In the White Room

The Season of Second Chances by Diane Meier (St. Martin’s Griffin; $14.99; 320 pages)

“…my house, my home, had become something deep and comforting to me, far beyond what I’d ever expected to find or feel in…  a world outside of ideas, of letters or literature.”

“…most men tend to live one-dimensional lives…”

Have you ever watched one of those home improvement shows where you patiently wait throughout the entire show for the big reveal at the end – and then the end is a disappointment?   That’s the way I felt about reading this book, which I wanted to like more than I did.   There was just less here than I expected to find.

This is the story of a romance between an academically minded homeowner, Joy Harkness, and a handyman-carpenter by the name of Ted Hennessey.   Joy leaves the politics of Columbia University to teach in an innovative new program at Amherst College in Massachusetts.   She has plenty of money so she buys her first real home, which is a run-down Victorian.   Naturally, it needs to be run-down in order for Teddy to enter the picture.

It was the character of Teddy Hennessey that just did not add up for me and made the read slower than it should have been.   When we first encounter Teddy, he’s the handyman who listens to The Who cassettes all day on his boom box.   That’s when he’s not reciting the poetry of Yeats, from memory no less.   Now, really, what are the chances of finding a handyman like that?   Well, virtually none in the real world.   Highly improbable to say the least.

“I’ll always be her child!” he snarled.

Oh, but then we think that maybe Teddy’s a closet intellectual who is just dying for the chance to go to college, something that Joy can help him with, right?   No, it turns out that our Teddy is afraid of going to school because then he’d have to abandon his sainted mother who has him wrapped around her finger like a 9-year-old.   So we’re left with a man-child who is simply not likeable…  Why the once-married, yet seemingly independent, Joy is attracted to this wuss is a sheer mystery.

Since the romance between Teddy and Joy (note the juvenile names) is doomed, Joy develops an attraction to her abode.   This is merely a comforting, if hardly an earth shattering, premise on which to build a novel.

“I turned and noticed, as I climbed the steps to the porch, that my house looked warm and inviting.   The rooms were lit, glowing from within; the colors they reflected were soft and inviting.   There was life in this house, and I was part of it.”

There was also a lot of crying in this book.   “Tears ran down my face and puddle around my nose before soaking the pillow.   I didn’t know why I was crying…”   “I’ve cried more this year than in the past twenty combined.”   “(I) cried until I didn’t think there could possibly be any liquid left in my body.”   I’m not sure why the otherwise solid – and growingly feminist – protagonist needs to experience such intense crying jags, another confusing factor.

One more confusing thing relates to a major scene in the book.   Joy’s married-but-separated friend Donna is savagely attacked by her former husband.   Donna’s ex uses a golf club to beat her nearly to death; pieces of her scalp are found on the club by the police.   Donna apparently has several broken bones in her face and is in critical condition.   She’s rushed to the hospital for life-saving surgery and facial reconstruction.   A number of characters in this story act commendably, taking care of Donna’s children during the time that she’s away.   Eventually, Donna returns home on Valentine’s Day and the very thing the reader wants to know goes hauntingly unanswered – what does her face look like?   (It’s as if the character departs as a human but returns as a ghost.)

On the plus side, there’s some nice humor.   “I went into the dressing room and emerged from the curtain in outfit after outfit, like a puppet in a Punch and Judy show.”   But as for the ending of this story, it simply appeared to run out of steam rather than concluding in a definitive and logical way.

Some might be attracted to this tale because of its promise of a type of late-in-life feminism, or the notion that someone can, in a sense, partner with one’s surroundings.   Both are promising and positive notions but they did not eliminate a sense of hollowness.

“I had no story, or, at least, none that I could see.   But my vantage point was, perhaps, too close to the shore to see that I had, at last, begun to swim toward my own life.”

This novel may present, for the right reader, lessons that will assist in commencing a journey of self-examination and discovery…  I was not that reader.

Joseph Arellano

A review copy was received from the publisher. The Season of Second Chances was released in trade paperback form on March 29, 2011.

