Smith doesn’t know who’s behind this but correctly suspects that it’s someone he helped put in prison.   He’s soon provided with a “clue” that leads him to an abandoned building in Manhattan in which he finds a dead girl.   This, naturally, is a set-up.   The NYPD officers arrive just after Smith does and suspect him of murder.   Smith has to fight with and escape from the cops just as he’s about to begin his frantic search for Lydia.

The person who has kidnapped Lydia has set a clock on this “game” of cat and mouse, life and death.   Smith must find Lydia before time runs out, because her kidnapper has promised to kill her once the clock reaches double-zero.   Smith needs to figure out who exactly has taken Lydia, and where she’s been taken while he hides from the police and, oh yes, as new crimes take place and the police suspect him of being the perpetrator.   Smith would have little chance of dealing with all of this by himself, but two young assistants come to his rescue and he’s also got a friend inside the NYPD who performs a few of the miracles he needs.

Rozan’s writing style is rapid and breathless.   As the story begins, the reader will likely feel (as with Nobody Move) that too much is happening too fast.   But if you accept the fact that dramatic events are going to happen every few pages, the read becomes a highly entertaining – and exhilarating – one.   If you’re like this reader, you will begin On the Line wondering if you will be able to finish it.   On doing so, you will be calling a bookstore to order one of the nine previously released Bill Smith/Lydia Chinn novels.

Recommended.

This review was written by Joseph Arellano.   A review copy was received from the publisher.   On the Line was released by St. Martin’s on September 28, 2010.

Faking It

False Convictions by Tim Green (Grand Central Publishing)

“Even in the suit, (Judge) Hubbard’s thick neck and big glasses gave him the air of a character actor playing a bit part on a low-budget cable movie.   Jesse Jackson kicked into gear with kisses, solemn hugs and jive handshakes.”

This reviewer was expecting something more substantial than what is found in Tim Green’s latest legal novel.   This is not a courtroom drama in the style of Scott Turow or an exciting part real, part fantasy, novel like those written by John Grisham.   No, instead it comes off as simultaneously low-budget and overdone.

The three main characters are stereotypes, none of them quite believable.   One is a young and brilliant shark of a lawyer, Casey Jordan, who, naturally, makes men melt at the sight of her in short skirts.   Another is a young male reporter who is God’s gift to women and knows that he’s more beautiful than Casey.   And lastly there’s the billionaire who can drop $2 million in a single afternoon in order to have Brad Pitt, Al Gore and Jesse Jackson join him at a press conference.   He also happens to move about in the fastest non-military airplane known to the world.

Stop me if you’ve heard this plot before.   A highly attractive young white woman is raped and savagely murdered.   The law enforcement authorities decide to arrest a young black man for the crime, and he’s sentenced to prison for the rest of his life.   Only maybe he didn’t do it.

In order to rectify injustices like this our friendly billionaire establishes a project to give sight to the blinded Lady Justice.   He offers Casey, who is so incredibly successful that she’s already been the subject of a TV movie, a cool $1 million retainer to take on the defense of only two wrongly convicted persons.   The billionaire may be Batman but he needs lawyers like Casey to serve as Robin.

The typical reader is going to expect a lot of twists and turns before things are resolved and the wrongly convicted person is freed.   Except that everything falls into place too quickly and about sixty-five or seventy percent of the way through this novel, the innocent guy is freed while one Judge Hubbard hangs out with Al Gore, Brad and Jesse.   Wait a second, there are too many pages left for this to be the end, which means…

Yes, the old fly in the ointment event occurs and everything suddenly goes to heck in a hand basket.   The best laid plans of billionaires go awry.   The same goes for the plot of this novel.   It goes into overtime before the game has been played out.

If Green had stopped when all the loose ends were tied, he might have been credited with serving up a nice little novella.   But this one goes on a bit too long and, strangely enough, it’s hard to spot the author’s legal training in the telling.

The reader seeking a fun novella in this genre might like Denis Johnson’s campy Nobody Move, just released in trade paperback form.   Or novels like Try Fear or Try Darkness by the highly talented James Scott Bell.   And then there’s True Blue by David Baldacci.   All of these are rides in a fastback mid-engine Porsche compared to Green’s tale, which felt to this reviewer like a ride down the block on a Vespa.

Joseph Arellano

A review copy was received from Grand Central Publishing.