Tag Archives: Girls in Trouble

Obla Di Obla Da

This isn’t the movies.   Everything doesn’t turn out all tied up in a neat bow the way you want.

Luck never has anything to do with love, she said…  Luck has everything to do with everything, he told her.   Especially love.

From Carolyn Leavitt’s Pictures of You

Somewhere between heartwarming and heart wrenching lies Carolyn Leavitt’s Pictures of You.

In this book, Charlie loses his wife, April, in a car accident on a foggy night as she is leaving him for another man.   Unbeknownst to April until well into her journey, Sam, their only son, a fragile asthmatic, has snuck into the car and nearly dies in the accident as well.   The driver of the other vehicle, Isabelle, who is fleeing her unfaithful spouse, is free from fault but haunted by the tragedy, nonetheless.   The survivors and innocent bystanders’ attempts to make sense of these events and move on with their lives is the crux of the story.

Nothing completely works out for any of the characters, which is perhaps the point of the novel.   Isabelle, a trusting, warm, caring, and somewhat naive person, seems to land on her feet to a certain degree, though whether or not this will be true for Sam is left open to question.   What likely will be troubling to some readers is that Charlie, who, though imperfect, is mostly admirable and noble, meanders through the later stages of his life with little or no resolution to anything.

Leavitt’s treatment of Charlie’s plight toward the end of the book essentially drives home all of the major themes of restlessness and longing that pervade throughout it.   While the characters frustrate, the reader is drawn to them and prone to root for them.

Leavitt’s concise prose is provocative, dense with meaning, and packs a greater punch than those whose excessive detail loses itself in translation.   However, there are a few things that are problematic.   As a child, Sam is given independence to roam and make decisions more common to someone in their early teens, and events occasionally jump from one to the next without adequate explanation.   All of a sudden another character appears, or two characters meet, or a major time shift occurs, and the reader – without enough to go on – must suspend belief or grapple with the inconclusive “what-for’s” and “why’s” of the situation.   Perhaps most troubling is Leavitt’s over-reliance on constructing the characters’ major thoughts or points she wants the reader to ponder in the form of questions.   The writing itself is mostly powerful, which could lead one to deem this technique unnecessary, yet it is instead common.

Leavitt trickles the story out initially and creates strong scenes, engaging passages, and well-constructed dialogue, moving the reader to a satisfying inconclusive conclusion.   She does an admirable job of exploring the complexity of human relationships, and none of the minor issues noted above interfere with the reader’s enjoyment of this rich tale.

Recommended.

This “second look” preview-review was written by Dave Moyer, author of the novel Life and Life Only.   (A review copy was provided by the publisher.)   Pictures of You: A Novel will be released by Algonquin Books on January 25, 2011.

“Magically written, heartbreakingly honest…”   Jodi Picoult

1 Comment

Filed under Uncategorized

On the Way Home

Pictures of You: A Novel by Caroline Leavitt

Caroline Leavitt has built a reputation for insightful probing of motives, desires, and the emotional gears that mesh, don’t mesh, or can be worn to mesh as lives intersect.   Pictures of You (Algonquin Books) demonstrates that human gears, unlike their mechanical counterparts, have the ability to regrow and change shape, like calluses that evolve in response to physical exertion.

The synopsis on the back cover of Pictures of You does not do the book justice.   It sets up the bleak scenario of two thirty-something women, both married, one with a child and the other unable to conceive, whose paths cross in a violent collision on a foggy highway as they both flee unhappy marriages.   Isabelle survives the crash.   April, the mother of nine-year-old Sam, who is hobbled by severe asthma, does not.   Potential readers with an aversion to made-for-TV melodrama might hesitate to wade into an emotional journey so fraught with tragedy.   But that would be a mistake.   The story, alternately told from the viewpoints of Isabelle, Sam, and his grief-stricken father, Charlie, is an examination of assumptions and the actions that spring from them.   It’s not a book that leaves one with a happy glow of contentment.   Rather, it is a wake-up call to talk, ask questions, challenge operating principles and decisions, to dive below the surface and know the people you love, or think you might be able to love.

Sam witnesses the collision from the side of the road, and in the fog, he sees Isabelle, whom he assumes is an angel.   It is that childish impression – like a photograph without a caption – that drives the plot forward, prompting the intersections of Charlie and Isabelle’s lives.   And Sam ultimately provides the closure that eludes Charlie and Isabelle, as well as a note of hopefulness.   Ironically, however, Sam’s viewpoint is the only one of the three that sometimes rings false, his thoughts seeming too adult for a nine-year-old, or too precious.   “He didn’t care that people might say it was impossible.   Lots of things were impossible.   At school, Mr. Moto, his science teacher told them how light could be both a wave and a particle, which was supposed to be impossible.   You could go to a distant planet and somehow come back younger than you were when you left because the laws of time were all screwy.”

But the way Isabelle’s feelings develop – the clash of grief and guilt with the thrill of new love – and Charlie’s struggles to solve the mystery of April’s desertion and to balance his needs and his son’s are beautifully drawn.   Leavitt’s prose is luminous and her characters are layered.   Charlie, a house builder, takes bold steps, and then reverses himself; Isabelle, a photographer, watches, reacts, questions her own impulses.   Pictures of You is compelling, not so much because of the tragic intersection of paths chosen, but because of the characters’ failure to know each other as they envision their lives together.   It’s not the portrait of Charlie, Isabelle and Sam that will haunt you long after you finish the book, but its negative.   Recommended.

Kimberly Caldwell

A review copy was provided by the publisher.   Pictures of You was released by Algonquin Books in January of 2011.

1 Comment

Filed under Uncategorized