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Aftermath

Restless Souls: The Sharon Tate Family’s Account of Stardom, the Manson Murders, and a Crusade for Justice by Alisa Statman with Brie Tate (It Books, $26.99, 380 pages)

“Pardoning is God’s domain…  I forgave Sharon’s killers through His grace.   But, within, the laws of man, this forgiveness didn’t lessen the killer’s culpability or diminish my ambition to keep them in prison.”

This is an engaging and sometimes moving (and sometimes overdone) account of the life of a family that was terribly affected and afflicted by a brutal crime – the murder of Sharon Tate.   There are two names listed as authors, one being the domestic partner of Tate’s younger sister and the other her niece.   But, in fact, the book was written by four parties since it incorporates the words of Sharon Tate’s mother and father; both of whom intended to write their own memoirs.   And, to some extent, it was also written by Vincent Bugliosi as it borrows generously from his bestselling book Helter Skelter.

The one major flaw with this nonfiction work is that it was likely released at the exact wrong time.   I may not be correct (and I am not taking a side on this issue), but the political winds seem to be blowing in the direction of a moderately to dramatically less “tough on crime” approach than was exercised in the past.   This, at the least, appears to be true in California.

Restless Souls at times reads like a legal and political brief for locking them up and throwing away the key.   This is understandable as Doris Tate, Sharon’s mother, was a prominent figure in the victim’s rights movement in California and throughout the country a few decades ago.   She was recognized as one of the Thousand Points of Light by the first President Bush and worked very closely with California governors George Deukmejian and Pete Wilson.   Had this book been released in the period between 1980 and 1991, it would likely have drawn a great deal more attention that it’s going to get today.

A major part of the “Crusade for Justice” addressed in this account were the attempts by the Tate family to ensure that none of the Manson Family members were released from state prison.   These efforts were successful (Susan Atkins died in her cell); a fact which, ironically, takes away the weight and suspense of the telling.

Probably the most interesting of the four family member’s accounts is the one written by Sharon’s father P. J. who was in court during the Manson Family trials.   P. J.’s version of the courtroom dramas is fascinating, yet it takes a back seat to Bugliosi’s chilling version (Helter Skelter perhaps being the second best nonfiction account of a crime ever written, next to Truman Capote’s In Cold Blood).   This is something that’s apparent to Statman and Tate since a surprisingly – almost shockingly – lengthy excerpt of Helter Skelter is used here to describe the murders of Sharon Tate, Jay Sebring and the others at the home on Cielo Drive above Beverly Hills.

Astoundingly, Statman goes on to claim that Bugliosi’s book “was missing emotion” for the crime victims, something that could hardly seem to be less true based on the prosecutor’s writings and his work in court.   It’s the authors’ emotions, on full display, that make otherwise cold accounts, Helter Skelter, In Cold Blood and Joseph Wambaugh’s The Onion Field, so very stunning and moving.   These three books, once read are never, ever forgotten.

“Parents are covictims, and many of them get worse when the legal process is finished…  Now they begin to pine for their (lost) child in earnest…  They have to reconstruct their whole belief system because their assumptions about the decency of humanity, the security of social order, and justice are all shattered.”

Restless Souls serves as a needed reminder of how crime victims are often twice brutalized in our society and in the criminal justice system (having to deal with both a crime and its true aftermath in human terms), but I suspect it will mostly be read by criminal justice students as an historical account and not much more.

Joseph Arellano

A review copy was provided by the publisher.   Restless Souls was released on February 21, 2012.

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I Knew You When

I’d Know You Anywhere: A Novel by Laura Lippman (William Morrow Paperbacks, $14.99, 400 pages)

As with her prior novels, Laura Lippman does not disappoint as she again demonstrates her skill at writing crime fiction in the recent novel I’d Know You Anywhere.

To the outsider, Eliza Benedict appears to be a normal suburban stay-at-home mother of two with a loving, financially secure husband.   However, when she receives a letter from Walter Bowman, she’s instantly forced to relive her past.   Kidnapped by Walter at age fifteen, she was held hostage for almost 6 weeks.   Bowman, now on death row in Virginia, has found Eliza and reaches out to make amends.   As he presses her for increased contact, she begins to wonder what his real motivation is for contacting her.   She also wonders if she, too, may need something in return to secure full and complete closure on her past.

Lippman’s literary gift is in presenting interesting characters that the reader connects with.   By employing detailed descriptions and natural dialogue, she enables us to know each character in the story personally and intimately.

In I’d Know You Anywhere, Lippman’s writing is detailed and believable even when alternating between Eliza’s confident, yet conflicted (challenging yet clinging) teenager, to the delusional thought processes of Bowman.   Lippman provides fascinating insight into what it would be like to be abducted and the impact on the victim and family members as they subsequently attempt to resume their lives.

In this novel, Lippman not only presents an entertaining read, she also encourages the reader to contemplate the political dilemmas of the death penalty and debate whether death row meets its presumed function of bringing justice to the families of crime victims.   She further provides insight into the mind of someone with a mental illness; someone with twisted justifications of right versus wrong, and warped views on how his actions impact others.   My only critique is that I would have liked to see a bit more depth in Eliza – the main character – whose passivity in life becomes daunting at times.   However, the unique storyline and the  detailed personalities of Lippman’s characters provides for an intriguing, engaging and interesting story.

Well recommended.

Kelly Monson

A review copy was provided by the publisher.   I’d Know You Anywhere was released in trade paper form on May 3, 2011.

