Goodbye

This Is How You Say Goodbye: A Daughter’s Memoir by Victoria Loustalot (St. Martin’s Press, $24.99, 240 pages)

Everyone I dated felt like a hotel room – clean, organized, empty and everyone the same. Nothing less, nothing more.

Victoria Loustalot lost her father, who’d been living a double life, at the age of 11. Her bedridden and HIV-infected parent died at the age of 44. Three years before his death he offered her a trip around the world, with stops in Cambodia, Stockholm and Paris (places that had been important in his life). In this memoir Loustalot embarks on a trek to visit Angor Wat, Stockholm and Paris as an adult in an attempt to find the man she never quite knew: “Everything I was seeing I imagined my father saw, too.”

The book will appeal to those who have traveled to a new place and found it to be magical – “I was unprepared for how (the towers at Angor Wat) were going to make me feel.” What’s a bit strange is that the writer, who grew up in Sacramento, has little love for the California valley town. She describes Sacramento winters as “wet and dark” and adds that her father “had no love” for the place.

In the end, Loustalot may not have come closer to locating her mysterious father’s true character, but she does complete a fulfilling journey of self-discovery. This memoir may lead some readers to fashion a similar journey.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.

Note: Loustalot begins her account by describing how hard it was for her to learn to smile. There’s a reserve about her. It’s this reserve that keeps this entertaining true story from becoming a completely engaging and enthralling account.

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The Loner

Outside the Lines: A Novel by Amy Hatvany (Washington Square Press, $15.00, 358 pages + A Reader’s Club Guide)

He thought he could white-knuckle his way through to normalcy.   He thought he could do it without the meds.   He couldn’t decide which was worse – life on the meds or life off of them.   He concluded it was just life he couldn’t bear.   The simple act of breathing had become too much to bear.

Amy Hatvany’s fourth novel is an engaging and provocative look at mental illness.   Eden is a 10-year-old girl whose artist father leaves her and her mother behind in Seattle after he’s attempted suicide and refused to take the medications needed to “silence the rumblings in his head.”   The adult Eden achieves her dream of becoming a successful chef in the city, but realizes that she needs to find her father before it’s too late.

I’m not usually a fan of stories that are told in non-chronological order – they tend to be too clever by half – but here the author makes it work, and work well.   In fact, some of her time-shifts seem to have been crafted for a screenplay version of the story.   Hatvany has a gift for dialogue, although in Outside the Lines she’s created a character in Jack (Eden’s charitable boyfriend) who’s just too good to be true.

“Is he perfect all the time?” Georgia asked when I went on dreamingly about some wonderful thing Jack had said or done.   “I might have to hurl if he is.”

While the family novel’s set in The Emerald City, there are side trips to San Francisco and Portland which provide changes of scenery.   This is a morality play in which Eden (as in the Garden of…) must save her long-lost dad before she can save herself and the world she lives in.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.  

“Hatvany’s novel explores the tragedy of a mind gone awry, a tangled bond of father and daughter, and the way hope and love sustain us.”   Caroline Leavitt, author of Pictures of You

“I finally felt like I was contributing to something that made a difference in the world.”

Hill Street Blues

The Drop: A Harry Bosch Novel by Michael Connelly (Little, Brown and Company; $27.99; 416 pages)

“It was a city where not enough people cared about making it a better and safe place to live.”

Michael Connelly, author of the tremendously successful Mickey Haller (The Lincoln Lawyer, The Reversal, The Fifth Witness) and Harry Bosch novels, returns with what is likely his strongest tale yet.   The Drop stands for the Los Angeles Police Department’s Deferred Retirement Options Plan, which allows police officers and detectives to stay on as retired annuitants working past their normal scheduled retirement dates.   As we join the story, Bosch is bored, underworked, underappreciated and counting the months until the day of his departure from the Hall of Justice.

“Two days ago he didn’t think he could leg out the last thirty-one months of his career.   Now he wanted the full five years.”

