Day After Day

Music Review: Badfinger – ‘Timeless… The Musical Legacy’

Is Timeless a fitting introduction to the music of Badfinger?

If you were not around in the ’60s and’70s, or simply did not listen to music then, Apple Records has released a compilation to introduce you to the band Badfinger, Timeless. The Musical Legacy contains 16 tracks, 14 of which were originally recorded for Apple and two for Warner. I will not revisit the sad personal story of the band as it’s well covered in Dan Matinova’s definitive book, Without You: The Tragic Story of Badfinger (Revised Edition; 2000).

Let’s take a look at the songs on Timeless so that you can decide whether it should be in your collection. (All comments about recording sessions and band member quotes are sourced from Matinova’s book.)

[Look-alikes, The Beatles and Badfinger.]

Timeless opens with “Day After Day” from Straight Up, Badfinger’s masterpiece. George Harrison handled the production and played the lead guitar with Pete Ham. Harrison’s friend Leon Russell was brought in to play the piano. This remastered version allows you to hear the beautiful piano work as well as the harmony vocals.

“Without You” is the original version by the band, later covered and made into a smash single by Harry Nilsson. Badfinger’s version is understated compared to Nilsson’s dramatic take, but there’s a nice Procol Harum-style organ line that carries the song along. Ham said this about Nilsson’s version, “We knew that was the way we wanted to do it, but never had the nerve.”

Tom Evans intended “Rock of All Ages” to be a screamer in the style of Little Richard’s “Long Tall Sally,” but as recorded – with Pete Ham and Mike Gibbins – it came off like a variation on The Beatles’ “I’m Down.” This was especially true as Paul McCartney played piano on the track, which he also produced. A great live number (I saw Badfinger in Berkeley in 1972), the fine remaster allows you to hear the background vocals. “Dear Angie” was a track from the days when Badfinger was known as The Iveys. It’s a pleasant song sung by Ron Griffiths, the band’s original bass player. The tune has nice stereo sound effects, but it is far from essential.

McCartney was also involved in the song that made Badfinger famous, “Come and Get It,” which he wrote and produced. The sound is great here and McCartney proved to the doubting band members that he could fashion a hit single using sparse instrumentation: bass, drums, tambourine, and piano. It worked.

McCartney told Badfinger that “Maybe Tomorrow” was bound to be a hit single. That was not to be and today it sounds like an ornate song from the Bee Gees 1st album. “No Matter What” was a great, chunky-sounding single that reached number eight on the Billboard singles chart in 1970. It segues quite well into “Baby Blue,” the band’s best-ever, Beatles-quality single. Matinova called it “a superb showcase of Badfinger’s classic chemistry.” The version included on Timeless is the American stereo single release, which included an added snare drum. It’s snappy but the sound is fuller and richer on the Straight Up mix.

“Believe Me” is one of the best songs from No Dice. It is followed by a track from Straight Up, “Name of the Game.” The drumming gives it a “Let It Be” and “Hey Jude” feel. This version comes off as a bit dull compared to the earlier version, with horns, that’s a bonus track on the remastered Straight Up CD. “I’ll Be The One” was recorded for, but dropped from, Straight Up. It should have been a single as it sounds like the Beatles doing country rock.

“Apple of My Eye” was Ham’s bittersweet tribute to Apple Records. “Suitcase” is included and it’s the right take. This is the early “Pusher, pusher on the run” version recorded before the modified “Butcher, butcher…” take found on Straight Up. It’s a heavier version and reflects what the band sounded like live. As Molland said, “The original ‘Suitcase’ was more of what Badfinger was.”

The title track “Timeless” is a good song that, unfortunately, goes on too long, dissolving into a type of Baroque Traffic jam. At 7:40 it is needlessly longer than “Hey Jude.”

“Dennis” is another non-essential track, but it’s interesting because of a few Brian Wilson-like touches. The compilation concludes with “Love Is Gonna Come At Last,” a nice, airy, pleasant pop song written by Molland that sounds like Badfinger crossed with America. This may be an alternate take from the 1979 Airwaves sessions since Matinova writes that the album version was “tepid and slow.”

Longtime Badfinger fans will have all or most of this music in their physical or digital collections. But the compilation will work for those who would like a decent sampler. Keep in mind, however, that if you want to hear Badfinger at their very best you should consider acquiring either Straight Up or No Dice (or both).

Well recommended, for its intended audience.

Joseph Arellano

A review copy was provided by Apple Records.

This article was originally posted on the Blogcritics site:

http://blogcritics.org/music-review-badfinger-timeless-the-musical-legacy/

It was also used by the Seattle Post-Intelligencer newspaper site:

http://m.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Badfinger-Timeless-The-Musical-5144246.php

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Empty Pages

Sometimes, but fortunately not too often, I receive an e-mail from an author or publicist that says, in effect, “Why haven’t you reviewed the book that was sent to you?”   In thinking about this, there are probably a lot more reasons for a book to fall off of the TBR (to be read/reviewed) stack than are readily apparent to the average person.   I’ll go over some of them here.

Please Mr. Postman

Some books get lost in the mail, or mistakes are made in the mail room.   On occasion, I’ve received a book that looks like it shouldn’t have been sent to me but it’s usually from a publisher I know.   That leads me to think that another reviewer has been sent the book that I was interested in.   I’m sure it happens.

Obviously, since the people staffing publishers’ mail rooms are human, mistakes can and do happen.   There was a particular book that I had slotted to read at a specific time and it never arrived.   I brought this to someone’s attention and was told that another copy was going out that evening.   What I wound up receiving was a very nice package with nothing inside of it – no book and no papers.   Good intentions, but no luck.

