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Modern Blue

Music Review: Rosanne Cash – ‘The River & The Thread’

river and the thread front

Rosanne Cash’s latest release illustrates how the label of country singer is far too limiting for a person of her talents. Perhaps she can be called a modern musician.

Here’s a look at the songs on The River & The Thread, which was produced and arranged by her husband, John Leventhal.

River_And_The_Thread-back basic

“A Feather’s Not a Bird” is a fine opening, as a Bonnie Raitt style attitude meets Creedence Clearwater Revival type instrumentation. It’s clear that there’s nothing tentative about Cash. She’s confident and in charge as she sings, “…a river runs through me.” “Sunken Lands” is unique as a blend of classic and modern country built upon a Johnny Cash pulse.

“Etta’s Tune” is an introspective love song that might have been written by Jackson Browne: “We’re just a mile or two from Memphis/And the rhythm of our lives.” One can easily visualize Tom Petty singing Cash’s rocker, “Modern Blue”: “I went to Barcelona on the midnight train/I walked the streets of Paris in the pouring rain/I flew across an island in the northern sea/I ended up in Memphis, Tennessee….” There’s also a touch of the Eagles in the lyrics: “Everybody around here moves too fast/It feels so good but it’s never going to last/Everything I had is twice what I knew….”

“Tell Heaven” is an unplugged song about faith. The Judds would have loved to have sung this. “The Long Way Home” is an angst-filled song about lost love that calls to mind Don Henley, Mark Knopfler and Carly Simon (“You’re So Vain”). It’s beautifully realized: “You thought you left it all behind/You thought you’d up and gone/But all you did was figure out how to take the long way home….”

“World of Strange Design” is a song about differences and discrimination, with a musical presentation that channels Dire Straits. “Night School” is a Tori Amos style ballad: “I’d give anything to be lying next to you/In night school.” The uplifting “50,000 Watts” is reminiscent of Bruce Springsteen’s “The Rising”: “To be who we are/And not just who we were/A sister to him, a brother to her/We live like kings/without any sin/Redemption will come, just tune it on in….”

“When the Master Calls” is a touching song about the Civil War which would have fit well on Elton John’s Tumbleweed Connection album. “Money Road” is the relaxing closing song about a dream, but the standard eleven-track edition of this album is only 38 minutes long. Consider purchasing the Limited Edition Deluxe version, which adds three additional songs and 10-plus more minutes of music.

River and the thread back

“Two Girls” is the first bonus track on the Limited Edition, and it sounds like a song from Neil Young’s Harvest Moon album. “Biloxi” is one of the great songs written by the late Jesse Winchester: “Beautiful girls are swimming in the sea/Oh, they look like sisters in the ocean/The boy will find his path with salted water/And the storms will blow off toward New Orleans.”

“Southern Heart” is a short, 2 minute long, song with plucked violin strings that would have been a great single in the 1960s; it’s a song very much in the style of the Andy Williams hit, “Can’t Get Used to Losing You.”

river and the thread rosanne

Cash has laid out her musical skills for the world to see on this release. It’s a highly recommended masterpiece or very close to it. But forget the ratings, just think of this as a near priceless gift delivered by Cash to her fans, current and prospective.

Joseph Arellano

A review copy was provided by Blue Note Records.

This review was first posted on the Blogcritics site:

http://blogcritics.org/music-review-rosanne-cash-the-river-the-thread/

This review was also used by the Seattle Post-Intelligencer:

http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Rosanne-Cash-The-River-The-5411097.php

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Instant Karma

Corn Flakes with John Lennon and Other Tales From a Rock ‘n Roll Life by Robert Hilburn (Rodale, $14.99, 280 pages)

“…the best music doesn’t just fill a void in the listener…  it can also fill a need in the artist.”   Robert Hilburn

“I look at people as ideas.   I don’t see people as people.”   Bob Dylan

“And we all shine on, like the moon and the stars and the sun.”   John Lennon

The fine long-time music critic for The Los Angeles Times, Bob Hilburn, takes us along on his trips with “the best rock stars” in this engaging account of his years in the music business.   It is mostly a study of personalities, big ones, such as John Lennon, Bob Dylan (“The most important figure in rock…  rock’s most celebrated living figure…  the greatest songwriter.”), Bruce Springsteen, Elvis Presley, Neil Young, Bono of U2, Johnny Cash and Janis Joplin.   There are also quick, brief encounters with Sir Elton John, Sir Paul McCartney, Michael Jackson, Mick Jagger, Joni Mitchell, John Prine, Waylon Jennings, and Jack White.

