Tag Archives: Eliza Benedict

I Knew You When

I’d Know You Anywhere: A Novel by Laura Lippman (William Morrow Paperbacks, $14.99, 400 pages)

As with her prior novels, Laura Lippman does not disappoint as she again demonstrates her skill at writing crime fiction in the recent novel I’d Know You Anywhere.

To the outsider, Eliza Benedict appears to be a normal suburban stay-at-home mother of two with a loving, financially secure husband.   However, when she receives a letter from Walter Bowman, she’s instantly forced to relive her past.   Kidnapped by Walter at age fifteen, she was held hostage for almost 6 weeks.   Bowman, now on death row in Virginia, has found Eliza and reaches out to make amends.   As he presses her for increased contact, she begins to wonder what his real motivation is for contacting her.   She also wonders if she, too, may need something in return to secure full and complete closure on her past.

Lippman’s literary gift is in presenting interesting characters that the reader connects with.   By employing detailed descriptions and natural dialogue, she enables us to know each character in the story personally and intimately.

In I’d Know You Anywhere, Lippman’s writing is detailed and believable even when alternating between Eliza’s confident, yet conflicted (challenging yet clinging) teenager, to the delusional thought processes of Bowman.   Lippman provides fascinating insight into what it would be like to be abducted and the impact on the victim and family members as they subsequently attempt to resume their lives.

In this novel, Lippman not only presents an entertaining read, she also encourages the reader to contemplate the political dilemmas of the death penalty and debate whether death row meets its presumed function of bringing justice to the families of crime victims.   She further provides insight into the mind of someone with a mental illness; someone with twisted justifications of right versus wrong, and warped views on how his actions impact others.   My only critique is that I would have liked to see a bit more depth in Eliza – the main character – whose passivity in life becomes daunting at times.   However, the unique storyline and the  detailed personalities of Lippman’s characters provides for an intriguing, engaging and interesting story.

Well recommended.

Kelly Monson

A review copy was provided by the publisher.   I’d Know You Anywhere was released in trade paper form on May 3, 2011.

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Reeling in the Years

I’d Know You Anywhere: A Novel by Laura Lippman (William Morrow)

There are writers who, like certain songwriters, can be admired more than they can be enjoyed.   In the field of songwriting, the team of Walter Becker and Donald Fagen – collectively known as Steely Dan – has often been praised for their tunes steeped in irony even if their songs are more clever (more intellectual) than charmingly fun.   I kept thinking of Steely Dan and, especially, the song “Reeling in the Years” as I read this latest novel from the prolific writer Laura Lippman.

Lippman’s skills are to be recognized as she persuades a reader to turn over 370 pages of a story that does not amount to a lot.   There are two protagonists.   There’s the now-38-year-old Eliza Benedict, who was kidnapped and raped and held for 39 days by Walter Bowman, who sits on death row in Virginia awaiting his execution.   Bowman is a spree-killer convicted of two murders in two states, but he may have killed as many as eight young girls.   Why he didn’t kill Eliza (then known as Elizabeth) when she was 15 is supposed to be a question that puzzles everyone.   Except that Bowman was captured after a simple traffic stop.   The notion that he might have killed Eliza had he not been taken into custody when he was seems to elude everyone here.

Although Lippman gives her readers a lot of twists and turns and feints, there’s not much drama in this crime drama, and not much thrill in this psychological thriller.   It is interesting enough, but just enough.

Eliza never comes to life, especially as she displays no anger against Bowman.   When Bowman contacts her just weeks before his scheduled death, she becomes his strangely witting accomplice without much effort.   Eliza is a character that’s simply not present in her own life:  “Her time with Walter – it existed in some odd space in her brain, which was neither memory or not memory.   It was like a story she knew about someone else.”

A character in the book, a hack writer who wrote a “fact crime” book about Bowman, complains that he’s just simply not as interesting a criminal as, say, Ted Bundy.   That’s certainly the case as we never come to know what it is that made Bowman a killer, nor how it is that this man with a said-to-be just average IQ is suddenly cunning enough to use his victim Eliza in a last-minute plan to gain his freedom.   Something key is missing here as the author admits:  “(Her) mother had long believed that Walter had experienced something particularly wounding in his youth.”

Since neither of the two characters ever becomes fully realized, it’s hard to care about whether Eliza will, in the end, forgive Walter and/or help him avoid execution.   The reader will, however, wonder why this now happily married woman is willing to risk her contented life for someone who harmed her.   Since Eliza does not know herself, she certainly will never come to know or constructively forgive her former captor.

A significant flaw in this crime drama is that the interactions with participants in the criminal justice system feel like flyovers, neither grounded nor concrete.   The lawyers seem to be portrayed more as actors (attention being given to how they look and dress) than as advisors.

In the end, this reader admires Lippman’s skills, her persistence and her success.   However, reading this novel was a bit like trying to listen to that Steely Dan song “Reeling in the Years” as it plays in another room, down the hall, too far removed to be heard clearly.

This review was written by Joseph Arellano.   A review copy was provided by the publisher.

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