Then, suddenly, Bosch is given not one, but two major cases to solve.   One assignment comes to him directly from the police chief.   Without explanation, a powerful city councilman who is a foe of the LAPD in general – and a long-time enemy of Detective Bosch – requests Harry’s services in resolving the death of his son.   The son’s death appears, at first blush, to be a suicide but is it something more?   And will the powers that be in the city permit Bosch to pull the strings even if it unravels a major political power broking scandal?

The second matter is a cold case investigation into a murderer, seemingly lost somewhere in southern California, who may be a rival to Ted Bundy as a dangerous serial killer.   While spending virtually every minute of the first 48 hours cracking the first case, Bosch and his partner also find and create the time to solve the mystery of the second.

Boomers will identify with Bosch, who is conflicted over whether he should remain on the job, retire immediately or stay on longer.   It will be familiar territory for some mature readers.   As Harry says to his 15-year-old wise, prospective-detective daughter, “I’ve been chasing my tail all week…  and you know what?   I think you were right.   You called it at the start and I didn’t.   I must be getting old.”

In this 22nd novel from Connelly, we find a protagonist who has never seemed more likable, more flawed and more human.   This is about as good as it gets when it comes to fiction set in the City of Angels.   And don’t just take my word for it:

Thank God for Michael Connelly…  (He) retains his journalistic gifts; his eye for detail is spot on…  his 22 novels form an indispensable, compelling chronicle of L.A.”   Los Angeles Times

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   The Drop will be released on November 28, 2011, and will also be available in e-reader form (Kindle Edition and Nook Book), and as an unabridged audiobook on CDs.   “Connelly is a master of building suspense.”   The Wall Street Journal

A Perfect Read

Perfect Reader by Maggie Pouncey (Anchor; $14.95; 288 pages)

“Now the distance leads me farther on/ Though the reasons I once had are gone/ With my maps and my faith in the distance/ Moving farther on…”   Jackson Browne (“Farther On”)

Maggie Pouncey is bringing back language, slow and careful language.   It’s the type of language that began to disappear in the 1960s.   The language that the daughter of a college president might have grown up hearing.

One gave the dog a sop, not a treat or bite; one woke not at dawn but at sparrow fart, and wore not party clothes but finery.   Now it was like speaking Yiddish, or some other dying language; soon there would be nobody around to talk to.

Perfect Reader is a story of a not-so-young 28-year-old woman who returns to her home town after her father’s death.   The town is Darwin, Massachusetts which daughter Flora Dempsey has returned to from, presumably, Boston.   Flora’s father was the president of Darwin College (as the author’s father was the president of Amherst College), and also a noted literary critic, professor and sometime poet.

Flora is a rootless person who has not yet decided what to do with her self, her life.   She’s disoriented coming back to the small college town built on “liberal well-meaningness”; it’s a town more than a bit reminiscent of Davis, California.   But then she felt no more at home working in the city.

Flora’s parents had been divorced many years before and she had made a career out of avoiding contact with her father.   Now the time for avoidance has passed.   She must handle his funeral arrangements, and everything her father owned – his home, his writings, his books – has been left to her.   This is not the least of things, as Flora learns that her dad had a lover, a female instructor from the college.   The woman wants to be close to Flora, but Flora just wants to isolate herself; she wants people to leave her alone while she ponders her next steps.   In a strange way she envies her father’s escape from the people who trouble you:  “The dead left you alone, but it was the living who filled you up with loneliness.”

Flora felt her life shrinking.   The smallness of the table provided a good metaphor.   No room for other people.   Soon her life would cease to be a table; it wouldn’t even be a cocktail table.   It would be a solitary chair, hardbacked and wooden…

This likely sounds depressing but in the telling – a careful and precise telling – it is not.   The Boston Globe called it, “(An) exquisitely observed drama.”   This is because it comes down to the words, the language, which makes the reader feel like he or she has picked up a novel from the wrong decade, if not century.