You’re probably thinking that you’ll enjoy this memoir if you happen to like these artists, most of whom were blessed with the approval of both Hilburn and Rolling Stone magazine.   You’ll be right in that thought, and also will likely find that it has less charm if these artists are not your cup of tea or Java.   Hilburn makes quite clear that he dislikes “superficial artists” (a term coined by Dylan), among whom he includes Rod Stewart, the “cold” Steely Dan, and Madonna.   He writes of the latter that she’s a “sharp cookie” who always provides good quotes for an interviewer, but “I’m not generally a fan of her music.”

So, yes, this is an account of hanging out on the road with the stars of boomer rock and country music.   The true tales from the 1970s are the most interesting ones – when rock was seemingly full of excitement and energy (and played on vinyl) – and the telling seems to get tired and grumpy as we approach current times.   Hilburn, in fact, closes the book with a tremendous sense of pessimism about the music trade’s prospects for survival.

If Hilburn has a fault, it’s an obvious one in that he often gets close to being over the top about those artists, those geniuses – such as Dylan and Mitchell, that he favors.   Not only does he realize it, but so do some of the performers he’s supported.   For example, at one point he asks Bono if the musician fears that the public will become tired of him.   Bono replies, “Look, I’m tired of Bono and I am Bono.”

“Paul’s like a brother.   We’ve gone way past all that.”   John Lennon

If there’s a reason to buy this book, now available in trade paperback form, it’s for the touching overview of Hilburn’s days spent with Lennon in New York City just two weeks before the former Beatle’s tragic death.   This Lennon is a man at peace with himself, in love with his life, and ready to forgive and forget.   One very revealing note is when John tells Hilburn that all of the stories about the deep rift between him and Paul McCartney were just that, stories.   John noted he and Paul were, deep down, brothers still.

Hilburn’s book is a brief for the magical power of rock ‘n roll.   It may now be an endangered art form, but Hilburn reminds us that, at it’s best – as when it’s performed by The Boss (Springsteen), “rock ‘n roll can still be majestic.”

Well recommended.

Joseph Arellano

Take Away:  This is a very entertaining journal of life within the rock ‘n roll circus tent.   However, Hilburn sacrifices a bit of credibility when he refers to Kurt Cobain as one of rock’s greatest figures and as “the great talent” of the 1990s.   As he admits, “I often had a hard time convincing…  people when it came to Kurt.”   In the words of The Band, take what you need and leave the rest.

This book was purchased by the reviewer.

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Ring of Fire

Guilt by Association: A Novel by Marcia Clark (Mulholland Books; $25.99; 368 pages)

It may be a shame that Marcia Clark spent so many years as a prosecutor for the County of Los Angeles.   I say this because she’s such a talented writer, as is made clear by this fun romp of a criminal justice novel.   Because the book’s protagonist, Rachel Knight, just happens to be a Deputy District Attorney who works in the L.A. County Criminal Courts Building (the beloved CCB) one would think that there’s a bit of Ms. Clark in the character.   Maybe, maybe not…  Rachel Knight may be a bit more daring than Clark was in real life.

One surprise is to be noted up front.   This is not a courtroom novel.   No scenes take place inside of a courtroom, so this is not a Scott Turow-style read.   Basically, this is the story of a prosecutor who decides to become a criminal investigator, off of the time sheets and without the approval of her supervisors.   As Guilt by Association begins, Knight is celebrating a victory with fellow DDA Jake Pahlmeyer and LAPD Detective Bailey Keller.   It’s not long before Pahlmeyer is found dead downtown, in a seedy hotel room with a 17-year-old boy; and there’s a nude photo of the boy in his suit jacket pocket.   Knight’s supervisors quickly tell her to keep her “hands off” of the murder investigation involving her best friend in the criminal justice system.

Being a bit of a rogue, Knight involves Bailey in her effort to clear the late Pahlmeyer’s name in a city where scandals are less than a dime a dozen.   And as she does so, she also has to take over one of Jake’s cases – one that involves the rape of a 15-year-old girl, the daughter of a very prominent physician.   Are the two cases somehow related?   Maybe, maybe not…  You’ll have to read this criminal justice system mystery to find out, and to learn the meaning of the rather intriguing title.

You never know what’s coming around the curve…  Reading Guilt by Association is like taking a ride down the virtually mythical Mulholland Drive in a new Tesla roadster.

This reviewer does offer a prediction for the future of this protagonist.   My money is on Rachel Knight’s getting fired by the D.A.’s office, and working as an embittered newly licensed private investigator who uses every contact in her address book to solve some of the county’s toughest and meanest crimes.   Not only will it make a series of great reads, but quite possibly a new hit TV show.   Rachel Knight, PI – it somehow sounds just right!

