Peaceful Easy Feeling

The Ecstasy of Surrender: 12 Surprising Ways Letting Go Can Empower Your Life by Judith Orloff, MD (Harmony Books, $26.00, 432 pages)

“Be willing to surrender what you are for what you could become.”

Judith Orloff is a well-known New York Times best-selling author (Emotional Freedom, Positive Energy) who has earned significant credentials in the field of psychiatry. Orloff is also an assistant clinical professor at UCLA’s medical school. And yet, her nearly breathless and exuberant rush of ideas crammed into the first chapters of The Ecstasy of Surrender read like a girlish first attempt at writing.

Once into her topic and warmed up, Dr. Orloff settles down to a calm, deliberate pace while explaining the ways to self-diagnose one’s own limited behavior. The layout of the chapters is a standard explanatory set up with a questionnaire and practical advice that follows. There are lists, bullet points and quotes throughout.

The reader is encouraged to pick and choose topics from among the 12 surrenders (The First Surrender: Redefining True Success, Power, and Happiness) featured in the book. Each chapter feels like a workshop. Readers would be wise to explore the chapters they may initially deem not applicable to them, as there’s solid information and advice to be gained.

Unless you’re a hermit, you will be in contact with other people and some of them may benefit from reading or listening to this book. It’s clearly meant to be shared.

Well recommended.

Ruta Arellano

A review copy was provided by the publisher.

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A review of The Ecstasy of Surrender: 12 Surprising Ways Letting Go Can Empower Your Life by Judith Orloff, MD.

Maybe I’m Amazed

Fab: An Intimate Life of Paul McCartney by Howard Sounes (Da Capo, $20.00, 624 pages)

In Fab, biographer Howard Sounes achieved his self-stated goal of creating “a better balanced, more detailed and more comprehensive life of Paul McCartney than has previously been achieved.”   It surpasses the earlier-recommended Paul McCartney: A Life by Peter Ames Carlin, and provides details that are not found in any of the band bios of The Beatles.   For example, want to know why Paul began wearing a moustache in the 1970s?   (Something the other members of the band quickly copied.)   The answer is found within the pages of Fab.   Want to know why George Martin admitted that he “made the biggest mistake of my professional career” when it came to compiling the songs for the Sgt. Pepper album?

A highly illustrative example of Sounes’s thoroughness is when he explains the many surprising similarities between Linda Eastman McCartney and Yoko Ono.   The “two strong women” both grew up as girls in Scarsdale, New York; and each of them had a very successful, domineering father.   Both attended and withdrew from Sarah Lawrence College.   Both became involved, as young women, in the New York City art scene and both had an initial unsuccessful marriage that produced a daughter.   Linda and Yoko were to each make “a beeline for the The Beatles,” and they each achieved their goal of marrying one of the best known men on the planet.   Sounes even throws in the fact that when John Lennon had a tiff with Yoko in 1973, and left her in Manhattan for a fling in Los Angeles with their assistant May Pang, he was seeing a childhood friend of Linda’s!

Most every other writer who touches the story of the Beatles will tell you that Linda and Yoko were very different women.   Kudos to Sounes for arguing that the exact opposite is true…  Another strength of this account is that Sounes does not give short shrift to McCartney’s time with Wings.   Fab devotes just as many pages covering Paul’s time with Wings, and their tours, as he does to McCartney’s time as a member of the Fab Four.   This is quite fitting as Sounes notes that during the years 1989 through 1991, Paul and Wings played live before 2.8 million people – including this reviewer and Sounes.

Sounes’s weakness is when it comes to Paul’s music.   He makes some huge mistakes, as when he critiques the song Let Me Roll It for sounding too much like John Lennon.   Wrong, it was Paul’s intent to show how “easy” it was for him to write and perform a song that sounded like John and the often-ragged Plastic Ono Band.   And he criticizes Magneto and Titanium Man from Venus and Mars as being “virtually unlistenable” – it’s still a very fresh sounding track – while ignoring the brooding classic Letting Go, where Paul compared Linda to wine and cocaine.

“There is one thing you’ve got to remember about Paul: he’s a very, very private guy.   He doesn’t like to be talking about his family, or anything to do with anything other than music, if he can possibly help it…  He doesn’t like to share things.   He takes them on his own shoulders.”

Speaking of shoulders, Sounes includes several interesting tales about Paul’s songwriting experiences, including one about how when Paul was finishing the song Hey, Jude he was determined to excise the line that reads, “The movement you need is on your shoulders.”   It was John Lennon who convinced him to leave the  line in, and John who realized that the throw-away line was brilliant (many heard it as Paul’s way of encouraging John’s son Julian to use his brain as a means of taking a hard life – a sad song – and making it better).

