My Book Review Rules

I first posted my Lucky 13 book review rules and policies on July 31, 2009.   I am now reposting them with a few revisions and applicable updates.

The Lucky 13 Rules

1.   I am interested in receiving review copies on most subjects but especially biographies and memoirs; music; poetry; sports; science fiction; business books; nonfiction survery books; inspirational books (but not directly tied to religion); popular fiction; crime dramas; mysteries and suspense thrillers; family novels; Young Adult (YA) novels; children’s books and stories involving animals.

2.   I am not interested in vampire or zombie books; conspiracy theory books; political tracts; books promoting racism or hatred; books laden with philosophy or religion (been there, done that); overly simplistic self-help books (of which there are many); or books in which the author says the same thing on every page!

3.   If the reference to popular fiction was too vague, let me be clear:  yes, I will and have read “chick lit” (distinct from bodice rippers or old-fashioned romance) books.

4.   Whenever possible, I like to receive early stage review copies – paper bound galleys or ARCs, even if they are subject to final review, editing and corrections.   No one wants to write the last review of a new book.

5.   Yes, I do want to review books that are being re-released in paperback – especially in trade paperback form.   In this economy, paperbacks are often the only books on the radar screen of economy-minded readers.

6.   I finish around 80 percent of the books I start, but if I can’t finish it – meaning that attempting to do so is  more painful than dental work, I’m not writing the review.

7.   I’m a speed reader but it nevertheless takes me forever to read pages that have not been editing by someone in the world!

8.   Send an e-mail to me at Josephsreviews@gmail.com if you want to know if I’d like a copy of your book.   My receipt of your book does not equate with an automatic positive review (I simply try to be honest) nor a guarantee that I can or will finish it.   Again, I cannot guarantee that I will post a review of your book because you have sent it to me.   Also, please do not send me follow-up e-mails asking when I will be reading/reviewing your book.

9.   Some authors want me to not only review their book but to include a link to their website, or their Twitter account or other online address.   Sorry, I don’t do that.   Readers who have seen my review(s) and are interested in more information on an author can do a Google search.

10.  I do not read/review digital or e-books or pdf files.   (I have nothing against technology, it’s simply a matter of eye strain.)

11.  I love audiobooks on CDs, so if your book is available in this format and you or your publisher can supply me with an audiobook copy, it’s a big plus.

12.  Publishers, if you send me a book, please do include a P. R. sheet with some background information on the book and the contact information for the assigned in-house publicist or contact P. R. staff person.   If I post a review, I will be sure to let the contact know when it is posted.

13.  New authors – especially of nonfiction or self-published books, please have an experienced editor vet your work before submitting it for review.

That’s it.   Good reading to all!

Joseph Arellano

Note:   Some self-published books are reviewed on this site, although they remain the exception to the rule.

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You’ve Got Your Troubles

The Neighbors are Watching: A Novel by Debra Ginsberg (Crown; $23.99; 325 pages)

“It was as if Gloria was sabotaging herself, Sam thought.   Well, they were both sabotaging themselves, just going about it from opposite directions.”

Debra Ginsberg has populated her latest novel with a score of self-sabotaging and dysfunctional characters.   This is the story of Diana, a young pregnant woman who is thrown out of her mother’s home and forced to live with the father she’s never known.   Dad Joe lives in the suburbs of San Diego near the ocean with his second wife, Allison.   Joe made Allison abort her only pregnancy years earlier, and Allison knows nothing about the existence of Diana.   Therefore, when she appears on Joe’s driveway the marriage is suddenly in serious trouble.

But it turns out that everyone in the neighborhood is in trouble as the fires of late October and early November 2007 approach.   Fourteen people died and at least 70 were injured when a half-million acres burned.   One million San Diego County residents were evacuated, the largest evacuation in California history.   This is the not-so-pleasant back-drop for Ginsberg’s troubled tale.

It appears that all of the neighbors in Joe’s suburban community have their serious quirks and troubles.   There’s a sometimes-happy and sometimes-bickering lesbian couple, Sam and Gloria, and a heterosexual married couple, the Werners, whose son Kevin is a lazy weed smoker with no intellectual or athletic skills.   This is a ‘hood that is seemingly over-populated with drug users and abusers.   One has to wonder how accurate a reflection this is of America’s Finest City and its residents.

