Every Good Boy Deserves Favour

The Good Boy: A Novel by Theresa Schwegel (St. Martin’s Press, $15.99, 368 pages)

“And they tell me you are crooked and I answer; Yes it
is true I have seen the gunman kill and go free to
kill again.” Chicago, Carl Sandburg

A Solid Writer Delivers an Average Book

The Good Boy is Theresa Schwegel’s fifth novel. The Chicago native won the Edgar Award for Best First Novel for Officer Down. In her latest, Officer Pete Murphy and his partner, the dog Butchie, get caught up in a traffic stop gone bad that involves bad people with whom he has a not-so-pleasant past. This leads to a police cover up, revelations of an alleged affair between Pete and a judge he was assigned to protect during an ugly trial, and a civil suit against him.

Pete’s strained marriage and problem child daughter, McKenna, take center stage soon enough, and before one can say, “Freeze,” Joel – Pete’s young son, takes Butchie on an escapade related to McKenna’s shenanigans. This compulsive act takes him through virtually every Chicago neighborhood as he becomes mired in the middle of a revenge plot against Pete.

It seems that most contemporary novels requite some form of family dysfunction and troubled children, so that formulaic prerequisite aside, the writing is pretty good. However, despite being well constructed, the plot fails to be compelling enough to make this more than a run-of-the-mill cop story. This being said, readers who favor stories of this genre will likely find it to be an enjoyable read.

Longtime fans of author Schwegel – used to reading her award winning caliber books may, however, be disappointed in this C-level release.

Recommended, for some.

Dave Moyer

A review copy was provided by the publisher. Dave Moyer is an education administrator and the author of Life and Life Only: A Novel.

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When The Night Comes Falling From The Sky

Live by Night: A Novel by Dennis Lehane (HarperCollins, $16.99, 401 pages)

Well, I’ve walked two hundred miles, look me over / It’s the end of the chase and the moon is high / It won’t matter who loves who / You’ll love me or I’ll love you / When the moon comes falling / When the moon comes falling / When the moon comes falling from the sky…. Bob Dylan

Joe Caughlin, son of a Boston cop, is a bad guy with heart and a conscience. The complex creation of this man’s thoughts, feelings and actions is a true work of art.

The recent death of James Gondolfini might make this assertion seem cliché. The media coverage of his passing makes it appear as if this reviewer is the only person alive who’s never seen an episode of The Sopranos. So, that being said, the following commentary on Dennis Lehane’s Live by Night is based solely on the merits of the book with no bias toward the gangster genre.

One can look to the Book of Genesis for the age-old theme of male judgment being compromised by the affinity for a woman. From the opening paragraph of the book: “And it occurred to him (Joe) that almost everything of note that had ever happened in his life — good or bad — had been set in motion that morning he first crossed paths with Emma Gould.”

Indeed, Joe is taken by Emma, and she takes him for what she can, eventually leading to a heist gone bad, a lifelong feud with rival Albert White, incarceration, and the subsequent fight for survival that sets into motion a rum-running dynasty in Tampa with its own set of decisions and moral dilemmas that lead to additional near-misses, relationships, and death — lots of it.

During Joe’s stint in prison, Lehane creates a magical telling of the love between a father and son. When Joe decides not to execute the daughter of Tampa police chief Irv Figgens, Lehane masterfully depicts the inner workings of Joe’s conscience. When Joe and Graciela fall in love, create a life, and conceive of a child, the longing for a connection to a world larger than self even in the midst of chaos becomes simplistically self-evident.

And, oh yes, there is Emma. The Emma’s of the world do haunt forever. She will have a say in the outcome of the story, you can be sure of that.

When Joe crosses the imagined boundary from outlaw to gangster, the reader gets a glimpse of the notion that morality exists even where evil is pervasive. There are lines of acceptability drawn in the deep recesses of everyone’s mind. When one chooses to live by the rules of night, the gray area of love, loyalty and human empathy are interpreted individually and on a moment-by-moment basis. Perhaps this is no different that those who accept convention and live by day. But, Joe cannot resist the urge to live in the realm of night, and he is simply too good a bad guy to conquer it.

Any person interested in the difference between a crime novel and literature need only to pick up Live by Night to learn the answer.

Highly recommended.

Dave Moyer

A review copy was provided by the publisher. Live by Night was released as a trade paper book on May 14, 2013.

Dave Moyer is an educator and the author of Life and Life Only: A Novel.

Hold the Line

On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (Minotaur Books; $14.99; 320 pages)

If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!

