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Maybe I’m Amazed

Fab: An Intimate Life of Paul McCartney by Howard Sounes (Da Capo, $20.00, 624 pages)

In Fab, biographer Howard Sounes achieved his self-stated goal of creating “a better balanced, more detailed and more comprehensive life of Paul McCartney than has previously been achieved.”   It surpasses the earlier-recommended Paul McCartney: A Life by Peter Ames Carlin, and provides details that are not found in any of the band bios of The Beatles.   For example, want to know why Paul began wearing a moustache in the 1970s?   (Something the other members of the band quickly copied.)   The answer is found within the pages of Fab.   Want to know why George Martin admitted that he “made the biggest mistake of my professional career” when it came to compiling the songs for the Sgt. Pepper album?

A highly illustrative example of Sounes’s thoroughness is when he explains the many surprising similarities between Linda Eastman McCartney and Yoko Ono.   The “two strong women” both grew up as girls in Scarsdale, New York; and each of them had a very successful, domineering father.   Both attended and withdrew from Sarah Lawrence College.   Both became involved, as young women, in the New York City art scene and both had an initial unsuccessful marriage that produced a daughter.   Linda and Yoko were to each make “a beeline for the The Beatles,” and they each achieved their goal of marrying one of the best known men on the planet.   Sounes even throws in the fact that when John Lennon had a tiff with Yoko in 1973, and left her in Manhattan for a fling in Los Angeles with their assistant May Pang, he was seeing a childhood friend of Linda’s!

Most every other writer who touches the story of the Beatles will tell you that Linda and Yoko were very different women.   Kudos to Sounes for arguing that the exact opposite is true…  Another strength of this account is that Sounes does not give short shrift to McCartney’s time with Wings.   Fab devotes just as many pages covering Paul’s time with Wings, and their tours, as he does to McCartney’s time as a member of the Fab Four.   This is quite fitting as Sounes notes that during the years 1989 through 1991, Paul and Wings played live before 2.8 million people – including this reviewer and Sounes.

Sounes’s weakness is when it comes to Paul’s music.   He makes some huge mistakes, as when he critiques the song Let Me Roll It for sounding too much like John Lennon.   Wrong, it was Paul’s intent to show how “easy” it was for him to write and perform a song that sounded like John and the often-ragged Plastic Ono Band.   And he criticizes Magneto and Titanium Man from Venus and Mars as being “virtually unlistenable” – it’s still a very fresh sounding track – while ignoring the brooding classic Letting Go, where Paul compared Linda to wine and cocaine.

“There is one thing you’ve got to remember about Paul: he’s a very, very private guy.   He doesn’t like to be talking about his family, or anything to do with anything other than music, if he can possibly help it…  He doesn’t like to share things.   He takes them on his own shoulders.”

Speaking of shoulders, Sounes includes several interesting tales about Paul’s songwriting experiences, including one about how when Paul was finishing the song Hey, Jude he was determined to excise the line that reads, “The movement you need is on your shoulders.”   It was John Lennon who convinced him to leave the  line in, and John who realized that the throw-away line was brilliant (many heard it as Paul’s way of encouraging John’s son Julian to use his brain as a means of taking a hard life – a sad song – and making it better).

The Sir Paul McCartney portrayed within the pages of Fab has not led a perfect life, but then no human being does.   He is shown to be a sentimental creature (“Obviously one of my feelings is how proud my mum and dad would have been…  But I won’t go into that because I’ll start crying.”), sometimes harsh, but often generous with those in need.   His career, without a doubt, has been a fine gift to the world of music and the world in general.

This intimate biography is a model for future rock biographers.   Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   “Fab delivers all you need to know.”   Rolling Stone magazine   “A McCartney bio that intrigues all the way through.”   The Times of London/U.K.

Howard Sounes also wrote Down the Highway: The Life of Bob Dylan.

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