Tag Archives: first person narrative

The Long and Twisting Road

i-let-you-go

I Let You Go: A Novel by Clare Mackintosh (Berkley, $26.00, 384 pages; Penguin Publishing, $16.00, 400 pages)

British author Clare Mackintosh’s debut novel, I Let You Go, works at many levels.  For those who enjoy intrigue there are multiple twists and turns right up to the end.  Solid writing and character development should satisfy most readers who are simply interested in a good story.

In this story, a little boy named Jacob is tragically killed in a hit and run incident, and a persistent law enforcement officer, Kate, will not let the case go.  Jenna Gray seeks refuge in a remote tourist spot named Penfach.  She is ultimately apprehended and charged with the murder, but, from the start, things are never what they seem.  Surprises abound throughout.

Roy, Kate’s partner and superior, sorts through the complex feelings he has for her as he struggles with the realities of his marriage and family.  Jenna attempts to learn to trust again after a lifetime of heartache.  Strangers regularly indulge in random acts of kindness.  And still, evil lurks and must eventually be conquered.

Mackintosh chooses to consistently shift points of view and tells the story in both the third person and first person and through the eyes of multiple characters.  This creates some choppiness in the narrative that would likely not be evident in a second or third novel, or coming from a more experienced novelist. Most readers should, however, be able to work through this without it affecting their enjoyment of what is otherwise a good suspense story.

Well recommended.

Dave Moyer

A review copy was provided by the publisher.

I Let You Go is available in both hardbound and trade paperback editions.

Dave Moyer is a public school superintendent in Illinois and the author of Life and Life Only: A Novel.

 

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The Big Hurt

Hurt Machine: A Moe Prager Mystery by Reed Farrel Coleman (Tyrus Books, $15.95, 320 pages)

If you recognize the song title above, you’re a contemporary of Moe Prager, the hero of this, the seventh book in the mystery series.   Reed Farrel Coleman is a prolific author whose ability to spin an engaging tale is obvious in this well-paced novel.   Although Coleman’s work is new to this reviewer, the comfortable intimacy of Moe Prager’s first-person narrative made the story meaningful.

Faced with a nasty stomach cancer diagnosis just weeks before his daughter Sarah’s wedding, Prager ponders his mortality.   He references past characters who have informed his life, some living and some, like Israel Roth, gone from this world.   Since the story is part retrospective and part reality check, the appearance of former wife Carmella is the perfect segue into the past.

Prager is a former cop whose array of acquaintances comes in handy when he takes on Carmella’s request to clear up her sister Alta’s good name.   Alta and a co-worker walked away from a dying man which was an unforgivable sin, considering the two were emergency medical technicians with the New York Fire Department.   Not long after the episode, Alta was murdered in the street near a famous restaurant.   Well, the restaurant, actually a pizzeria/gelato spot, is famous by Brooklyn standards.

Regardless of the plot twists and interwoven groups that populate the story, it is the effort that Prager makes to reconcile his longing for Carmella, the obvious love offered to him by current girlfriend Pam, and his yearing for future grandkids that compels the reader to move along with him to the last page.

Well recommended.

Ruta Arellano

A review copy was provided by the publisher.   Hurt Machine is also available a Nook Book and Kindle Edition download.   “…contemporary who-dunits don’t get much better than Shamus-winner Coleman’s seventh Moe Prager mystery.”   Publishers Weekly (starred review)

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If I Fell

After the Fall: A Novel by Kylie Ladd (Doubleday; $25.95; 304 pages)

I had been married three years when I fell in love.

Kylie Ladd presents an intriguing story of infidelity told from all sides of an affair in her novel After the Fall.  

Energetic, spontaneous Kate has a reliable, loving and dedicated husband, Cary, but senses what she is missing when she becomes intimately involved with her close friend Luke.   Denying and risking the security that their spouses and friends provide, Kate and Luke  continue to manipulate their lives to be together.   But nothing so risky and passionate can last forever…   Or can it?

The tale is presented in the first-person.   Ladd creates a realistic portrayal of how people’s lives are affected by other’s actions and choices, especially when dealing with moral dilemmas such as betrayal and infidelity.   Her characters are presented with depth and the prose is intriguing, captivating and believable.   Ladd delves into the psyche and demonstrates the true-to-life feelings and life changes that can occur in sensitive situations such as the ones provided in her story.

Readers should  not be discouraged by this topic, as there is nothing voyeuristic about this story.   Although the elements of the story are somewhat foreseeable, the story line definitely has elements that are unpredictable, which make it an even more entertaining read.   I was captivated by the characters and so interested in the outcome that I was unable to put the book down.

That’s the thing about falling.   It doesn’t go on indefinitely, and it rarely ends well…  plunge, plummet, pain.   Even if you get straight back up, even when you regain your footing, after the fall nothing is ever quite the same.

Recommended.

Kelly Monson

A review copy was provided by the publisher.   “…a subtle, moving and perceptive story of love, loss and hope.”   Sydney Morning Herald

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Burning Down the House

Eyes of the Innocent: A Mystery by Brad Parks (Minotaur Books, $24.99, 294 pages)

“I’m not saying it’s simple to find and tell the truth.   It takes a great deal of hard work, intellectual honesty, open-mindedness, and a willingness to keep listening to people even when your gut is telling you they’re full of it.”