It is, however, slow.   This is something that some readers will likely have a problem with but it is deliberately slow.   The author has said that, “so many of the books I love are slow.”   If and when the novel is made into a film, there will be no car chases, no gun battles, no slaps or loud confrontations.   It will be a moody movie (like The Hours) that will be loved or hated.

I loved this very contemplative story set around a basic theme.   Does a child, even an adult child, grow up by escaping her past or embracing it?   Whose life is it anyway and, presuming it’s your own, why do we pay such a high price for not fulfilling the expectations of others?

Although Flora’s father has passed (and Flora hates that people will use any word in the English language but dead) she must nevertheless battle her mother’s expectations, and the fact that she fails to heed her mother’s advice.   In one prime scene, Flora’s mom suggests that she volunteer somewhere in order to provide “some structure” to her life.   “How wonderfully helpful, Mom.   How sage…” responds Flora who is tired and “regressing, moving backward, growing down.”

Yes, our protagonist is not someone who everyone will like or relate to.   She’s brittle and angry and exhausted but, two years short of her third decade on this world, she’s reached the point of decision-making.   Who and what is she going to be in her life?

Perfect Reader is not for everyone.   For me, it was close to a perfect read.

Highly recommended.

Joseph Arellano

This book was purchased by the reviewer.   “Maggie Pouncey’s Perfect Reader is wry, vivid, loving and exuberantly BOOKISH.   I enjoyed it tremendously.”   Meg Wolitzer, author of The Uncoupling: A Novel.  

The Language of Light

The Language of Light: A Novel by Meg Waite Clayton (Ballantine Books; $15.00; 352 pages)

Just do your best and find joy in what you do.

Nelly Grace has accepted a new beginning to her life after moving in to her great-grandfather’s home in Maryland with her two young boys following the death of her husband.   With the support and encouragement of her new friend, Emma Crofton and Emma’s distant, attractive son, Dac, Nelly begins to remember the passion she once had for her photography.   As Nelly struggles to regain her confidence and work towards her dream of being a photojournalist like her father, she also tries to come to terms with their fragile relationship.   But as her photographs begin to develop, so too does a secret past that is as complex as taking the perfect picture.

The prose in this novel is beautiful and refined, including descriptive landscapes and multifaceted, interesting characters whose complex relationships develop as secrets unfold at each turned page.   The plot takes several unexpected turns and the resolution of the story left me wanting more, curious for a “part two” for further closure on the changing relationships and outcome of these unexpected plots.

Clayton also enlightens the reader throughout her story on the creative aspects of photography that brings an entire new perspective to this craft and the skill and dedication it takes to embrace the art of photojournalism.

I appreciated Clayton’s references of several well-known pieces of art to depict particular scenes, feelings and relationships within the story.   In the attached readers guide she notes:

Despite my efforts to learn more about how to use a camera in order to deliver a believable photographer-protagonist…  I remain sadly untalented in the art of film.   But one of the things I love about writing is that it allows me to imagine having talents I lack.

As the reader, I was mesmerized by the details of photography described by her characters and the importance of capturing each moment accurately.   I would have believed that Clayton herself was a member of this profession.   It provided a  new respect and deeper understanding of the gifts delivered by a great photographer.

The combination of interesting characters, an intriguing, ever-changing plot, and the elements of photography so beautifully captured in this novel, allow me to share that this novel is Well Recommended.

Kelly Monson

A review copy was provided by the publisher.   Note:   Four novels have been released that have similar titles – The Language of Trees by Ilie Ruby, The Language of Secrets by Dianne Dixon, The Language of Flowers by Vanessa Diffenbaugh, and The Language of Light by Meg Waite Clayton (author of The Wednesday Sisters and The Four Ms. Bradwells).

Telstar

Trader of Secrets: A Paul Madriani Novel by Steve Martini (William Morrow, $26.99, 392 pages)

Be prepared for globe-trotting action as Steve Martini launches his most recent Paul Madriani thriller at a full throttle.   This pace is maintained as the action shifts among key players and the locales where they are hiding, cooking up mayhem or stalking human prey.

