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Love and Mercy

“Love & Mercy” – Mostly Good Vibrations: A Film Review.

love-and-mercy-banner

If you remember the 1960’s classic album Pet Sounds by the Beach Boys, there is a good chance you will enjoy the movie “Love & Mercy.”

In a highly innovative flashback structure in which Paul Dano plays twenty-something Brian Wilson and John Cusack plays his fifty-something 1980’s version, we see the backstory of a creative musical genius whose abusive childhood and teen life results in destructive adult behavior. Based on a biography of Brian Wilson, “Love & Mercy” tells the horrific tale of a pioneering musician and the wounds which never seemed to heal.

But a tragic childhood can have moments of redemption and hope. This film has both, with the introduction of Melinda Ledbetter (played beautifully by Elizabeth Banks, earlier seen in the film “Invincible”).

Brian (Dano): “I would listen to those harmonies. I would teach them to my brothers and we’d all sing… How about you, Melinda? Why don’t you have a boyfriend?”

Melindal Ledbetter (Banks): “He broke my heart.”

Brian: “He shouldn’t have done that.”

Melinda: “I shouldn’t have let him.

And that dialogue foreshadows one of the major motifs in “Love & Mercy”. Those closest to Brian let Eugene Landy, a tyrannical therapist use and abuse him, just as Brian’s father had. Paul Giamatti delivers a gripping performance as Landy reminding this viewer of JK Simmons in “Whiplash.”

And the music! It is absolutely essential to evoking and understanding the time period and the genius that is Brian Wilson. For those who do not know music theory well, “Love and Mercy” provides a hint as to why Wilson is considered to be one of the greats in music. He develops bold new orchestrations and arrangements, new sound textures in an analog era that, to those listening today, are taken for granted as marking the standard for the sixties and the seventies. His choral harmony, falsetto voice, and instrumentations were the most innovative of his time. Even the Beatles borrowed from him.

Beach Boys Concert poster

Understanding Wilson’s revolutionary compositions and inventiveness in his recordings (for example, by separating vocal tracks from instrumentals) is to appreciate when Brian’s mind was most stable, when he was most himself. His unbounded enthusiasm, however, was also indistinguishable, at times, from desperation.

“Love and Mercy” has some glaring flaws, especially if the viewer is aware of the details of Wilson’s life. In portraying the two lives of Wilson (pre-fame and post-fame), the movie sometimes loses momentum, with incomplete scenes suggesting a bigger story. This viewer was left with questions: Why didn’t Wilson’s family intervene when Landy was blatantly abusing him? What happened to the courageous maid Gloria who risked deportation? Who finally bought the legal challenge that ended Landy’s guardianship of Brian? Since Wilson’s father Murry is featured in several abusive encounters, one is left to wonder how he was treated by his mother Audree.

Brian with She & Him No Pier Pressure

Still, “Love and Mercy” deserves to become a classic not just for music lovers but for movie and biography aficionados. The single “Good Vibrations” was a signal to the world of Brian Wilson’s unique musical genius. “Love & Mercy” is a paean to the ongoing glory of Brian Wilson.

Highly recommended.

Diana Y. Paul

You can read more from writer-author, artist and instructor Diana Y. Paul by visiting her blog, Unhealed Wound, at:

http://unhealedwound.com/

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Yesterday When I Was Young

Time Flies: A Novel by Claire Cook (Touchstone, $24.99, 303 pages)

“…nobody knows you better than someone who knew you back then.”

Time Flies (nook book)

If you’re about to attend a high school or college reunion, you may want to prepare yourself by reading Claire Cook’s rollicking and engaging tale. (Cook is the author of Must Love Dogs, which was made into a film with John Cusack and Diane Lane, and Wallflower in Bloom. She began writing at the age of forty-five.)

This is the story of Melanie, a happily married woman living in a beach town in New England. She’s happy until her husband informs her that she’s being dumped for another woman. Melanie is so crushed that she refuses to work out the separation/divorce arrangements with her husband.

It appears that Melanie is going to wallow in her pain and discomfort — augmented by heavy doses of alcohol — until she gets an e-mail message from Finn Miller, a guy that she had a crush on in high school. This is the same guy who barely noticed her back in the day. Now Finn tells Melanie that he’s been having dreams about her (“…we started making out… Was I a good kisser?”) and can’t wait to see her at their upcoming high school reunion.

To get to the reunion, Melanie and her BFF B.J. decide to drive a classic Mustang through several states; this in itself is a fun ride. “After accompanying Melanie and B.J. on their hysterical road trip, readers will feel like they’ve made friends for life.” (Kirkus Reviews) B.J., a self-anointed expert, produces some funny lists of things that one should and should not do at a high-school reunion. But she and Melanie are equally unprepared for what’s about to happen once they encounter their former friends and classmates.

“I hadn’t realized just how many hopes I’d pinned on the reunion until the bubble burst. It was ridiculous, but it still left me feeling lost and rudderless.”

What does it mean that Melanie suddenly goes from having no one to three different suitors? And how is it that “know-it-all” B.J. crashes and burns during prime time? You’ll need to read this uplifting chick-lit book to find out. Suffice it to say that Claire Cook’s novel helps to explain why some must revisit the past before being ready to encounter — and accept — what life holds for them in the future.

“Reading Claire Cook might be the most fun you have all summer.” Elin Hilderbrand. True. Grab this read before the summer is over!

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher. “Charming, engagingly quirky, and full of fun. Claire Cook just gets it.” Meg Cabot

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