Oh, and mail is certainly delivered to the wrong place these days.   I now know which of our neighbors receives ESPN Magazine or Sports Illustrated or Power Tools Today based on the mailman dropping them in my box.   It’s not too hard to figure that some of the books intended for me wind up as a free gift enjoyed by a close or distant neighbor.

Time is Tight

When I request a particular book – weeks before a review will appear – I have no way of knowing what other similar books will be released at the same time.   And on this site we deliberately try to review a wide variety of books, not just one of a kind.   So if I request a legal thriller and it shows up when I thought it would, and at a time when I’ve just finished a family novel and a children’s book, I will go ahead and read/review it as earlier planned.   But let’s say that I’ve just read two legal thrillers, and my wife has finished one, when your legal thriller arrives.   It’s going to be put aside because, unfortunately, it arrived at the wrong time.   We don’t want to be known as Legal Thriller Review.   (The same story gets played out for many genres, unfortunately.)

There’s also the fact that books arrive either earlier than expected or later.   Publication dates also change.   I have instances where I’m reading a book for a review to appear shortly, only to find that the publication date has been moved back a few months.   That leads me to close the book.   Contra, I may plan to read a forthcoming, not yet released book by a particular author, only to go to Borders and find out – yes, this did recently happen to me – that it’s been released for sale earlier than expected.   Again, the apple cart gets upset.

I Don’t Want to Spoil the Party

Every now and then, for a sense of variety, I agree to take part in a book blog tour.   What this usually means is that I’m sent a forthcoming book and asked to select a date, within a particular window (usually a period of 2 or 3 weeks), when my review will appear.   I usually try to pick one of the final dates available.   If I start reading the book and love it, and everyone whose review appears prior to mine loves it, everything is fine.   But now and then I’m reading a blog tour book that I just do not like.   If I see that everyone else has written a glowing review and mine is going to be the one extremely negative one, I will tell the publicist that I’m pulling out of the tour.   I will still post my own review but on my own schedule.   I have no need to rile things up on the blook tour party.

I’m Down

As I’ve said before, there are some books that I receive and read but I refrain from writing reviews about them.   Why?   It’s generally not that they are bad, just not unique enough to make for an interesting review.   Let’s say, for example, that I’m reading one of five new Paul McCartney bios that are out this year.   I finish it and find that it’s full of the same stories told in 10 prior McCartney-related books.   Do I really want to write a rather boring review stating, “This book is a rehash of the same old stories…”?   OK, sometimes I will write that but only if I think I can say it in an interesting way.   Often, though, the same old thing is just not worth writing about.

Joseph Arellano

To be continued…

Pictured:  The Neighbors are Watching: A Novel by Debra Ginsberg, which will be released by Crown on Tuesday, November 16, 2010 (and which will be reviewed on this site on that date or earlier).

I’m Down

You Never Give Me Your Money: The Beatles After the Breakup by Peter Doggett (Harper, 400 pages, $24.99)

“We were four guys in a band, that’s all.”   John Lennon

Rock ‘n roll writer Doggett provides the reader with a Magical Misery Tour in this inexplicable rehashing of the Beatles story, especially its sad ending (Hey Jude).   Now really, what’s the point of retelling a story that’s already been told in at least 75 other versions, and by the Beatles themselves in Anthology?   Well intended or not, Doggett appears to want to make the point that these were four not really very nice young men; except for the fact that the author is clearly partial to The Legend of John Lennon.

And yet even Mr. Lennon comes off as a crass ruffian in this account.   For example, here is Lennon talking about the band members’ treatment of George Harrison:  “It’s only this year that (George) has realized who he is.   And all the f—— s–t we’ve done to him.”   Positively charming.

John Lennon, however, is treated with virtual kid gloves compared to Doggett’s agenda-driven need to attack Sir Paul McCartney (probably the most commercially successful musician of our lifetime), George Harrison (who wrote what Frank Sinatra called the most beautiful love song of the last century), and Ringo Starr (whose upbeat personality and drumming literally bound the band together).   It is all very, very tiresome.

The point of this exercise is further called into question when one realizes that there’s nothing in this account that one has not read about before.   Even if you’ve read no more than two or three or a handful of books about the Beatles’ storied if marred career, you’ll be bored by the same old stories here.   The author seems to admit as such as he often quotes multiple earlier accounts of the same material.   For example, when he writes about the evil manager Allen Klein he quotes six other sources before providing his own perspective.   Yawn.

There are far better alternatives out there.   If you want to read a true story of a highly talented band’s sad demise consider reading the excellent account, Without You: The Tragic Story of Badfinger by Peter Matovia about Badfinger, the Beatles’ alter-egos band (sometimes referred to as The Junior Beatles).   Each of the four members of Badfinger worked with each of the Beatles at some point – and each of them looked like one of the Beatles – and two of their members died by their own hand.

If you wish to read an account of a band that will succeed in making you hate all of the band members, there’s Bad Moon Rising: The Unauthorized History of Creedence Clearwater Revival by Hank Berdowitz.   After reading this unofficial history, I lost my aural appetite for listening to the music of John Fogerty and/or CCR.

One final advisory, and it’s an appropriate one.   I recently discussed this book with a music-loving friend and he asked me what the complete title of the book was.   When I told him that it was supposedly about the Beatles “after the breakup,” he wisely responded:  “Well, after they broke up they weren’t the Beatles anymore, were they?”   No, and it’s a point well taken.   We stand adjourned.

This review was written by Joseph Arellano.   A review copy was provided by the publisher.