The Sir Paul McCartney portrayed within the pages of Fab has not led a perfect life, but then no human being does.   He is shown to be a sentimental creature (“Obviously one of my feelings is how proud my mum and dad would have been…  But I won’t go into that because I’ll start crying.”), sometimes harsh, but often generous with those in need.   His career, without a doubt, has been a fine gift to the world of music and the world in general.

This intimate biography is a model for future rock biographers.   Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   “Fab delivers all you need to know.”   Rolling Stone magazine   “A McCartney bio that intrigues all the way through.”   The Times of London/U.K.

Howard Sounes also wrote Down the Highway: The Life of Bob Dylan.

Bad, Bad Leroy Brown

Going to the Bad: A Lilly Hawkins Mystery by Nora McFarland (Touchstone Paperback, $15.00, 304 pages) Here we are back in Bakersfield with the crew of TV station KJAY.   Going to the Bad is the third episode in the excellent mystery series written by former news camera person Nora McFarland.   This time around the book retains the same attention to heart and action present in the first two books (A Bad Day’s Work and Hot, Shot, and Bothered).   The main character, Lilly Hawkins, is living with Rod, the handsome newsman turned behind-the-camera executive, in her Uncle Bud’s house.

The story develops around a shooting at the house.   As with anything related to Bud, there are layers of secrecy and shady dealings.   The timeline for the tale spans about 32 hours – from the morning of Christmas Eve until late afternoon the following day.   The significance of the time of year with its emphasis on family plays well given the interwoven families whose past secrets inform the solution to the identification of the assailant.

Author McFarland advances her characters with challenges to their loyalty, a recurring theme  of the three books.   There is also an undercurrent, a strong one, related to social classes and the disparity among them.   The homes inhabited by the characters are vastly different as are their financial situations.   When faced with challenges by outsiders, each of the families comes to grips with it in its own way.   This book is about both letting go and commitment.   The plot is engaging and makes it a speedy read, even though Lilly spends most of the time running on empty.

Well recommended.

Ruta Arellano

A review copy was provided by the publisher.   Going to the Bad will be released on August 7, 2012.   “An unforgettable heroine…  Funny, smart, and honest.   Packed full of adrenaline and attitude.”   Lisa Scottoline, author of Look Again.

Late for the Sky

American Music: A Novel by Jane Mendelsohn (Vintage, $15.00, 256 pages)

“When you’re lost in Juarez/ And it’s Easter time, too/ And your gravity fails/ And negativity don’t pull you through…”   Bob Dylan (“Just Like Tom Thumb’s Blues”)

“The memory was like an explosion and he was inside it, living through it and it surrounded him and slowly he breathed into it…  This was where he was headed.   He was entering someplace.   It seemed to be his life.”   Jane Mendelsohn

This one  is a brilliant and one-of-a-kind experience.   Author Jane Mendelsohn has written a novel about disorientation and jumbled lives, where people are not sure whether they are living now or in the past.   Or in the future.

“…she seemed to enter that new future and for an instant the past disappeared.”

The novel starts out with an Iraq war veteran – circa current times – being treated for his injuries by a 21-year-old physical therapist whose name is Honor.   As Honor works on the wounded soldier, whose name is Milo, she begins to feel and hear stories…  His body “is like a haunted house.”   She feels the stories in his limbs and in his bones, but bit by bit he also begins to tell her the stories that he sees.   He tells the stories and they both listen thinking that somehow these stories may involve people from the past.   Yet, the stories are disjointed and cover very different periods of time:  17th century Turkey (1623 to be exact), 1936 and 1969.   These life stories of five separate individuals are seen in visions and/or heard by our two protagonists.

Music and its simple joys is  one of the themes that unite the distinct stories.   A dancer in Budapest in 1623 inspires a man of chemistry to invent a cymbal, the prototype of today’s premium brand found on many drum kits.   Count Basie’s inaugural performance at the Roseland Ballroom in New York City on Christmas Eve brings lovers together:  “The music had swung them here…  this happy romantic rhythm would kill them both.”

Another theme is the past as prelude.   We cannot fully understand who we are and what we are now without understanding our ancestors and how their choices  during their lives led us to the current moments in our lives.

“Do you ever regret coming east and leaving the theater?”  Anna asked.

“No, I don’t,” Pearl said.   She was looking straight up with  her eyes open.   Anna, already falling asleep, couldn’t see the tears.   “If things hadn’t happened exactly the way they did,” she said, “I wouldn’t have been here with you.”