This second appearance of Carter Ross, an investigative journalist in Newark, New Jersey, is a morality tale with a mystery added for good measure.   The worst case fallout from the great housing debacle of the recent past is the theme of this book.   Carter and his protegé, a blonde intern nick-named “Sweet Thang,” set out to fulfill the big boss’s demand for a space heater story to be run in the Newark Eagle-Examiner.   As the reader can easily imagine, this assignment becomes a much greater story filled with heinous crimes and enough anxiety to satisfy the most demanding mystery/thriller reader.

“Editors are 98% full of stupid ideas.”

Author Park’s news background is put to good use as he sets out a primer on choosing  journalism as a career.   He employs Carter’s first-person narrative to poke fun at the others and produce some excellent character development.   There’s also a third-person narrative set off by the use of italics that weaves in the most sinister element of the story.   This other thread serves to highlight Carter’s honesty and commitment to his profession via a stark contrast.

Although the tale is told from a male’s perspective, it is surprising how chatty Carter can be when he considers his feelings, likes and dislikes.   There is a bit of smugness on his part but given the golden professional reputation Park ascribes to Carter, it appears to be well-earned.

There is a strong similarity to the mysteries, Dog Tags and Flipping Out by the writing team of Lomax and Biggs.   Indeed, these books and Eyes of the Innocent are very much like going on a police ride-along.

Highly recommended.

Ruta Arellano

A review copy was received from the publisher.   “This book held me hostage until the last page.”   Michael Connelly

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Sail On Silver Girl

Brooklyn Story: A Novel by Suzanne Corso (Gallery Books; $23.99; 336 pages)

Suzanne Corso’s Brooklyn Story is described on the back cover as being a true-to-life novel, which is something of an understatement, considering the acknowledgements open by stating, “The one thing that I know is that I am a survivor and was extremely determined to have my story told.”

This admission is good because without it, some of the storytelling would be confusing.   The story is told in a very even and objective manner, but in the first person.   The reader is inclined to believe this to be a personal tale.   But when the detached narrative continues, it becomes difficult to understand how the main character, Samantha Bonti, can continue to be so naive as to follow along with her mobster boyfriend, Tony Kroon, seemingly oblivious to the obvious.   The admission that the story is largely, if not entirely autobiographical, makes it easier to accept the human frailty associated with this young girl’s mistakes.

In the book Bonti grows up in Brooklyn and dreams of being a writer and crossing the Red Sea, or, in this case, the Brooklyn Bridge into Manhattan and an alternate lifestyle – one free of the curse of abusive males, crime and cyclical poverty.   The life she dreams of differs radically from that of her mother, who, though pregnant young, poor, and addle-minded from years of drug and alcohol abuse, deeply wishes for her daughter to avoid these traps, despite her inability to adequately communicate that to her.

When Bonti falls under Kroon’s spell, thanks to her best friend Janice’s efforts to connect the two, Bonti’s life begins to unravel.   Miraculoulsy, she narrowly escapes her mother’s fate.

Bonti’s grandmother is a kind soul who takes up residence with the two, both to take care of her daughter and, at the same time, shield her grandmother from her.

There are two redeeming male characters in the book, Samantha’s teacher, Mr. Wainright, who encourages Samantha in her writing endeavors, and Father Rinaldi.   Both see the good in Samantha and encourage her to pursue a more enlightened path.   Without either, she may have not made it beyond her circumstances.   If she frustrated them as much as she frustrates the reader with her behavior. then they perhaps both should be up for sainthood, because Samantha’s escape is a near miracle.   How desperate must one be to ask a priest for money for an abortion?

At least one passage serves more to provoke the reader or appeal to a certain readership than to actually advance the core themes of the story, but these are things that one must accept when digesting a story that is, for the most part enjoyable, though it did not elicit in this reviewer the emotional reaction that the author was likely shooting for.

Recommended.  

This review was written by Dave Moyer, author of the novel Life and Life Only.   A review copy was provided by the publisher.

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Mother and Child Reunion

LEFT neglected: A Novel by Lisa Genova (Gallery Books, a division of Simon and Schuster)

In an interview with Jennifer Northcutt, a buyer for Borders bookstores, neurologist Lisa Genova says an anecdote about left-side neglect in a book she read years ago by neurology and psychiatry professor Oliver Sacks piqued her curiosity.   She knew the clinical manifestations of a right-hemisphere brain injury, but wondered how one could possibly cope with such a condition.

The result of that curiosity is Sarah Nickerson, 37, protagonist of LEFT neglected.   Sarah is the hard-charging, Harvard MBA-toting vice president of a Boston consulting firm who can’t recall the last time she had sex with her husband, Bob, but does keep track of her wins when they play Rocks, Paper, Scissors to see who gets stuck taking their three kids to school/daycare before work on Fridays.   Sarah’s hyper-drive lifestyle downshifts abruptly when an auto accident (she’s looking for a number on her cell phone) leaves her with a traumatic brain injury.