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White Room

The Season of Second Chances by Diane Meier (Henry Holt & Co.; $25.00; 304 pages)

“…my house, my home, had become something deep and comforting to me, far beyond what I’d ever expected to find or feel in an unprofessional world, or a world outside of ideas, of letters and literature.”

“…most men tend to live one-dimensional lives…”

Have you ever watched one of those home improvement shows on a channel like HGTV where you patiently wait through the whole show for the big reveal at the end – and then the end is a disappointment?   That’s kind of the way I felt about reading this book, which I wanted to like more than I did.   There was just less here than I expected to find.

This is basically the story of a romance between an academic homeowner, Joy Harkness, and a handyman-carpenter by the name of Ted Hennessey.   Joy leaves the politics of Columbia University to teach in an innovative new program at Amherst College in Massachusetts.   She has plenty of money so she buys her first real home, which is a run-down Victorian.   Of course, it needs to be run-down in order for Teddy to enter the picture.

It was the character of Teddy Hennessey that just did not add up for me and made the read slower than it should have been.   When we first encounter Teddy, he’s the handyman who listens to The Who cassettes all day on his boom box.   That’s when he’s not reciting the poetry of Yeats, from memory no less.   Now, really, what are the chances of hiring a handyman like that?   Well, virtually none in the real world.   Highly improbable to say the least.

“I’ll always be her child!” he snarled.

Oh, but then we think that maybe Teddy’s a closet intellectual who is just dying for the chance to go to college, something that Joy can help him with, right?   No, it turns out that Teddy is afraid of going to school because then he’d have to leave his sainted mother who has him wrapped around her finger like a 9-year-old.   So we’re left with a man-child who is simply not likeable (at least I can’t think of any male I know who would feel any sympathy for him).   Why the once-married, yet independent, Joy is attracted to the wuss that is Teddy is a sheer mystery.

Since the romance between Teddy and Joy appears to be doomed – he, by the way, calls her “man” – Joy develops an attraction to her abode.   This is merely a comforting, if hardly an earth shattering, premise on which to build a novel…

“I turned and noticed, as I climbed up the steps to the porch, that my house looked warm and welcoming.   The rooms were lit, glowing from within; the colors they reflected were soft and inviting.   There was life in this house, and I was part of it.”

There was also a lot of crying in this book.   “Tears ran down my face and puddle around my nose before soaking the pillow.   I didn’t know why I was crying…”   “I’ve cried more this year than in the past twenty combined.”   “(I) cried until I didn’t think there could possibly be any liquid left in my body.”   I’m not sure why the otherwise solid – and growingly feminist – protagonist needs to experience such intense crying jags, another confusing factor.

One more confusing thing concerns a major scene in the book.   Joy’s married-but-separated friend Donna is savagely attacked by her former husband.   Donna’s ex uses a golf club to beat her nearly to death; pieces of her scalp are found on the club by the police.   Donna apparently has several broken bones in her face and is in critical condition.   She is rushed to the hospital for life-saving surgery and facial reconstruction.   A number of characters in this story act commendably, taking care of Donna’s children during the time that she’s away.   Eventually, Donna returns home on Valentine’s Day and the very thing the reader wants to know goes hauntingly unanswered – what does her face look like?   (It’s as if the character departs as a human but returns as a ghost.)

On the plus side, there’s some nice humor:  “I went into the dressing room and emerged from the curtain in outfit after outfit, like a puppet in a Punch and Judy show.”   But as for the ending of this story, it just seemed to me to run out of steam rather than conclude in a definitive (and logical) way.

Some will be attracted to this book because of its promise of a type of late-in-life feminism, or the notion that someone can, in a sense, partner with one’s surroundings.   Both are promising and positive notions but they did not eliminate a sense of hollowness.   Still Diane Meier has a nice, entertaining writing style; she’s a smoother version of Anna Quindlen.

“I had no story, or, at least, none that I could see.   But my vantage point was, perhaps, too close to the shore to see that I had, at last, begun to swim toward my own life.”

For the right reader, there may be lessons here that will assist in commencing a journey of self-examination and discovery; for that it is never, ever, too late.

This review was written by Joseph Arellano.   A review copy was provided by the publisher.