The one exception to the group of losers is an Asian couple, whose quiet son shoots hoops and practices the piano for hours on end.   This is a stereotype of sorts, although it’s one that was likely not meant to be offensive.   However, Ginsberg includes a highly troubling reference to Diana, who happens to be half African-American.   Early on, Kevin’s mother refers to Diana as “an uppity pregnant girl who had no business even being in the neighborhood in the first place.”   This is offensive on two counts – first, in using a term that is knowingly offensive to African-Americans, and also in the implication that there’s a “place” within which people of a certain color are not welcome.

Perhaps Ginsberg intended this non-P.C. reference to serve as a reminder of the destructiveness of racism, but she could and should have adopted a more subtle and temperate way of expressing that notion.   Another flaw with the telling is that Ginsberg chooses the rather unfortunate name of Joe Montana for Diana’s father, which makes it seem like some kind of inside joke.   “Joe Montana, like the football player?”   Yes.

One of the key problems with Neighbors is that the story is made needlessly complex.   When Diana surfaces with disastrous consequences for her father’s and stepmother’s marriage, the storyline seems logical.   But then Ginsberg takes it further – Joe suddenly has an affair with a young neighbor and Diana hooks up with Kevin, the worst possible choice for her.   More is not always better.

There’s this dividing line…  A dividing line between the fictional account which feels to a reader like real life, and the feeling that it’s a good effort but there’s a sense of magic that’s lacking.   Ginsberg produced a fine attempt in this novel but it struck this reader as a manuscript rather than as a fully developed work.   It needed some editing, trimming and rethinking.   All in all, the author seemed to be sabotaging herself like the characters in her dysfunctional fictional neighborhood.

This review was written by Joseph Arellano.   A review copy was provided by the publisher.

Our Book Ratings System

As you may notice in visiting this site, we do not rank or score books with letter grades or numbers or stars – either white or gold ones.   We simply recommend books, of whatever genre, or do not recommend them.   The most precious resource we have in life is time, and so we attempt to make a determination here as to whether a particular book is worth your time.

If you don’t see a recommendation at the end of the review, the book in question is not recommended.   When we do recommend a book it will fall into one of three categories, as follows.

Recommended – This is a book, fiction or non-fiction, which may contain up to four or five writing flaws which were not corrected in the editing process.   However, it is clear on the whole (and by a margin that clearly exceeds 51%) that this is a book that will justify the time you devote to it.

Well Recommended – A book in this category may contain two or three flaws or editing omissions, but it’s exemplary and likely to rank in the top quartile (top 25%) of books on the market.

Highly Recommended – Books like these are likely in the top 10% of those released in the current and prior calendar year.   They may contain one or two errors but are nevertheless close to perfection in both content and presentation.

Some books will fall into the Recommended or Well Recommended category because they are well written, but Highly Recommended books tend to require a junction of great writing with a great theme and near-flawless execution.   Finally, we are considering adding a new category, Essential.   Essential books are novels or non-fiction books released in prior years that should be a part of any well-rounded reader’s experience.   Two examples that immediately come to mind are In Cold Blood by Truman Capote and Independence Day by Richard Ford.   The latter was the winner of both The Pulitzer Prize and the PEN/Faulkner Award.   (“It is difficult to imagine a better American novel appearing this year.”   Publishers Weekly, 1995)

Independence Day was reviewed on this site on October 30, 2009 (“American Tune”).

Silence is Golden

The Unwanted Sound of Everything We Want: A Book About Noise by Garret Keizer (Public Affairs, $27.95, 385 pages)

“Lou Reed’s (music) is not noise; Gregorian Chant piercing my bathroom wall is.”

This is a highly entertaining and sometimes annoying survey account of noise around the world and its impact on humans.   Garret Keizer occasionally cites relevant points, such as that one’s reaction to noise is often tied to personal factors.   If I’m married to a professional pilot, the noise from the nearby airport does not bother me the way it troubles my neighbors.   (Human transportation remains the number one noisemaker around the world.)   He also notes, importantly, that we do not become “used to” noise, and that its damage to our ears is all too permanent.

But Keizer also includes considerable material of little relevance that seems to be an attempt to justify his travels around the globe in the guise of doing research for this book.   Is he serious about discussing the noise made by foreign sex workers?   Keizer also makes one whopper of a questionable pronouncement, which is that noise is something imposed on us against our will.   If we enjoy something, such as rock music, it is not noise.   Nonsense.   I love Live at Leeds by The Who but played at any volume it remains noise, even if a joyful one.

This compilation of random thoughts and scientifically based findings on noise is interesting but meandering.   The editor was missing in action.

