For a Dancer

Five Days Left: A Novel by Julie Lawson Timmer (Putnam, $26.95, 352 pages)

At first, it wasn’t a conscious decision, keeping her illness from them. She was in denial in the beginning, as loathe to admit to herself that everything was wrong as she was to admit it to them. But then, after her diagnosis, everyone around her became so overly concerned, so insufferably attentive that she started to regret anyone knew… (I)t was infuriating to watch herself deteriorate in the eyes of the people around her. Use the word “disease” and suddenly everyone will instantly treat you like you’re ill, Mara learned, even on days you feel fine.

Five Days Left is a close to perfect debut novel from Julie Lawson Timmer, whose background is in law. This is the story of Mara Nichols, a successful lawyer, wife and mother whose life is put on hold by a diagnosis of Huntington’s Disease. Mara fights to hide her symptoms from her co-workers and family members for months and years, but eventually realizes that her body is breaking down and out-of-control; the disease is going to take her life. So Mara decides that she will commit suicide on her next birthday. The narrative begins five days before the birthday on which Mara will end it all. Or will she?

(Her death by suicide) was a dreadful thing to do to a child, a husband, to such caring parents and friends, but really, who were any of them to judge? How could they ever truly know what she had gone through? Who were any of them to say they wouldn’t have at least considered the same thing?

Timmer does an excellent job of portraying how infirmity can make a coward out of the strongest individual. Mara goes from being a life-long workaholic to becoming a virtual invalid. Once proud, she eventually simply wants everything to be over with and no longer cares about how she’ll be judged upon her self-inflicted demise. It’s a timely, unique look at the mindset of a suicidal person.

There’s a secondary character and story that’s not as strong, and that story is a touch unrealistic. But all in all, this is a stunning work from Timmer.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.

“…this impressive debut novel heralds the arrival of an extremely talented writer.” Jodi Picoult

“Five Days Left is a heart-wrenching drama about a world in which there are no easy answers… This novel feels as true as life.” Christina Baker Kline

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The Romney Riddle

Mitt Romney: An Inside Look at the Man and His Politics by R. B. Scott (Lyons Press, $16.95, 264 pages)

“Like the Kennedys, the Romneys believe they were born to serve and called to the work…  Mormons are eager to put their money where their beliefs are.”

“In January 2008 it was becoming apparent that Mitt Romney might have spoken the truth months earlier when he said he had only himself to fear.”

This promised to be a balanced portrait of presidential candidate Mitt Romney, as written by one of his cousins.   However, upon finishing it, one knows little more about “the real Mitt” than one did earlier.   Scott gives considerable attention to Romney’s perceived flip-flops on issues but never seems to acquire a position on the issue of whether Romney is deliberately deceptive, or simply a person who freely exercises the option of changing his mind.   Scott, for example, cites Romney’s signing of the Grover Norquist pledge to never raise taxes; a pledge seemingly contradicted when, as governor of Massachusetts, Romney substantively boosted fees for government services in the state.

What’s frustrating – if not maddening – about this account is Scott’s repeated implication that voters would like Romney more if they knew the real man; the man who is supposedly kept hidden by his political handlers.   Yet Scott fails to provide us with his own perspective on a relative he demeans (in a chapter title) as “The Designated Old White Guy.”

Scott quotes an old friend of Romney’s who stated, “He really doesn’t have time for personal relationships.”   But the same old friend adds that he would vote for Romney for president, “in a heartbeat.”   This account is just as confusing as that.

Joseph Arellano

A review copy was provided by the publisher.   R. B. Scott’s first novel, Closing Circles: Trapped in the Everlasting Mormon Movement, has been released by Gray Dog Press.

Time Between

Stiltsville by Susanna Daniel (Harper; $24.99; 320 pages)

“It was so easy, I understood now, to take a wrong turn…”

“All the days have turned to years…”   Chris Hillman (“Time Between,” The Byrds)

This is a novel that finishes well.   This being said, the first half of the novel is a muddy bog.   I often felt as if I was reading the diary of an obsessive person who notices every detail but has no idea as to what meaning to attach to the aggregation.   Here is a sampling:

Paul stopped walking and I almost bumped into him.   I could see the pink of his skin through the translucent white of his T-shirt, the short hairs on the back of his neck.   “Look,” he said, pointing at the water.   By his foot, a blue crab skittered across the sand, then slipped underneath a rock.   …He offered me his hand and I took it, but only until I’d stepped over a wide stretch of coral.   We walked for an hour.   Paul spoke only to point out a creature or plant, and I spoke only to acknowledge him.   The flats surrounded our stilt home on three sides, and I’d never before walked to their far edges.

This is not quite scintillating reading, and there are 150 or so pages like this before the plotline begins to come together.   This is the story of a Miami couple and the events that happen to them and their daughter between the years of 1969 and 1993.   It seems to take forever to get to the 90s.

The future married couple at the center of this tale initially meet as young college students playing in a community of homes built on pilings in the waters of Biscayne Bay, Florida.   The collection of homes is known as Stiltsville.   It’s a community that will not last, one of the many things revealed to the reader before he/she actually needs to know it.   Susanna Daniel has the frustrating habit of setting a scene, the events involving the main characters, in current time before skipping forward to tell you what will happen later.   For example, her female protagonist’s first impressions of Miami are that, “…the city (Miami) seemed large to me…  though it would double in breadth and height and population during the time I lived there.”

This needless plot device is used far too many times.   In one odd instance, the lead character is telling us about today before she jumps to “nearly a year later.”   Contra, another time we suddenly shift from today to the events of the preceding day.   Later on, we’re reading about what’s happening to the family one evening before we’re abruptly shifted back to the supposedly related events that occurred eight months earlier.   All of this is far too clever to be interesting.

There’s also the problem of stilted language in Stiltsville.   Early on our female lead tells us that, “…after meeting Dennis, I saw in my own future bright, unknowable, possibilities.   I’m a bit ashamed to have been a person without much agency in life…”   Agency?   What reader knows a person who would use that word today…  and in Miami?   Her future husband Dennis, by the way, works for a successful law firm in Miami but seems to know little about law.   In one scene, he worries that he’ll be arrested by the Coast Guard (and quite possibly disbarred) for buying a boat from a person who may not have had clear title to it.   Any first year law student would tell him not to worry, but then this is fiction.

Stiltsville also includes some paths that lead nowhere.   At one point Daniel includes a thinly disguised take-off on the Rodney King case, except that it’s set in Miami rather than Los Angeles.   The reader is meant to get somewhat worked up about riots and the prospect of better communities being invaded before this side-story disappears.   It has nothing to do with the main story, so why was it included?

In the latter part of the novel, Daniel does create some quotable statements such as, “The cement of a marriage never dries.”   She also displays her cleverness in dropping a near tragedy into our laps before sidestepping it.   And, finally, there’s the point at which someone is affected by a devastating illness.   If Daniel had begun at this point she might have crafted a tight, compelling and fascinating debut.   Instead, Stiltsville exposes us to a writer of some potential who failed to put much of it down on the written page this time around.

This review was written by Joseph Arellano.   A review copy was received from the publisher.