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   Guilt by Association will be released on April 20, 2011.

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I Ain’t Living Long Like This

Chinaberry Sidewalks: A Memoir by Rodney Crowell (Knopf; $24.95; 256 pages)

“To be well-loved is to be free of the evil lurking around the next darkened corner.   Every child should know that feeling.”

The country music artist Rodney Crowell is known for his singing and songwriting skills.   His singing voice, often compared to that of Kris Kristofferson (but higher pitched), may leave something to be desired.   But the artist who has written songs like Shame on the Moon, I Ain’t Living Long Like This and (The Way You Burn Me I Should Be) Ashes by Now, has shown himself to be a bright star in this category.   Crowell is also known as being the ex-husband of Rosanne Cash, which has presented other issues, such as coming off second in comparison to her singing, songwriting and writing skills.

It proves to be true again.   For while Chinaberry Sidewalks is interesting in some places, it does not hold the reader’s imagination and interest the way that Rosanne Cash’s brilliantly written memoir Composed does.   Cash displayed a skill for always finding the right interesting words to describe the happenings in her life; and her voice was just as unique as Bob Dylan’s in Chronicles.

Crowell never seems to find his voice or his style here, although he has stated that he felt freed from the strict rules of song writing in putting together – over a decade – this autobiographical account.

With my grandmother and Charlie (the shoe shine man)…  I experienced love as something tangible between myself and another human being.”

This is a tough read because much of it covers the sad scenes of a childhood filled with bickering parents and domestic violence.   No doubt Crowell is being brutally honest, but it is often difficult to wish to read about a childhood described as filled with nothing “but a primal instinct for survival, theirs and mine.”   In one of the hard-to-concentrate on scenes, Crowell’s inebriated mother hits his father whereupon his very drunk dad responds by punching his mother in the face.   The young Crowell intervenes by breaking a Coke bottle over his own head, requiring a trip to the hospital for stitches.   Yes, a few stories like this go a long way.

It must be noted that this memoir contains some near-charming stories of growing up as a boomer child (Crowell was born in August of 1950).   But the reader interested in tales of playing soldier, or cowboys and Indians, etc. will find better written accounts in the memoirs of Bob Greene (When We Get to Surf City).

“…my parents’ deaths were unique to their personalities.”

At the end of Chinaberry Sidewalks, Crowell’s parents have found a sense of normalcy in their lives before they depart the earth.   And love in a marriage that somehow lasted for decades.   It is a comforting message but one that arrives only after a narrative that might have benefited from tighter editing.   Crowell’s narrative never equates to the level of his songwriting skills in this account.

This is not a bad first effort, but the Rodney Crowell that’s found in Cash’s Composed – such as in the classic scene where a nervous young Crowell meets his legendary future father-in-law for the first time – is a far more interesting person than the one found here.

Joseph Arellano  

A review copy was provided by the publisher.   Chinaberry Sidewalks was released on January 18, 2011.  

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On the Road Again

Corn Flakes with John Lennon and Other Tales From a Rock ‘n Roll Life by Robert Hilburn (Rodale; $14.99; 280 pages)

“…the best music doesn’t just fill a void in the listener…  it can also fill a need in the artist.”

“I look at people as ideas.   I don’t see people as people.”   Bob Dylan

The fine long-time music critic for The Los Angeles Times, Bob Hilburn, takes us along on his trips with “the best rock stars” in this engaging account of his years in the music business.   It is mostly a study of personalities, big ones, such as John Lennon, Bob Dylan (“The most important figure in rock…  rock’s most celebrated living figure…  the greatest songwriter”), Bruce Springsteen, Elvis Presley, Neil Young, Bono of U2, Johnny Cash and Janis Joplin.   There are also brief encounters with Elton John, Paul McCartney, Michael Jackson, Mick Jagger, Joni Mitchell, John Prine, Waylon Jennings, and Jack White.

You might be thinking that you’ll enjoy this memoir if you like these artists, most of whom were blessed with the approval of both Hilburn and Rolling Stone magazine.   You’ll be right in that thought, and also will likely find that it has less charm if these artists are not your cup of Java.   Hilburn makes very clear that he dislikes “superficial artists” (a term coined by Dylan), among whom he includes Rod Stewart, the “cold” Steely Dan, and Madonna.   He writes of the latter that she’s a “sharp cookie” who always provides good quotes for an interviewer, but “I’m not generally a fan of her music.”