This review was written by Joseph Arellano.   Reprinted courtesy of Sacramento Book Review.

On Wisdom

Wisdom: From Philosophy to Neuroscience by Stephen S. Hall (Knopf, $26.95, 320 pages)

Whether you’re fascinated by psychology, philosophy, or science, you’re likely to find much of interest in this survey book by Stephen Hall.   This is a search for the meaning and definition of “wisdom” with a capital W – sometimes interpreted to be emotional intelligence or an internal calmness.   Hall’s journey reads like the script for a public television documentary, one that might have been entitled: “The Search for Wisdom.”

Boomers will like the conclusion that older persons are apparently wiser, calmer and far more content than those with their entire futures ahead of them.   Research shows that younger people become angrier about daily slights and hold onto these negative feelings longer than their elders.

Although the language in this nonfiction work is generally clear, it unfortunately sometimes sounds like an academic textbook.   It also often comes close to parody (“proverbs and aphorisms…  are the cocktail peanuts of conventional wisdom”; large events in the world can “change the lens of one’s emotional view like a new prescription from a spiritual optometrist.”).   Wisdom could have used a lot of wise editing, still it offers both old and young readers a chance to re-examine their lives and their yet-to-be-made choices.

Recommended.

Reprinted courtesy of Sacramento Book Review.

Average is Not Good Enough

“You’ve got to shake your fists at lightning now/ You’ve got to roar like forest fire…”   Joni Mitchell (“Judgement of the Moon and Stars: Ludwig’s Tune”)

You don’t see many book reviews concluding that the book being reviewed is average.   Yet, in truth, many books are simply average and this can present a problem for a reviewer.   Think, for example, about the book reviews you’ve read recently that you remember.   I would guess that they were either extremely positive or negative; either praising or damning.

These “A” or “F” reviews almost write themselves as the reviewer is honestly answering a single question:  Why did I love – or hate – this book?   But it is a much harder task to write a review of a book that doesn’t either soar or plummet  – the “C” book that represents the much-dreaded and highly feared word in this country, average.

Sometimes this comes down to the process of editing.   Ideally, an editor should perform two tasks at once when reviewing a manuscript.   He or she should review the grammatical accuracy and, just as importantly, determine if the work has a narrative structure that is attractive and holds the reader’s interest.   There are perfectly edited books – with no typos or errors of punctuation – that merely glide down the runway but never take off, for lack of style.

I had an experience with this recently.   I received a copy of a semi-fictional novel from a first-time author.   There were no obvious errors in spelling or punctuation in the galley but the entire story read as if it were written by a newspaper reporter:  “First, I did this, then that.   Then I graduated from high school, then got married, then went into the military, then went to college.”   You’ve heard of the phrase, “Dialing it in?”

I lost all interest in the book after a few dozen pages.   I had almost no idea what to say about it so I decided not to write a review.   I am not a fan of assigning either grades or stars to books (the latter seems so trite and childish) but in this case I almost wished that I could simply say, “An average story told without style.   C-.”   Oh, well.

But there’s a lesson here, I think, for the first-time writer.   After you finish the manuscript for the Great American Novel or the Fantastic Nonfiction Survey Book, look for an editor who will apply the style test to your work.   This will, hopefully, not be a friend or family member.   Supplying this editor with the first chapter of your work should suffice.   Ask him or her one basic question, “After reading this sample chapter, did you want to read more?”   If the answer is “no,” take it as constructive criticism and work on finding your voice.

It is not sufficient in today’s highly competitive literary market to just bang out a story.   C-level books are not good enough.   If you’re going to be a true writer, an artist, you need to come up with a work that is so individual, so full of your spirit and unique voice that reviewers will either love it or hate it.

Go for the “A” or “F” and get noticed!   And by all means, avoid the cloak of invisibility that’s inevitably attached to average work.

One in a continuing series.   Pictured:  Reading Like a Writer – A Guide for People Who Love Books and for Those Who Want to Write Them by Francine Prose (Harper Perennial Trade Paperback, $13.95).

About Our Reviewers

Ruta Arellano – Ruta received her B.A. from the University of California, the one in Berkeley.   She served as the Associate Director of the California Self-Esteem Task Force and later worked as a research specialist with multiple state agencies.   She tends to read and review crime mysteries, popular fiction, survey books, books on art and interior design, business books and those books that are hard to classify.   Ruta also writes reviews for the New York Journal of Books, Sacramento Book Review and San Francisco Book Review.

