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Strong As You

Music Review: James McCartney – Me

Me James McCartneyMe

It’s not often that a musician releases his first full album at the age of 35, but that’s the case with James McCartney. James is not related to the pop rocker Jesse McCartney, but his father once wrote a catchy tune called “When I’m Sixty-Four.” It’s said that the senior McCartney also wrote a few other songs that have been played on the radio.

Me is an album about a person facing adversity in his life. He’s not sure about his love life, his career, his familial relationships, but he tries to display a stiff upper lip: “We’re on our own and we’ve got to go on….”; “I am strong enough to make it through / I am strong enough as strong as you….”; “You think I’m going to lose / But I will win in the end….” Still, he has his doubts, “…we’ve got to go but we can’t go on forever.”

Here’s a look at the lyrics and songs on McCartney’s Me:

“Strong As You” – “It’s hard for me to say how happy I am / Happy man….” On this single from the album, James sounds like Julian Lennon and the lead guitar part that he plays will remind some of George Harrison. Badfinger also comes to mind.

“Butterfly” – “Little bird you don’t quite understand / Everything is lying in the sand….” Here James sounds more like John Lennon, especially in the phrasing, than Julian. It’s a song that might have fit on the Imagine album and there’s a trace of Dave Mason’s “Sad and Deep As You” in the melody.

“You And Me Individually” – “You and me are different / You and me were different individually….” It’s acoustic guitar opening is reminiscent of “Blackbird” from The Beatles White Album and reflects the fact that James and his father reacted in different ways to the death of Linda McCartney. The lighter than air quality of the song shows that James may have listened to Harry Nilsson’s sui generis compositions.

“Snap Out of It” – “You know that I’m not here / The candle’s burning at both ends… And I know that I can make it / And I think that I can take it / I’m not going to fake it anymore….” This is a song that’s very much in the style of George Harrison, who often mixed fear and self-doubt with grit in his compositions.

“Bluebell” – “Something pulls me close to you / Like a moth to a flame like a music box / Unwinding rewinding / I’m on my own / I’ve got to go on but I can’t go on forever….” This melodic piece sounds like a cross between two of John Lennon’s songs, “Across the Universe” and “Beautiful Boy.” It’s nicely done although the slow pace of the music to this point begins to feel plodding. A change is on its way.

“Life’s A Pill” – “…now I’m bleeding still / I know the pain will leave / When troubles disappear… Life’s a pill give it to me now.” Now the rocking begins. “Pill” sounds like a merger of “Things We Said Today,” “Running On Empty,” and “Peaceful Easy Feeling” and it’s just a warm-up for the next track.

“Home” – “I kind of heard it on the radio / Oh my god what am I to do….” James and his musicians kick out the jams on a song that’s a melding of Wings’ “Helen Wheels,” “Magneto and Titanium Man,” and Styx’s “Mr. Roboto.” The drummer kicks, punches and violently pounds on the drum kit until it’s destroyed. Yes, some serious behind is kicked!

“Thinking About Rock & Roll” – “Walking around Disneyland / It’s so pretty me and Mickey the Mouse / And he turns and says / It’s so fine and it’s going to be mine / Life’s so fine and it’s already mine.” This is the “Silly Love Songs”-style track on the album. It’s a song about celebrating life and living and appreciating what one already has (rather than what one wants and desires). A bit silly, but fun.

“Wisteria” – “Baby if you know what love is for / Let me know what it means to you….” This one’s like a track from Matthew Sweet’s Girlfriend album. It’s pure energy. Wisteria is apparently a woman’s name, although it might refer to Wisteria Lane.

“Mexico” – “Moving down to Mexico where the women treat you right / Moving down to Mexico where no one gives a shite….” A celebration of the joys of living in Mexico; it’s no threat to James Taylor’s song of the same name and theme.

“Snow” – “Nighttime falls on Manhattan city / New York like white snow / I’m on the fence for you / I’m in the zone glancing at you / Dancing with you for the very first time / Dance for the first time….” James channels John Lennon in a stunningly beautiful piano-based composition about love and winter in New York City. It’s like a lost love song written for Yoko Ono.

“Virginia” – “…my baby’s gone and left me… She left me at the station / And I don’t give a toss….” This is a non-essential bonus track that displays the McCartneys’ wry sense of humor. It would have fit well on the Wings Wild Life album.

Me is definitely a good album, but the question is where does James McCartney go from here? He is so clearly fascinated with the Lennon sound that it might make sense for him to join with 50-year-old Julian Lennon to jointly write and record a collection of songs together.