Win a Second Chance!

“The Season of Second Chances was a wonderful novel that I enjoyed reading.   I enjoyed it so much that I ripped through the book reading it late into the night…”   Laura Gerold, Laura’s Reviews

“As in an old house, you will encounter all manner of surprises on Joy’s journey and, I promise, they will keep you reading far too late in the evening to be sensible…”   Katherine Lanpher, author of Leap Days: Chronicles of a Midlife Move

Just yesterday, we posted a review of The Season of Second Chances: A Novel by Diane Meier.   Now, thanks to Interpersonal Frequency LLC, we have a copy of Second Chances to give away!   In case you haven’t yet read the review we posted, here is the official synopsis of this novel:

Joy Harkness had built a career and a safe life in New York City.   When offered a position at Amherst College, she impulsively leaves the city.   A tumbledown Victorian house proves an unlikely choice; nevertheless, it becomes the home that changes Joy forever.   As the restoration begins to take shape, so does her outlook on life.   Amid the half-wanted attention of the campus’ single, middle-aged men and the legitimate dramas of her community, Joy learns that second chances are waiting to be discovered within us all.

This book has a retail value of $25.00.   In order to enter this giveaway, all you need to do is post a comment here – with your name and an e-mail address – or send an e-mail to Josephsreviews@gmail.com .   This will count as a first entry.   For a second entry, and speaking of second chances, tell us where you live now and where you would live if money was no object.  

Munchy the cat will serve as the contest administrator and will pick a winner.   You must live in the continental United States to enter this contest, and if your name is selected by Munchy, you must supply a residential mailing address.   The winner’s book will not be mailed to a P.O. box or to a business-related address.

You have until midnight PST on Sunday, October 3, 2010 to submit your entry or entries.   This is it for the contest rules.   Good luck and good reading!   

The Season of Second Chances

The Season of Second Chances: A Novel by Diane Meier  (Henry Holt, $25.00, 285 pages)

When I finished The Season of Second Chances, I felt bereft.   The Season of Second Chances was a wonderful novel that I enjoyed reading.   I enjoyed it so much that I ripped through the book reading it too late into the night and finishing it in record speed during a busy work week.   After I finished it, I regretted only that it didn’t continue on as I loved the story and characters so much, it was hard to let them go.

The Season of Second Chances is a unique story that I really loved.   Joy Harkness is a middle-aged literature professor at Columbia University.   She loves and excels at her work, but doesn’t really feel connected to anyone.   When a professor she admires, Bernadette Lowell, offers her a chance to move to Amherst College in Massachusetts and be part of an innovative new curriculum in learning, Joy jumps at the chance.   She impetuously buys an old large, falling down Victorian house and quickly moves up from her small New York apartment.   I love the scene where she moves in and the house springs a giant leak.

Realizing that something needs to be done about the state of her house, Joy hires Teddy Hennessy to fix her house.   Teddy is a unique individual that knows the history and design of old houses.   He has an impeccable eye when it comes to interior design and works wonders with the house…  and with Joy.

Joy finds life changing for herself at Amherst and becomes involved with a great new group of friends.   She has a growth of personal relationships and self.   Through her time there, Joy really has a “coming-of-age” at mid-age.   She learns that to be a feminist, one does not need to give up everything that is feminine.

It is really hard to describe this novel as it was so unique and I do not want to give away the entire plot of the novel.   It was a great story and I really loved the style in which it was written.   Meier has beautiful prose throughout the novel.

Some of my favorite quotes were:

“What became apparent in my conversations with Teddy was my acceptance of a kind of snobbery I thought I’d avoided:  the notion that accessible writers and authors were hacks.”

I love this quote.   I think there is a lot of snobbery that exists, especially in academia about “accessible” writers.   It saddens me that a lot of great female authors from the past have been dismissed and have slipped into obscurity for just such reasons.   One example is Fannie Hurst.   I read a compilation of her short stories a few years ago and it was wonderful.   The stories gave a glimpse of working class girls’ lives in the 1920’s and 30’s.

“There is the family you’re born with, my dear – and then there is the family you choose.”