Left-side neglect is an intriguing condition.   Asked to draw a clock, a patient will only draw the noon-through-six side.   Food on the left side of her plate will go unseen.   She knows that she has a left leg, but her brain is unable to find it or control it, making walking impossible.

Genova tells Sarah’s story in the first person, which lets the reader in on her unvarnished thought process as she comes to grip with maddening limitations.   Sarah retains her intellect and her competitiveness, which she and Bob assume will drive her to regain everything she’s lost.   She is blunt and funny, and her pity parties are few and brief.   Oddly enough, however, it is Sarah’s relationship with her long-absent mother that truly humanizes her.   When mother shows up at Sarah’s hospital bedside, Sarah openly hates her.   The reason, which resurfaces slowly, rescues Sarah from superwoman flatness and makes her a compelling and sympathetic character.   The evolution of the mother-daughter relationship colors the novel with poignancy and grace.

Genova’s writing is inventive.   She shows the stress of Sarah’s pre-accident life in the clack-clack-clack cadence of Sarah’s four-inch, Christian Louboutin heels and deftly contrasts it post-accident in Sarah’s cane-step-drag-breathe pattern of learning to walk again.

As a neurologist, Genova is well acquainted with the pathology of brain afflictions.   Her first novel, Still Alice, is about Alzheimer’s.   It was a New York Times bestseller, and odds are good that LEFT neglected will be, too.   Highly recommended.

By Kimberly Caldwell Steffen.   This is a “second look” review.   LEFT neglected was released on January 4, 2011.

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Out of Time

Coming Back: A Sharon McCone Mystery by Marcia Muller (Grand Central Publishing; $24.99; 304 pages)

In this, the 28th mystery novel featuring San Francisco private investigator Sharon McCone, author Marcia Muller explores the collateral damage wrought by McCone’s experience in a conscious vegetative state that resulted from a bullet to her brain.   McCone’s chapters are in the first person and the reader is pulled along as she tries to resolve her need to get back in the action and maintain her relationship with her husband.

This reviewer’s lack of familiarity with the series made it difficult to appreciate just what sort of life McCone is struggling to maintain.   The references to flying her husband’s private airplane, a vintage sports car, multiple homes on acreage and a staff at her beck and call made McCone less than the pitiable victim Muller tries to characterize.

The theme of the book seems to be that interfering in other people’s lives is a rewarding activity.   Since there is no paying client, the reward must be purely emotional.   Although the loosely developed story is set in San Francisco, there are action scenes that take place in Muir Woods, Walnut Creek and along the east side of the Bay.   In each instance, the setting was well known to this reviewer and did not seem the least bit scary.   Maybe that was Muller’s point – scary things can happen in ordinary places.

Perhaps it’s time to retire Sharon McCone to one of her getaway homes?

Quirkly and a bit interesting, but not much more.

Ruta Arellano

A review copy was provided by the publisher.

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Running On Empty

She’s Gone Country: A Novel by Jane Porter (5 Spot; $13.99; 384 pages)

Coping with imposed life changes is the main theme for Jane Porter’s new novel, She’s Gone Country.   The central character, Shey Darcy, is an almost-forty-year-old former fashion model whose image appeared in Vogue and in the Sports Illustrated swimsuit edition.   Shey’s glamorous life in New York City is cut short when her husband declares that he’s gay and wants a divorce.  

What follows is a sprint back to Shey’s roots in Texas.   She takes her two sons to live in her mom’s house on a sprawling family-owned ranch in a bid to feel more secure.   This is a tale of growing up to reality and grasping a sense of how to navigate life when the veneer of New York life’s distractions is peeling away.

Author Jane Porter presents the story in a stream of consciousness first person narrative in the present tense.   Shey is stuck in her feelings about the life she has been forced to leave behind.   She dwells on her husband’s betrayal, the trials of motherhood and her very shaky self-image.   Shey’s monologue is often repetitive, and it is a perfect example of self-talk by the mind vs. being in the now, as detailed in Eckhart Tolle’s The Power of Now.   Shey loses her way, her sense of now and she’s stuck trying to cope with her brain chatter.

An odd combination of contrasts crop up throughout the story.   Men are generally described as hunky or highly attractive, and comfortable with old cars and the peeling paint on the Texas ranch house where Shey lives.   Women are depicted less charitably.   Porter describes their actions and fashion choices in a way that is just shy of brutal.

The notion of raising boys is foreign to this reviewer, but Jane Porter is the mother of three boys.   She makes it seem like a lot more work than having girls.   Even though the story is told in the first person, the feelings and actions of the other characters are well-developed.   This is especially true for Shey’s two sons.   Each has his own personality and needs as together they struggle with having been uprooted from post private school city life and plopped down onto a small country setting.

Since this book is clearly of the chic lit genre, it was amazing to this reviewer that the most sympathy and tears were brought out by someone other than the main character – who knew?

This is a most enjoyable read for women of a certain age.   Recommended.

This review was written by Ruta Arellano.   A review copy was provided by Hachette Book Group U.S.A.   She’s Gone Country was released by 5 Spot on August 23, 2010.

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