Joseph Arellano – Joseph received his B.A. in Communication Arts from the University of the Pacific, where he wrote music and entertainment reviews for The Pacifican and the campus radio station, KUOP-FM.   He then received his J.D. (law degree) from the University of Southern California, which is why he’s pretty good at writing legal disclaimers.   He has served as a Public Information Officer for a state agency, which involved a lot of writing and editing work under heavy pressure and deadlines, and he was an adjunct professor at California State University, Sacramento (CSUS).   Joseph has done pre-publication editing and review work for a publisher based in England.   He also writes – or has written – reviews for New York Journal of Books, Sacramento Book Review, San Francisco Book Review, Portland Book Review and Tulsa Book Review.

Munchy – Munchy is a senior Norwegian Forest Cat of the brown tabby variety.   He only writes reviews of children’s books and only when he absolutely feels like it.   (His children’s book reviews have appeared in San Francisco Book Review and Sacramento Book Review.)   He intends to become the furry Publisher and Chief Feline Officer (CFO) of Brown Cat Books.

Dave Moyer – Dave is the author of the novel Life and Life Only and of several published short stories and essays.   He regularly reviews books for this site and for the New York Journal of Books.   Moyer is a former college baseball coach.   A music lover and Bob Dylan junkie, Moyer has played drums in various ensembles over the years (but not with the Rolling Stones).   He majored in English at the University of Wisconsin and earned a doctorate from Northern Illinois University.   Moyer is a school superintendent in Southeastern Wisconsin and is an instructor for Aurora University.   He currently resides in the greater Chicago area.

Kimberly Caldwell – Kimberly is a freelance writer and editor in Connecticut.   She earned a B.A. in Journalism and Business at Lehigh University, and earned her chops as a reporter and copy editor at a daily newspaper, an editor of electronic display industry news, neurology studies and romance novels, and as the general manager of an independent fine-dining restaurant.

Kelly Monson – Kelly is a former school principal and special education teacher who earned her Doctorate, Educational Specialist Degree, Master’s Degree and Bachelor’s Degree from Northern Illinois University and a second Master’s in Educational Leadership from Aurora University.   She is an avid reader and writer and travels extensively (with and without her three children).   She currently resides in the greater Chicago area.

Risky Business

Risk: A Novel by Colin Harrison

Risk is a crime novel, it might be said, that is not what it purports to be.   It is the story of one George Young, a lawyer at an insurance firm, who is asked to solve a mystery.   The mystery has to do with how and why the son of the firm’s late founder was killed in an apparent accident in New York City.   Young feels that he owes his good fortune in life to the late Mr. Corbett who rescued him from a lackluster existence as a prosecutor.   Therefore, he agrees to try to solve the mystery without a fee.

But Young is actually less a lawyer than an insurance fraud investigator, so investigating a suspicious death would appear to be right up his alley.   Then there’s the fact that this is actually a 174-page novella, or a two-thirds scale novel.   It often reads like a movie manuscript, quick with easy-to-visualize scenes and light on character development.

Risk would be a perfect book to read while commuting since the story is not too complex or demanding.   Harrison’s style as an author calls forth James Scott Bell (Try Fear), who writes of crime and dark figures with tongue a bit in cheek.   George Young, like Bell’s lead figure Ty Buchanan, plays investigator with a smirk and sometimes a joke.   He’s a bit too relaxed to be real and would probably be played by a young Bruce Willis-type in a film version.  

Come to think of it, the plot of Risk has some parallels to Try Fear, but we’ll put that aside…   In the end, Risk was less satisfying for two reasons.   First, the editing/proofing could have been better.   It was unsettling to come across mixed tense sentences, as in this example:  “All I wanted to do was go home and have dinner with Carol, maybe sit out on our balcony and drink some cheap wine while we ate.   Usually I ask if she’s heard from our daughter, Rachel, who was in her first year of college then.”   I think these sentences would have been correctly written as, “All I wanted to do back then was go home and have dinner with Carol…  I usually asked my wife if she’d heard from our daughter Rachel, who was in her first year of college.”   (Another sentence refers to, “…leaving life itself altogether.”   That’s about two words too many.)

More troubling was the implausible ending – a movie script cliché – which tied things up neatly but turned the tale into a shaggy dog story.   I’d stay away from this one unless you’re the type of reader who enjoys chasing his or her own tail.

A review copy was supplied by Picador and Library Thing.