Martini’s fans will be pleased that the story picks up the thread of danger and fear that Madriani’s nemesis, Liquida Muerte, has brought to previous novels.   The nucleus of characters includes his attorney partner Harry Hinds, lady friend Joselyn Cole and, of course, Madriani’s beloved daughter, Sarah.   Further out from the inner circle are Thorpe at the Federal Bureau of Investigation (FBI) and his cohort of spies and snitches.   The premise, locating and stopping terrorists bent on producing the means for destroying key targets in the U.S., creates tension and no end of drama.   The subplot is pure Martini – fierce papa Madriani needs to assure the safety of Sarah and will do most anything to secure it.

”I knew it.   I knew it.   This thing smelled the minute I got that call from the White House.”   Thorpe got out of his chair, waiving the cigarette around like a torch.   “So now they dump it on us to find these guys, and if we fail, it’s our ass in the flames.   And if that’s not enough, they want to play hide the ball.   They can’t tell us what it’s about.   Son of a bitch,” said Thorpe.   “Damn it!”

The focus on wicked scientist from the Jet Propulsion Laboratory in Pasadena, California seems a bit like the reverse play on the TV show NUMB3RS where brilliant scientists solved ugly crime with math and physics.   The doubts about who’s the good guy and who’s the self-centered monster make the plot twists and turns all the more enjoyable.   Martini knows how to play out the suspense and snap to a conclusion, segue to more action and never miss a beat.

While some thriller series may lose their vitality, thankfully, the Madriani franchise is clearly not one of them.   This reviewer is looking forward to the next installment from Steve Martini’s vivid imagination.

Highly recommended.

Ruta Arellano

A review copy was provided by the publisher.   “Martini is a crafty pro.”   The Washington Post

“Martini has created one of the most charismatic defense attorneys in popular fiction.”   Linda Fairstein

(Just Like) Romeo and Juliet

Exposure: A Novel by Therese Fowler (Ballantine Books; $25.00; 384 pages)

Author Therese Fowler has written the 21st century version of Romeo and Juliet.   Fowler portrays the complexities of the modern-day teenage romance highlighted by cell phones, computers, and on-line social networking.   She does an excellent job demonstrating the dangers of our advanced technologies when it comes to teenagers and the sharing of personal information in her upcoming novel, Exposure.

The star-crossed lovers, Anthony Winter and Amelia Wilkes have everything in common, excluding the financial status of their families.   Their shared passion for theatre brings them together in their affluent high school’s production of As You Like It, which in verse summarizes their own love story:

No sooner looked but they loved

Their commitment to one another begins with a secret romance shielded from Amelia’s arrogant father, Harlan, who shelters Amelia with the primary goal of ensuring that she ends up with the ideal partner who will provide her with a rich life, not the poor unfortunate one he had as a child.   He hopes for Amelia to pursue a business degree at Duke University and to find a shadow of him, a man with money and power who will provide her with the wealth that he finds essential for happiness.

Anthony, the talented and non-conformist son of a single mother was abandoned by his father before he was born.  He is fortunate to attend Ravenswood, the esteemed private school where he meets Amelia, only because his mother, Kim, has been hired to teach Art and French.   Kim, a supportive mom doing the best she can to raise Anthony with the limited resources she has, supports the relationship between her son and Amelia, knowing all too well the power of love and romance.

As Amelia and Anthony spend their time contemplating their plan for the future they become closer and, as a result, intimate.  Following graduation Amelia will reveal both their relationship and plans to attend New York University for drama while they both pursue careers on Broadway.   Months away from graduation their relationship becomes physical and, being the artists that they are, commemorate their relationship through writings, texts, e-mails, and photos.   This intensifies their relationship, which is presumed to be private and innocent (Anthony is 18 and Amelia 17), while they are away from one another…

One unfortunate day Amelia’s father hacks into her computer and finds explicit photos of Anthony.   Outraged and presuming that his innocent, naive daughter has been the victim of a heinous crime, he instinctually calls the police and begins an investigation that results in a series of events altering the lives of everyone involved.

