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Bird in Hand

Bird in Hand by Christina Baker Kline (William Morrow Paperbacks, $13.99, 320 pages)

Yeah we were desperate then/ To have each other to hold/ But love is a long, long road.   Tom Petty

bird-in-hand

Full and proper character development appears to be becoming a lost art in fiction, but author Christina Baker Kline does her bit to revive the art in the intriguing novel Bird in Hand.   This is a fine story, extremely well told, of four people, partners in two marriages and very good friends.   We get to know all four characters and hear their stories – from their own perspectives – in this well-constructed tale.

The narrative begins with Alison whose life seems to be virtually perfect until two things happen.   First, she becomes involved in a deadly accident while under the influence and the ramifications of this threaten to tear her world apart.   Second is something that she’s completely unaware of, which is that her husband is having an affair with someone she considered a friend.   Thus, her world changes overnight:  “For Alison, now, the world was a different place, and yet it was strangely the same.   She was present and not present in her own life.”

Kline writes with the same cool, suburban angst filled tone as Richard Ford (Independence Day, The Sportswriter).   There’s a question that is asked in Ford’s writing and in a Talking Heads song:  How did I get here?   “She walked around the silent house and looked at the framed photographs that lined the mantelpiece and cluttered the bookshelves, wondering, Is this really my life?   This collage of frozen moments, frozen in time.”

In Bird in Hand, we also meet Charlie, Alison’s steady if unfaithful husband; Claire, the newly published author and friend of Alison’s; and Ben, Charlie’s successful if somewhat dull and introverted husband.   It’s rare to find a work in which all four characters are so well fleshed out and, yes, real.   Here’s an example in how Alison describes Charlie:  “…as they started talking she realized that there was…  something in his character that she couldn’t  put down.   He wasn’t cocky, and his humor was gentle.   He had a mild confidence, a lack of self-consciousness, an ironic take on the world that wasn’t caustic or bitter.   Despite his social ease, he had a solitary air.”

At one point, Charlie describes Claire in words that could apply to the author’s style in writing this novel.   “She could be formal one moment and irreverent, even crude, the next.”

“Real life, she knew, was just beginning.”

One of the ironies of reading Bird in Hand is that its fictional account of the disintegration of a marriage feels far more true to life than two contemporary nonfiction accounts:  How to Sleep Alone in a King-Size Bed by Theo Pauline Nestor and Happens Every Day by Isabel Gillies.   I much preferred Nestor’s account but neither narrator seemed as true to me as the character Alison in Kline’s work.

It may be because Kline gives us not just a story, but the motivations that spur on the individuals.   With Alison, it’s disillusionment.   “Nothing about her life at the moment was what she’d envisioned for herself when she got married.”   Alison’s husband Charlie is moved by the feeling that he’s made the wrong choices for himself.   “He was doing this because he could not keep skimming along the surface of his life without one day crashing into something hard and unpleasant…  he was convinced he would get only one chance to feel this kind of passion, to express it, to live.”

And then Kline reveals that motivation, intent, means little or nothing because all humans act with incomplete – flawed – knowledge (quoting Alice McDermott):  “As if…  what was actual, as opposed to what was imagined, as opposed to what was believed, made, when you got right down to it, any difference at all.”   So, ultimately, this is an impressive work about real, flawed, individuals doing the best they can at a certain point in their existence, making mistakes but ultimately moving forward.   “It was real life, the way things should be, and even as it was happening it felt to Alison like a distant memory, the moment already slipping into the past.”

bird-in-hand-back-cover

A great deal of praise should be bestowed on author Kline for creating characters that adult readers can relate to.   At one point in Bird in Hand, Kline writes of Alison’s experiences as a young woman, “It was a strange and magical feeling.”   Kline has delivered a strange, unique, magical and borderline brilliant story.

Highly recommended.

Joseph Arellano

A review (hardbound) copy was provided by William Morrow.  

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Real life, just beginning…

bird in hand 4

Real life, she knew, was just beginning.