Rozan writes in a style that is part 1950s detective magazine, part retro (think of Denis Johnson’s Nobody Move), part Miami Vice/Hill Street blues and more than a bit of Batman and Robin.   In order to follow her story you will need to suspend reality or believe in – as does the main character – miracles.

As the story opens our protagonist P. I. Bill Smith receives a mysterious message on his cell phone telling him that his partner and love interest Lydia Chin has been kidnapped.   Smith doesn’t know who’s behind this but he correctly suspects that it’s someone he helped put in prison.   He’s soon provided with a “clue” that leads him to an abandoned building in Manhattan in which he finds a dead girl.   This, naturally, is a set-up.   The NYPD officers arrive just after Smith does and suspect him of murder.   Smith has to fight with and escape from the cops just as he’s about to begin his frantic search for Lydia.

The person who has kidnapped Lydia has set a clock on this “game” of cat and mouse.   Smith must find Lydia before time runs out, because her kidnapper has promised to kill her once the clock reaches double-zero.   Smith needs to figure out who exactly has taken Lydia, and where she’s been taken while he hides from the police and – oh, yes – as new crimes take place and the police suspect him of being the perpetrator.   Smith would have little chance of dealing with this all by himself, but two young assistants come to his rescue and he’s also got a friend inside the NYPD who performs a few of the miracles he needs.

Rozan’s writing style is rapid and breathless.   As the story begins, the reader will likely feel (as with Nobody Moves) that too much is happening too fast.   But if you accept the fact that dramatic events are going to happen every few pages, the read becomes a highly entertaining  and exhilarating one.   If you’re like this reader, you will begin On the Line wondering if you will be able to finish it.   On doing so, you will be calling a bookstore to order one of the nine previously released Bill Smith/Lydia Chin novels.

Recommended.

Joseph Arellano

A review copy was received from the publisher.   On the Line was released in a trade paperback version on August 30, 2011.  

“A high-velocity entry in a reliable series.”   Booklist

What Goes Around Comes Around

On September 19, 2010, we posted a preview-review of On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (St. Martin’s Press).   The book was released 9 days later, and we’ve learned that the author posted this reaction to our review on her blog:

Success!

“If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!”

Now that’s a review!   Seriously, since what I was going for was a whole new style – and exactly that one – it’s a gas to know that, at least for one reviewer, I’ve succeeded.

Read the whole thing here – https://josephsreviews.wordpress.com/2010/09/19/hold-the-line/ .

Hold the Line

On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (St. Martin’s Press; $24.99; 336 pages)

If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!

Rozan writes in a style that is part 1950s detective magazine, part retro (think of Denis Johnson’s Nobody Move), part Miami Vice/Hill Street Blues and more than a bit of Batman and Robin.   In order to follow her story you will need to suspend reality or believe in – as does the main character – miracles.

As the story opens our protagonist P.I. Bill Smith receives a mysterious message on his cell phone telling him that his partner and love interest Lydia Chin has been kidnapped.   Smith doesn’t know who’s behind this but correctly suspects that it’s someone he helped put in prison.   He’s soon provided with a “clue” that leads him to an abandoned building in Manhattan in which he finds a dead girl.   This, naturally, is a set-up.   The NYPD officers arrive just after Smith does and suspect him of murder.   Smith has to fight with and escape from the cops just as he’s about to begin his frantic search for Lydia.

The person who has kidnapped Lydia has set a clock on this “game” of cat and mouse, life and death.   Smith must find Lydia before time runs out, because her kidnapper has promised to kill her once the clock reaches double-zero.   Smith needs to figure out who exactly has taken Lydia, and where she’s been taken while he hides from the police and, oh yes, as new crimes take place and the police suspect him of being the perpetrator.   Smith would have little chance of dealing with all of this by himself, but two young assistants come to his rescue and he’s also got a friend inside the NYPD who performs a few of the miracles he needs.

Rozan’s writing style is rapid and breathless.   As the story begins, the reader will likely feel (as with Nobody Move) that too much is happening too fast.   But if you accept the fact that dramatic events are going to happen every few pages, the read becomes a highly entertaining – and exhilarating – one.   If you’re like this reader, you will begin On the Line wondering if you will be able to finish it.   On doing so, you will be calling a bookstore to order one of the nine previously released Bill Smith/Lydia Chinn novels.

Recommended.

This review was written by Joseph Arellano.   A review copy was received from the publisher.   On the Line was released by St. Martin’s on September 28, 2010.