Fowler expresses the true nature and concerns of sexting, and the repercussions of the open access that our children have to the Internet and other related avenues for sharing information.

Yes, Exposure may also take you back to relive the story of your first love… or the one that got away.

Well recommended.

Kelly Monson

A review copy was provided by the publisher.   Exposure will be released on May 3, 2011.

Rescue Me

Rescue by Anita Shreve (Hachette Audiobook)

Anita Shreve is one of my all-time favorite authors.   I have read every one of her novels.   This is my first time listening to one of her books instead of reading it the old-fashioned way.   I enjoy audiobooks and it was interesting to determine whether a Shreve novel would translate well to an audiobook.

Rescue is a novel that encompasses many of Shreve’s themes throughout the portfolio of her work.   Sheila Arsenault is a woman on the run from an abusive relationship.   After crashing her car in an alcohol fueled incident, Sheila is rescued by rookie paramedic Peter Webster.   Webster is taken by the beautiful young victim and searches her out after she is discharged from the hospital.   Webster is determined to help her and falls in love along the way.   Sheila is happy to be rescued, but finds that old demons are hard to leave behind.

Eighteen years later, Webster is raising their daughter, Rowan, alone.   Rowan unfortunately seems to have inherited some dangerous addictions and traits from her mother.   Will Webster be able to save his daughter or is it already too late?

I enjoyed listening to this audiobook.   Dennis Holland did a fairly good reading of the novel, although I found his attempts at a Boston accent to be rather jarring.   I almost wanted to do the dishes every day so I could listen to what was going to happen next.   I found the plot to be compelling, but the best thing about the novel was the in-depth character studies.   Rash decisions that were made in one’s youth can lead to consequences that can last a lifetime.

I also found Webster’s job as a paramedic to be very interesting as were the stories of his rescues.   I’ve never read a book with a paramedic as the main character and I really enjoyed it.   It left me wanting to know even more about the profession.   I think it was a great way to talk about how Webster rescued people as his job in life, but that he had troubles with rescuing his wife and his daughter.   It’s not as easy to rescue those you love from addictions and bad behavior.

Anita Shreve is a gifted writer.   I love her style of writing.   That being said, while Rescue was a good book, I still hold some of her earlier works such as The Weight of Water and Fortune’s Rocks in much higher regard.   I miss her historical books!

Overall, Rescue was a compelling read with characters that I enjoyed listening to. This review was written by Laura Gerold and is used with her permisson.   We interpret this review to be the equivalent of a recommended position on this novel.   You can read more of Laura’s fine reviews at http://lauragerold.blogspot.com/ .

Tomorrow Never Knows

“I feel like the 1960’s is about to happen.   It feels like a period in the future to me, rather than a period in the past.”   Paul McCartney, 1994

After the Falls: Coming of Age in the Sixties – A Memoir by Catherine Gildiner (Viking; $25.95; 368 pages)

This is a memoir that I simply didn’t understand, and let me try to explain why.   Memoirs – literally, a telling of personal memories – generally fall into one of two categories.   In the first, the writer self-examines his or her own life very closely (if not microscopically) and critically.   These generally conclude with life lessons and the writer’s unflinching willingness to accept responsibility for the mistakes he or she has made.   With the second category, the writer plays it for laughs.   Basically, he/she says, “I was young and irresponsible.   I know that now, but back then I was such a fool.   Oh, well, such is life!”

In After the Falls, Catherine Gildiner refuses to place herself in either category.   She writes here about a life filled with errors and omissions but then declines to accept responsibility for her own role in it.   (She’s shocked when a crime happens in front of her very eyes; a boyfriend lies to her – actually he simply fails to tell her the truth; she acts hatefully toward her parents, etc.)   In a sense she commits one of the worst offenses imaginable in life, which is to be a mere observer of her actions and inactions.

