Tag Archives: Katherine Bolger Hyde

Cats on the Cover

Fool’s Moon: A Tarot Cats Mystery by Diane A.S. Stuckart (Midnight Ink, 323 pages, $15.99)

fool's moon

Attention cat mystery lovers – we’ve been gifted with a new series!  Brother and sister cats are the featured characters in this mystical, tarot card-centered tale.  Brandon Bobtail and Ophelia are one-year-old kitties that have lived a pampered life in Palm Beach, Florida up until they are dropped by the side of the road in a less desirable neighborhood.  Moreover, they are trapped inside of a taped up box.  (Sigh.)

This jarring experience begins their quest to find food, shelter and the means to return home.  The perilous events of the following days provide the young cats with ample opportunities to learn lessons in patience and avoid making snap judgments.

Ruby Sparks, a tarot card reader who has been tasked with minding her half-sister’s New Age shop, is kind hearted as well an animal lover.  She takes in the abandoned kitties and discovers that they possess some very useful powers.  The shop cat, Brandon Bobtail, Ophelia and a street-savvy pit bull join forces to thwart evil and enrich Ruby’s life.

Ms. Stuckart wisely sets up a smooth segue to the next adventures in the Tarot Cats Mysteries.  She is also the author of the Black Cat Bookshop Mystery series, which this reviewer intends to peruse soon.

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The book is well recommended for cat lovers and mystery fans, especially those who love the Joe Gray books written by Shirley Rousseau Murphy.  Wonderful tales such as these can be found on both the Florida and California coasts.

Bloodstains with Bronte: A Crime with the Classics Mystery by Katherine Bolger Hyde (Minotaur Books, 278 pages, $24.99)

bloodstains with bronte

This second in a series of mysteries that draw upon Emily Cavanaugh’s knowledge of classic literature is once again set on the Oregon coast.  In the first book, Arsenic with Austen, Emily has inherited an estate called Windy Corner from her great aunt.  The estate includes a Victorian mansion and the rest of her inheritance is property in the  nearby town of Stony Beach.

This time around Cavanaugh is busy with the conversion of her mansion into a writer’s retreat.  A widowed professor, she has no family of her own.  Katie Parker and her baby girl Lizzie have become Emily’s “little family.”  Katie works as Emily’s housekeeper.  All is not sweetness and bliss for them.  A murder in Stony Beach puts a wrench in most everyone’s relationships.  Sheriff Luke Richards wants his rekindled romance with Emily to become permanent but the murder makes them wary of each other.

Author Katherine Bolger Hyde weaves a fascinating tale of small town intrigue.  Each chapter of Bloodstains with Bronte is prefaced with a quote from either Jane Eyre or Wuthering Heights.   These quotes provide clues for Emily to use in solving the murder.  Fans of Charlotte Bronte will enjoy the parallels.  Readers not familiar with Ms. Bronte’s works may be enticed to step back in time to discover her thrilling tales.

We can look forward to the next installment based on a novel by an author whose name begins with C.

Well recommended to fans of cozy novels set in small towns, basically English-style novels set in the USA.

Ruta Arellano

Review copies were provided by a publicist (Fools’ Moon; released on November 8, 2018) and the publisher (Bloodstains with Bronte; first released as a hardcover book in December of 2017 and soon to be released in trade paper form).

 

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The First Album, The First Book & more

meetthebeatlesalbumjacket1964full

Let’s suppose you’ve spent a few years in a rock band, The Runners. You haven’t starved, but you’ve just managed to get by in terms of life’s necessities. Finally, the band releases a first album, It’s the Runners! It may not be as big as Meet the Beatles!, but it’s brought you enough income to pay the rent for a year and buy a reliable car. Do you produce Son of It’s the Runners! or something completely different? (Either way the critics are standing by to slam your decision.) Most likely you’ll record something that’s as close as possible to the first album, and wait a while before electing to modify your style, your sound.

This is a roundabout way of explaining why I’m fond of debut novels. The first novel by an author, like a first album, is generally the result of years of preparation and effort. And it’s usually quite obvious in the pages of an initial effort. There’s an earnestness, a feel, a serious energy that’s often lacking in subsequent works. After all, the first book is a “go for broke” product. If it gets published and sells well, the writer has a new career.

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Yet, it seems like what follows for a successful debut novelist is parallel to what happens with the band recording a follow-up record. The author may think, “Why rock the boat if I’ve discovered a winning formula?” Thus, what results is a second novel that’s quite similar to the first, but without the same punch. (“Let’s Twist Again” to “The Twist.”) And it appears that publishers strongly encourage the successful debut novelist to turn out the second book pretty quickly; before the book one buzz wears off. This may be why second novels often start off well in pages 1 to 150 or 200, but conclude with what seems like a rushed and unsatisfying group of pages marked 151 to 350 or 400.

But let’s suppose, for a moment, that the second book is just successful enough. It may not approach the sales of book 1, but it may hit the 80 or 85% level. What happens then? Well, the author may decide to write the same type of book, the same style of story, over and over again for a reading audience willing to accept and purchase what can amount to a type of self-plagiarism. This is not terribly, horribly rare when it comes to authors who achieve mid-range or greater success. In fact, I remember a case not so long ago…

There’s a popular fiction writer whose books sell quite well. And reading one of her books is extremely enjoyable. But if you read any of the other novels she’s manufactured – a term I’m using deliberately – you realize that they are all basically the same story. Only the names have been changed to protect the original characters. So it was not quite shocking to receive an information sheet from her publicist a short while back about an upcoming release: “It’s completely different!” Whew, I thought, it’s about time.

And this is, of course, what happens next with both authors and bands. Eventually, they get tired and worn out with making money by repeating the same old thing. So then they record or write something that’s… “Completely different!” And it’s either viewed as a work of genius (think Pet Sounds or Sgt. Pepper’s) or as turning their back on their fans, their original audience.

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This is when the reviewer-critics attack or praise with their pens, but in my view this is secondary. What truly counts is the judgment of book and record fans/purchasers. They may decide that the more unique a work is, the better it is. Or they may hate something that reads or sounds too “different.” Either way, the “new thing” shouts out that the artist is willing to take a risk because this is what art, what life, is about.

I may be wrong, but I think that if the “new thing” came from the heart (rather than the head) of the artist – and was not simply contrived for commercial purposes, the audience will come to accept and/or love it. And in a very roundabout way, this article is an attempt to explain why I may love a writer’s first book, but not her second, third, or fourth. And it’s an attempt to explain why I might find that she’s regained her voice – her true, instinctive and once-again original form, with her fifth book.

But maybe it’s just me.

Joseph Arellano

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