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Reeling in the Years

I’d Know You Anywhere: A Novel by Laura Lippman (William Morrow)

There are writers who, like certain songwriters, can be admired more than they can be enjoyed.   In the field of songwriting, the team of Walter Becker and Donald Fagen – collectively known as Steely Dan – has often been praised for their tunes steeped in irony even if their songs are more clever (more intellectual) than charmingly fun.   I kept thinking of Steely Dan and, especially, the song “Reeling in the Years” as I read this latest novel from the prolific writer Laura Lippman.

Lippman’s skills are to be recognized as she persuades a reader to turn over 370 pages of a story that does not amount to a lot.   There are two protagonists.   There’s the now-38-year-old Eliza Benedict, who was kidnapped and raped and held for 39 days by Walter Bowman, who sits on death row in Virginia awaiting his execution.   Bowman is a spree-killer convicted of two murders in two states, but he may have killed as many as eight young girls.   Why he didn’t kill Eliza (then known as Elizabeth) when she was 15 is supposed to be a question that puzzles everyone.   Except that Bowman was captured after a simple traffic stop.   The notion that he might have killed Eliza had he not been taken into custody when he was seems to elude everyone here.

Although Lippman gives her readers a lot of twists and turns and feints, there’s not much drama in this crime drama, and not much thrill in this psychological thriller.   It is interesting enough, but just enough.

Eliza never comes to life, especially as she displays no anger against Bowman.   When Bowman contacts her just weeks before his scheduled death, she becomes his strangely witting accomplice without much effort.   Eliza is a character that’s simply not present in her own life:  “Her time with Walter – it existed in some odd space in her brain, which was neither memory or not memory.   It was like a story she knew about someone else.”

A character in the book, a hack writer who wrote a “fact crime” book about Bowman, complains that he’s just simply not as interesting a criminal as, say, Ted Bundy.   That’s certainly the case as we never come to know what it is that made Bowman a killer, nor how it is that this man with a said-to-be just average IQ is suddenly cunning enough to use his victim Eliza in a last-minute plan to gain his freedom.   Something key is missing here as the author admits:  “(Her) mother had long believed that Walter had experienced something particularly wounding in his youth.”

Since neither of the two characters ever becomes fully realized, it’s hard to care about whether Eliza will, in the end, forgive Walter and/or help him avoid execution.   The reader will, however, wonder why this now happily married woman is willing to risk her contented life for someone who harmed her.   Since Eliza does not know herself, she certainly will never come to know or constructively forgive her former captor.

A significant flaw in this crime drama is that the interactions with participants in the criminal justice system feel like flyovers, neither grounded nor concrete.   The lawyers seem to be portrayed more as actors (attention being given to how they look and dress) than as advisors.

In the end, this reader admires Lippman’s skills, her persistence and her success.   However, reading this novel was a bit like trying to listen to that Steely Dan song “Reeling in the Years” as it plays in another room, down the hall, too far removed to be heard clearly.

This review was written by Joseph Arellano.   A review copy was provided by the publisher.

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Tell The Truth

Tell No Lies by Julie Compton

There’s a lot of buzz going around about Julie Compton’s new novel Rescuing Olivia, which will be released next month.   So we decided to go back and read Compton’s first book, Tell No Lies, published in mid-2008.   Lies is an excellent, excellent criminal justice system and family drama set in St. Louis.   The main character, Jack Hilliard, is an assistant district attorney who’s happily married; his wife is an adjunct college professor and they have two boys.   Life appears to be good for the family except that Hilliard is unfulfilled.

Suddenly everything changes at once for Jack…  Earl, the District Attorney for the City of St. Louis decides to give up his office to earn some pre-retirement riches at a prominent private law firm.   Although Jack is designated by Earl to be his successor, Jack struggles with the decision to run for the office.   Doing so will mean that Jack will need to hide or obfuscate his personal anti-death penalty views at a time when the local public is seeking blood.

Both Jack and his understanding wife Claire realize that moving from being an ADA to being the DA will turn their lives upside down…  But this is a small tremor compared to the coming earthquake that will change the ground under Jack and Claire – leaving them virtually foundation-less.   For years Jack has had a huge crush (“Can you be in love with two women at the same time?”) on the exotic Jenny Dodson, a mixed-blood civil practice attorney who turns men’s heads whenever she moves.   Jenny, in return, loves Jack but isn’t sure she wants to participate in destroying his happy marriage and contented family.

Against his better interests, Jack decides to involve Jenny as an officer in his campaign for DA which means he’ll regularly be in her company.   Jack initially believes that he can control his feelings for Jenny, but then comes to see that she’s far more than a distraction.   Jack, in fact, may love her to destruction.   Jack eventually becomes the DA who may be Jenny’s only hope when she’s charged with the murder of one of her clients.   But she had an alibi the night of the murder – one that involves Jack.   Will Jack save his marriage or Jenny?

This fantastic set-up only gets better and better and the reader will rush to get through the book, even at the cost of some sleep.   There never seems to be a wrong note in the story, and the fact that some major public figures have recently made a mess of their lives only adds credibility to this morality tale.   As with Tiger Woods, Jack comes to find that his life “is on fire and on the evening news.”   (Thank you, Paul Simon.)

Jack Hilliard is a person well liked and loved, but he’s often told that his flaw is that he feels that he must get what he wants in life.   This is a story about the high price to be paid for getting what you want.   The devil must be paid.

Compton is a former federal agency trial attorney and the language of the criminal justice professionals in Lies comes off as true in tone.   This is more of a gritty Prince of the City than homogenized Law and Order.   Tell No Lies was such an impressive début for Compton that I am quite eager to get to Rescuing Olivia.

Highly recommended.

Joseph Arellano

A review copy was provided by the author.  

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