What would they call such an album? That’s easy, Lennon & McCartney.

Well recommended.

Joseph Arellano

A review CD was provided by ECR Music Group.

This article originally appeared on the Blogcritics website:

http://blogcritics.org/music-review-james-mccartney-me/

This review was also used by the Seattle Post-Intelligencer newspaper:

http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-James-McCartney-Me-4637098.php

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Life Is What Happens

“Life is what happens while you’re busy making other plans.”   John Lennon (“Beautiful Boy”)

This is an interview with John M. Borack, author of John Lennon: Life Is What Happens: Music, Memories & Memorabilia (Krause Publications; $26.99; 256 pages).   The book was released in late October of this year.

1.  Tell us a bit about your own background and what led you to write a book about John Lennon.

I’ve been a Beatles fan since the tender age of five, when my dad bought me my first Beatles record (the “All You Need is Love”/”Baby, You’re a Rich Man” 45).   Their output is what helped to shape my musical tastes, and when I first began writing about music in 1985 (for Goldmine Magazine), I was somewhat fixated on songs and artists that took their cues from the sound and spirit of the Fab Four.

Fast forward 25 years, and I received a call from the former editor of Goldmine, Peter Lindblad, asking if I’d be interested in being considered to write a book on John Lennon for Krause Publications, which is the same company that publishes Goldmine.   I practically jumped through the phone, I was so excited.   A few weeks later, Krause made me an offer I couldn’t refuse, and the rest is history!

2.  What will readers find in John Lennon: Life Is What Happens that they haven’t seen in the myriad of other tomes about Lennon?

Well, the account of rare/previously unpublished photos in the book is pretty impressive, for starters.   Also, I tried to keep the focus of the book on John and his music, and tell a relatively straightforward story of a complicated mans’ life, steering clear of most of the unnecessary drama that surrounded him.   To me, it’s a very nice-looking, coffee-table-style book, and one that can serve as not only a biography but also a critical look at Lennon’s music.   And did I mention that the photos are pretty cool, too?

3.  The amount of memorabilia and photos in this book is staggering.   Any personal faves?

As far as memorabilia, I love the shot of the Beatles pinball machine from 1966.   I’ve loved to play pinball since I was a kid, so this is one item I wish I had in my rec room – if I had a rec room.   I also like the personal letters and notes from Lennon that we included; I think they give an insight into John as a person and also showcase his awesome sense of humor.

4.  There was a photo of John and George Harrison on the banks of the Ganges in 1968 that stood out for me.   It’s so personal…  and tranquil.

That’s one of my favorites, too; I had never seen that one before.   I think it captures the two of them at a moment in time when they were coming out of the psychedelic scene and searching for something more in their lives.   It’s really a beautiful shot.

5.  What are some of the kookier things you came across?

I think the wax heads of John and Paul (from The Beatles Story Museum in Liverpool) are pretty wacky, as is the John Lennon Halloween mask from 1964.   It’s still fun to look at, though.

6.  As you accumulated the mass of material in this book, what did you learn about the man?   Did your research alter your impression of Lennon in any way?

What impressed me most during my research was the reinforcement of the fact that John Lennon was a true renaissance man.   Singer, songwriter, rhythm guitarist, poet, peacenik, author, social activist, husband, father – John was all of those and more.   He packed a lot of life into his 40 years, and he poured his whole heart and soul into everything he did.

7.   There’s a quote in Life Is What Happens taken from The Philadelphia Inquirer in 1980 where Lennon says, “I really thought that love would save us all.”   For a guy so famously cynical, that seems rather beautifully naive.   I don’t mean that in a bad sense of the word.   But do you think he really believed it?

John was a paradox; one minute he was singing about “Revolution” and “Power to the People,” and the next he was proclaiming, “All You Need is Love,” and imploring us to “Give Peace a Chance.”   I think John really believed in what he was singing (and saying) at the time he was singing (and saying) it.   The contradictions were part of who he was, but he wasn’t the type to say things he didn’t mean.

8.  This year has marked the 30th anniversary of John Lennon’s death.   What are your reflections on the man and his career?

John Lennon was a true original, the likes of which we’ll probably never see again.   The rock music world, and the world in general, is a bit less interesting without him.   Like many others, I really wish he was still here to lead us in new directions, flash his rapier wit and sing us some new songs.   Imagine…

Copyright 2010 John M. Borack, author of John Lennon: Life is What Happens.   John M. Borack is a Beatles collector and a Southern California-based music journalist whose reviews, columns and feature articles have appeared in periodicals such as Goldmine and Amplifier.   Courtesy of FSB Media.

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