So, yes, this is an account of hanging out on the road with the stars of boomer rock and country music.   The true tales from the 1970s are the most interesting ones – when rock was full of excitement and energy – and the telling seems to get tired and pessimistic as we approach present times.   Hilburn, in fact, closes the book with a lot of pessimism about the current music trade’s prospects for survival.

If Hilburn has a fault, it’s an obvious one in that he often gets close to being over the top about those artists, those geniuses, he favors.   Not only does he realize it, but so do some of the artists he’s supported.   For example, at one point he asks Bono if the musician is afraid that the public will become tired of him.   Bono answers, “Look, I’m tired of Bono and I am Bono.”

“Paul’s like a brother.   We’ve gone past all that.”   John Lennon

If there’s a reason to buy this book, now available in trade paperback form, it’s for the touching overview of Hilburn’s days spent with Lennon in New York City just two weeks before the former Beatle’s tragic death.   This Lennon is a man at peace with himself, in love with his life, and ready to forgive and forget.   One very revealing note is when John tells Hilburn that all of the stories about the deep rift between him and Paul McCartney were just that, stories.   John noted that he and Paul were, deep down, brothers still.

Hilburn’s book is a brief for the power of rock ‘n roll.   It may now be an endangered art form, but Hilburn reminds us that, at its best – as when it’s performed by Bruce Springsteen, “rock ‘n roll (can) still be majestic.”

Well recommended.

Take Away:  This is a very entertaining journal of life within the rock ‘n roll circus tent.   However, Hilburn sacrifices a bit of credibility when he refers to Kurt Cobain as one of rock’s great figures and as “the great talent” of the 1990s.   As he admits, “I often had a hard time convincing…  people when it came to Kurt.”   Take what you need from this account and leave the rest.

Joseph Arellano

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I Still Miss Someone

Composed

Composed: A Memoir by Rosanne Cash (Viking, $26.95, 245 pages; Penguin Books, $17.00, 256 pages)

“It’s me.   They are all me, the good and the bad.”

Rosanne Cash’s memoir starts off flat and rather dull before it kicks into gear; it then becomes more engaging with every page.   Composed has the same type of non-chronological structure as Bob Dylan’s Chronicles, which perhaps is not an accident as Bob gets a lot of play in this account of the life of Johnny Cash’s daughter.   It almost goes without saying that this is also a first-hand tribute to her late father, the Man in Black.

“On Friday, September 12, air had still gone in and out of his lungs; he had moved his limbs and made sounds.   He had actually squeezed my hand and lifted his eyebrows.   It was a difficult day, the last day of my dad’s life, but not unbearable to me.   The next day, the beginning of my dad’s life in the past tense, was unbearable.”

Rosanne paints her father as a man with faults and addictions (brought on by a jaw broken during dental surgery), but also as a loving man who quietly gave guidance to his daughters.   She came to take him for granted during his life – always sharing him with the world – but has found life difficult without him.

Early in his career Bob Dylan wrote songs based on dreams, and here Rosanne points out that her life has been shaped by a series of remembered dreams.   One of them involved Linda Ronstadt and Cash’s realization that she had been faking it in her career to that point, afraid to take serious chances.   After having that momentous dream, Rosanne resolved to work harder, especially as a serious songwriter.

Another dream involved her father and her need to let him go:  “When I woke…  I felt relief.   It was no longer my job to take care of him, as he was being taken care of, wherever he was.   The legacy of his work was intact, in my dream preserved as carefully and conscientiously as if it had been in a museum.   Something settled…  I could let him move on now.”

One surprise about reading Composed is finding out that Johnny Cash’s daughter is far more a fan of rock musicians than country singer-songwriters.   Yes, she has her idols and heroes in the latter category but she was heavily influenced by Dylan, Ronstadt, Joni Mitchell, Janis Ian, James Taylor, Bruce Springsteen and the Beatles.   All of these influences seem to have come together in her biggest hit single, “Seven Year Ache.”

As with the afore-mentioned Chronicles, Rosanne Cash writes in a style that is so unique it could not have been ghostwritten.   She has been a long-time student of words and she finds just the right ones to accompany each and every tale of her life told here.

“If Magritte had painted my childhood, it would be a chaos of floating snakes, white oxfords, dead Chihuahuas, and pink hair rollers.”

Composed paper

Perhaps the biggest compliment that can be paid to a memoir is to say that it enabled the reader to come to know the person who wrote it.   Having read Composed, I feel that I now know Rosanne Cash and I like her.   I look forward to hearing more of her music.   As a songwriter she’s joined her idols as one of the best.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.

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