At the conclusion of American Music we see how the past and present stories are related.   But this is not the key point.   Once the past is fully encountered and understood, Mendelsohn tells us, we can’t hold on to it.   Once it has served its purpose (once our relatives have lived and died for us) it is time to let the past (and them) go.

“She saw the…  figures walk into the desert and she watched them…  and she knew for the first time that she had not been letting them go and then the car drove on and she let them go.”

There’s an angel, a guardian angel of sorts that appears to a character in this book.   He delivers a message and then disappears after doing his work.   Jane Mendelsohn has done her job here so very, very well that it’s remarkable and more.   I can almost see where the wings attach to her shoulders.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   

The River

Between Me and the River by Carrie Host (Harlequin)

Review by Ilie Ruby, author of The Language of Trees: A Novel.

Few of us are well-versed in what it takes to save our own lives.   Carrie Host is.

Between Me and the River is a heartbreaking, glorious, and poetic rendering that spans several years of a young woman’s life during which her body is ravaged by a slow-growing but deadly form of cancer.   It is also the story of a woman saved by her inner resources, and the buoying love of her husband and three children.   In Between Me and the River, Host intimately describes her battles and triumphs in nail-biting detail.   While difficult to read at times, Host’s cut to the quick candor keeps the reader engaged as she takes us on a journey into the labyrinth of the medical system, as she rebuilds her body, brick by metaphorical brick, only to have it ravaged again.  

Her lyrical descriptions provide a reprieve from the harsh realities of a life forever on the “river” – a metaphor that she uses for her cancer.   At once poet and realist, Host’s struggle to make peace with her disease provides a compelling narrative that propels the reader to turn the book’s pages with care, hanging on to Host’s voice as though it’s a life raft through the unknown rapid waters she so bravely navigates, even when it appears she will drown.   Yet, through it all, one has the feeling she’s got her eyes set on the horizon, far enough in the distance to see herself across the river.

Sometimes the river is torrid.   Sometimes it stops moving completely.   Emboldened with a fighting spirit even as her 5’7′ body drops from a healthy 135 to a haunting 97 pounds, rendering her unable to hold her head up let alone hold a new baby, the future looks bleak.   But treatment after treatment, she fights and holds on, wrestling with her own spirituality and drawing epiphanies about herself and her relationships – the sort that come from the deepest depths of despair – that bless her with an uncommon peace that only those who have visited death’s door can intimately understand.

Host navigates the river as she enters into complicated dialogues with friends, her children, and her husband, all of whom, at times, she believes she may never see again.   She describes the desperation and frustration she feels when hiring someone to care for her children, to do the things she is supposed to be doing as she feels herself falling into a shadow of her former self when cancer seems to be winning.  

This is a story that shakes the reader to the core, one not for the faint of heart, but certainly a worthy one.   Host, caught in the middle of a glorious life, could have been any one of us…  yet, she is no longer like us.   She is different, as only a woman can be when she has touched death’s door and returned with as many scars as gifts.  

This book teaches us powerful lessons about love, letting go, and forgiveness, about the quest for health and the fight to survive, about savoring every small moment with the same enthusiasm and appreciation as all the grand moments put together.   In the end, it is Host’s determination and wisdom that bring her back fighting.   Hers is a voice not easily forgotten, one that makes a reader wish her many more healthy years, for surely she has many more gifts to share with us.

From The Heart

Mother-Daughter Duet: Getting to the Relationship You Want with Your Adult Daughter by Cheri Fuller & Ali Plum

Cheri Fuller and Ali Plum are ideally suited to offer advice about the always-complex mother-daughter relationship.   Each of these women has experienced her own challenges in life, among them alcoholism and marital discord.   As mother (Cheri) and daughter (Ali), they provide the voices for the book’s chapters that address key events in a mother-daughter relationship such as leaving home, weddings and the birth of grandchildren.   Their voices are first heard as solos and then as a duet.   The reader is advised on what works and what does not when specific issues are confronted.

Cheri and Ali have sought assistance and advice from professional counselors and trusted friends when dealing with their own issues.   As would be expected with a Multnomah publication, the book is written with a Christian perspective; hence the scripture citations and references to prayer.   Cheri is a well-known author, columnist and speaker on women’s issues.   Ali is a songwriter and makes a strong debut in this book as a writer.

The take-away from Mother-Daughter Duet is that life holds the promise of closeness with those we care for; however, it requires mindfulness and faith to experience these rewards.   Mindfulness and faith are not accomplished once and for all time, rather, they must be practiced each and every day.

This review was written by Ruta Arellano.   A review copy was provided by Waterbrook Multnomah, a division of Random House.