Let me give a specific example of her disclaiming of responsibility.   At one point, she writes about observing the gang rape of a presumably underage  girl while hiding in the closet of a female friend’s house.   The rape is instigated by the friend’s older brother.   Does Gildiner report the crime to anyone?   No.   Does it even make her angry?   Apparently not, although she thinks now and then about the girl who was repeatedly violated, but…  But she rejects any responsibility on not one, but multiple instances within the pages of After the Falls.   This raises a key question that must be asked:  If one does not want to accept responsibility for things that happened decades earlier, why write a book that tells the entire world about those actions?   (In other words, what is the point of all this?)

I did not read Gildiner’s earlier memoir Too Close to the Falls, but I did notice one person’s comment to the effect that this memoir is darker and more depressing than Too Close.   Well, yeah.   Frankly, I found it a bit dangerous as well as depressing.

It’s also, sadly, in this reviewer’s eyes a bit of a distortion of what it was like to grow up in the 1960s.   There was a lot of excitement about human potential and about the leaders who later fell – beginning with John Kennedy and extending through Martin Luther King, Jr. and Robert F. Kennedy.   There was also the Civil Rights Movement (touched upon tangentially in these pages), and great music.   But this memoir would lead one to think that the entire decade was,  in the words of one notable rock band, “a drag…”, as in “What a drag it is getting up.”

To her credit, Gildiner concludes this unconventional account with an admission of how belatedly she grew to love and appreciate her parents – especially her father who lived for six years with a cancer that eventually turned his brain into “an empty honeycomb.”   But it seems to be too little too late.

Missing most of all is a sense of the joyousness of growing up in what was truly a unique and energizing time.   We may not be able to go back to those times, but we can certainly treat the decade more kindly that it has been portrayed here.   A bit of gratitude might have been in order.

This review was written by Joseph Arellano.   A review copy was received from the publisher.

Wild Horses

Rescue: A Novel by Anita Shreve (Back Bay Books; $14.99; 320 pages)

“He wants to go to her.   He’s used to caring for a person who’s sobbing.   It happens to him at least once a week.   But he can’t go to this particular person.”

When Anita Shreve writes, everything is set forth in perfect human scale – neither too large nor too small.   This is why she can take a tale, that in the words of another writer might seem pedestrian and predictable, and turn it into something cinematic.   While reading the novel Rescue, I often felt as if I were watching a movie on a DVD.

At first it seems like there will be few surprises in this family novel.   A young paramedic, Peter Webster, comes across a car accident in which a drunken young woman has nearly killed herself.   The woman, Sheila, is clearly troubled and promises to darken the life of anyone who comes close to her.   Peter falls in love with her even before she’s removed from the wreckage.   In a matter of weeks, they’re shacking up before getting married and having a child – a little girl named Rowan.

As we expect from the very beginning of this story, Peter has let an accident come in the front door and his life is nearly turned into wreckage by Sheila.   When Sheila has a second DUI accident, and seriously injures a man, Peter knows he needs to protect himself and his daughter.   He banishes Sheila from their lives.

Fast forward 18 years and Rowan suddenly appears to be the second coming of her mother, drinking too much and endangering herself.   And then the completely unexpected happens… the ever-responsible Peter elects to do something that seems almost mad.   He invites Sheila back into their lives.   And this is where Shreve the writer hooks the reader, putting you in a position where you cannot put the novel down.

Peter let Sheila nearly ruin his life once, and now he’s giving her a second chance?   It’s a disorienting twist on what seemed to be a plot that was traveling down a straight road – now it’s gone sideways.   But this is Anita Shreve and in her cinematic style, this is where the cameras begin to zoom-in, to focus on the major players as events escalate.

“Sheila turns her head.   ‘Go slowly and be careful,’ she says.”

No spoiler alert here, but Shreve will surprise you in the way life itself constantly surprises us.   One never knows exactly what’s coming next; the fact that the telling of this tale reflects this is a reason Shreve is one of our best story tellers.   This story is taut, engaging, realistic and fulfilling.   At its conclusion it teaches us that life’s next lesson is not in the here and now, it’s up ahead, just down the road apiece.   You’ll know it when you get there.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.