This quote is so true.   While you’ll never forget your birth family, I’ve found wherever you move you make a “family” of friends too that you can count on during times of trial.

There is also a great section about style, where two of the characters discuss that one doesn’t need to be afraid of style to be a feminist woman.   There are too many good quotes in this section just to pick out one!

I also loved that since Joy is a literature professor she talks about a lot of my favorite authors such as Edith Wharton and Willa Cather.   The discussions are like small diamonds throughout the text that I really enjoyed reading.

Overall, The Season of Second Chances is a wonderful novel with a great story, fantastic characters, and great prose.   I highly recommend it.

This review was written by Laura Gerold of Laura’s Reviews.   You can see more of her book reviews at: http://lauragerold.blogspot.com/ .   An Advance Review Copy was received from Interpersonal Frequency LLC.

 

The Art of Choosing

The Art of Choosing by Sheena Iyengar

How We Decide by Jonah Lehrer

The notion of choosing is so complex that there are now two popular books on the subject.   Each was written by an author who is an expert in their field of study.   Scientific writer Jonah Lehrer provides examples of how the brain and neurology affect the choices we make in How We Decide.   Sheena Iyengar, a professor of business at Columbia University, explores the notion of choice in her recently published book, The Art of Choosing, focusing primarily on psychology; however, she also views choice from the perspectives of business, philosophy, public policy and medicine.

Dr. Iyengar draws upon her personal experience, a vast network of academic associates and other experts, including Lehrer, to achieve her goal of broadening the reader’s perspective and understanding of the implications of the notion of choice.   She encourages her reader to engage in self-exploration in order to make more informed decisions.   In true professorial style, Dr. Iyengar supports her approach with accounts of past scientific experiments, both human and animal.   The tone of her writing in the opening chapter is calm and patient.   It is clear that she expects the reader to pay close attention.

The story of her parents’ marriage in chapter two is engaging and thought-provoking; however, other aspects of this chapter are dry and academic.   There is also a sharp contrast between the description of her parents’ Sikh wedding and what might easily be the text of a general survey course in psychology.   One heavily academic sentence contains 65 words.

The reader must employ perseverance in wading through Dr. Iyengar’s expansive discussion of the concept of the cultural differences between socialism and capitalism as they relate to choice.   Her notion of striving “for a metaphorical multilingualism” takes on a note of proselytizing that seems out of sync for a book that purports to be about making informed personal choices.   There is a disconnect between the colloquial and academic voices that Dr. Iyengar uses as she brings the reader along on her journey of exploring the concept of choice.

By the fourth chapter the book settles into a pleasant, advice-giving counselor’s voice.   There are well-related concepts and suggestions for making personal choices.   While these helpful hints are supported using psychological terms, Dr. Iyengar brings in popular references to illustrate her points such as the television show “Lie to Me” and the rental of movies using Netflix.

The seventh and final chapter brings the matter of choice down to the most personal aspect, that of making medical and other unpleasant decisions.   It is here that the reader is fully engaged via role-playing scenarios concerning life and death.   The concepts of worth and value are well developed and they lead the reader to the inevitable conclusion that choice involves price and responsibility.   Clearly, there is no surefire solution to the challenge of making a selection given the wide array of choices available today, whether it is among the many breakfast cereals in the supermarket or in deciding which path to take in life.

The Art of Choosing illustrates several approaches to making sense of the puzzle of life that so many authors and readers find challenging.   This book does a good job of providing an overall survey of the topic and, although a bit disjointed, provides the reader with food for thought.   However, if this reviewer were asked to choose which book someone with an interest in the subject should purchase, it would be How We Decide.   Author Jonah Lehrer begins each chapter with a compelling vignette that illustrates the aspect of decision-making being addressed.   His writing style is smooth, authoritative and entertaining.

How We Decide by Jonah Lehrer is well recommended.

Ruta Arellano

 The Art of Choosing is available from Twelve Books and in audiobook form from Hachette Audio.   How We Decide is available in trade paperback (Mariner Books, $14.95, 320 pages) and as a Kindle Edition and Nook Book download.