One of the ironies of reading Bird in Hand by Christina Baker Kline is that its fictional account of the disintegration of a marriage feels far more true to life than two contemporary non-fiction accounts:  How to Sleep Alone in a King-Size Bed by Theo Pauline Nestor and Happens Every Day by Isabel Gillies.   Of the two, I much preferred Nestor’s account but neither narrator seemed as true to me as the character Alison in Kline’s novel.

It may be because Kline gives us not just a story, but the motivations that spur on the individuals.   With Alison, it’s disillusionment.   “Nothing about her life at the moment was what she’d envisioned for herself when she got married.”   Alison’s husband Charlie is moved by the feeling that he’s made the wrong choices for himself.   “He was doing this because he could not keep skimming along the surface of his life without one day crashing into something hard and unpleasant…  he was convinced he would get only one chance to feel this kind of passion, to express it, to live.”

And then Kline reveals to us that motivation, intent, means little or nothing because all humans on this planet act with incomplete – and flawed – knowledge (quoting Alice McDermott):   “As if…  what was actual, as opposed to what was imagined, as opposed to what was believed, made, when you got right down to it, any difference at all.”   So, ultimately, this is an impressive work about real, flawed individuals doing the best they can at a certain point in their existence, making mistakes but ultimately moving forward.   “It was real life, the way things should be, and even as it was happening it felt to Alison like a distant memory, the moment already slipping into the past.”

A great deal of praise should be bestowed on author Kline for creating characters that adult readers can relate to.   At one point in Bird in Hand, Kline writes of Alison’s experiences as a young woman, “It was a strange and magical feeling.”   Kline has delivered a strange, unique, magical and borderline brilliant story.

Highly recommended!

Thank you to William Morrow for the review copy.

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Court and Spark: Sleeping Alone

How to Sleep Alone in a King-Size Bed: A Memoir of Starting Over by Theo Pauline Nestor

Intelligent.   That’s the first word that comes to mind in describing this “all-too-true story” of a woman who unexpectedly finds,  in a single day, that her marriage has fallen apart.   Does this sound like the premise of Happens Every Day by Isabel Gillies?   Yes, it is virtually the exact same story but better told, and written from the narrator’s perspective.

In Happens… Gillies comes off as spoiled, narcissistic, whiny, self-pitying and tragically self-centered.   In Nestor’s account, as noted by a fellow author (David Shields), there’s “not an ounce of self-pity.”   Gillies claimed to have a prosperous and almost-perfect life before the divorce.   Nestor, while married, was just getting by; married to a man with a significant – and previously secret – gambling problem.   One of the keys of Nestor’s successful telling of her own story is that she never attempts to come off as special.   She’s “alive as you or me,” in the words of Bob Dylan.

Because the author does not put on airs, we do wish to follow her and find out what happens to her and her two daughters in the coming months (the book appears to cover about a year post-divorce).   In this memoir, Nestor adds and well summarizes some basic but essential research on the stages of divorce, and on the impact of divorce on children.   Because Nestor’s parents were divorced with horrible consequences (one of her sisters was removed from the household), she takes to heart the potential for future impact on her own children.

To this reader the telling had one flaw…   Nestor may have been a bit too honest when she tells us about the re-cycling of a former boyfriend to comfort her after her separation from her husband.   Yes, she actually refers to him as her “boyfriend” – which seems like a Victorian-era term now – while telling us more than I’m sure we wanted to know about their love life.   Naturally, this rebound relationship with an old flame does not pan out…   How, exactly, was this not predictable?

But in the end all is well as it ends well.   If Nestor does not turn into a happier person after her divorce, she does see herself as a far more real – and accepting – person.   Which is quite good news and intelligently told by a woman who as a young girl “memorized all the lyrics of Joni Mitchell’s Court and Spark (album).”   In the end, she and the reader re-learn a basic lesson about life…   It goes on.How to sleep 4

Note:   This book was purchased by the reviewer.

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A review of How to Sleep Alone in a King-Size Bed by Theo Pauline Nestor.How to sleep

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