Tag Archives: memoir

30 Years in the Hole

30 years

30 Years Behind Bars: Trials of a Prison Doctor by Karen Gedney, M.D. (DRG Consulting Company, $14.95, 384 pages)

30 Years Behind Bars: Trials of a Prison Doctor is an engaging and seemingly highly factual account of the work of a prison physician. I say this because I worked for doctors in a state’s prison system. As Doctor Karen Gedney makes abundantly clear, one never knows what one will encounter each day behind bars. One day inside a prison may be as quiet and reserved as a Catholic mass. The next day, all hell can, and will, break out.

Dr. Gedney intended to work for just four years under the National Health Corps in order to pay back her medical school scholarship. But the work was so fascinating to her that she stayed for three full decades. And she saw it as her mission to not just treat physical medical issues but also hearts and minds: “It was clear to me that as long as these men viewed themselves as victims, they had little chance of doing well on the outside. I had to help them perceive themselves not as victims, but as people who had what it takes to be responsible for the choices they made in life.”

And so, Dr. Gedney wound up bringing life skills classes to a high-security prison. An intriguing twist in her story is that Gedney, who is white, has a husband who is African-American. He wound up working with her to develop classes for inmates, the type intended to provide them with a “second chance.”

Dr. Gedney’s perspective is best summarized in these words: “I was always a sucker for the underdog.”

Of course,  no good deed goes unpunished, so Gedney often had to deal with wardens who either did not support her rehabilitation efforts or dismantled them. Even physicians are bound by the chains of bureaucracy. Luckily for Gedney, she encountered inmate success stories, such as the inmate she assisted who received a pardon after serving fifty years in prison. “Fifty years in prison. How does one survive that so well? How did he manage to walk out with confidence, into a world that was so different than the one he knew?”

Sometimes Dr. Gedney gets a bit too deep into attempting to cure the world as when she states: “The only thing that made sense to me was trying to gain an understanding of why someone commits a crime, and what could be done to prevent or stop the behavior.” Some would argue that this mission is not the role of a doctor in the correctional system. And this raises the one issue with 30 Years Behind Bars. At times, it becomes a political polemic, and this can distract from the story of Dr. Gedney’s medical career. And I suspect that it may, to some extent, limit the audience for the book.

Dr. Gedney might have avoided the sections of the book that deal with changing the system and the world. But then it would not have been her true account.

Well recommended.

Joseph Arellano

This book is available as an eBook and as a trade paperback book.

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Trouble in the Heartland

Born to Run by Bruce Springsteen (Simon & Schuster, $32.50, 528 pages)

“It’s a town full of losers/I’m pulling out of here to win…”  Thunder Road

Bruce Springsteen’s autobiography Born to Run (what else?) is not for the faint of heart.   But, then, neither is his music.

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Springsteen fans have heard many of these tales before, but not directly from The Boss, and not in this format.   The stories of his complex relationship with his father and his battle with depression are quite gripping.   The coming of age tales of his early days trying to break in to the music business are more engaging than his tales of the E Street Band, though many of those are interesting.   (Note for the current generation – there was a day before The Voice).

Springsteen essentially lived as a vagabond for a decade, including after he signed his recording contract with Columbia.   It is hard to believe that after Born to Run and Darkness on the Edge of Town he was not in the clear financially until after The River tour.   This was due to many things – not making much money at first, signing a very one-sided contract, legal fees, and studio time.   It is still rather hard to imagine.

One can hear the song in his prose, and it compels the reader to go back and listen to his records.   Springsteen had a vision.   He put himself on the line until this vision was all he had left; he relentlessly pursued it until it became a reality.   This book reminds us that Springsteen and the E Street Band were singularly unique.   The concert I saw in April of 1984 was the greatest performance I have ever witnessed.

Springsteen impresses with his candor.   Although careful at times, he comes across as genuine and forthright.   Springsteen did not set out to write a fluff book of nostalgia; rather, in his words: “I fought my whole life, studied, played, worked, because I wanted to hear and know the whole story…  I wanted to understand in order to free myself of its most damaging influences, its malevolent forces… and its power.”   This is some undertaking.

Though his personal relationships were often tumultuous, he views the E Street Band as his family.   He professes his love for wife Patti Scialfa.   And he admits that he did not always treat everyone as he could or should have.

Springsteen speaks with reverence of those that have passed.   He writes of the death of organ player Danny Federici – who asked to play “Sandy” on the accordion at his final concert.   He also writes of Clarence “The Big Man” Clemons, who had to sit on his last tour and be helped on and off the stage.   Springsteen may be driven, but one comes to like this book because of his honesty.   If he’s not honest here, he may be the biggest con man of all time.

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One thing that does not quite jibe with me is Springsteen’s commentary on drummer Max Weinberg, whom he categorizes as both a great timekeeper and soloist.   I’ve never viewed Weinberg as being in the class of innovative drummers like Keith Moon. But, then, who am I to question The Boss?

Highly recommended.

Dave Moyer

This book was delivered to the reviewer by Santa Claus.

Dave Moyer is an educator, the author of Life and Life Only: A Novel, and a drummer who has yet to be asked to join The Who.

 

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Love Story

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Marrow: A Love Story by Elizabeth Lesser (Harper Wave, $25.99, 320 pages)

When a deadly disease strikes, it’s often not clear whether this is harder on the afflicted person or those who surround him/her. This is a point well made in the memoir Marrow: A Love Story by Elizabeth Lesser. Lesser’s sister Maggie battled lymphoma cancer which went into remission, only to return after seven years.

Maggie had one chance for survival, a bone marrow transplant from the perfect donor. That perfect donor happened to be her older sister, Elizabeth. If successful, Maggie would live on with her sister’s blood literally coursing through her veins. In a sense, the sisters would become one, the team known as Maggie-Liz. But the sisters had not gotten along superbly well in their five-plus decades of living, so they realized they would have to overcome the issues that had sadly separated them in the past.

Marrow is a fascinating look at how two people worked extremely hard to find love and forgiveness among the ruins of pain and suffering. Lesser makes clear, however, that what worked for her and Maggie might not work for others. (If there’s a flaw in the telling, it is that Lesser often gets caught up in the forest – the world, the universe, the meaning of Existence, instead of focusing on the trees – the lives of her and her sister.) And yet, this is an inspiring tale of courage. It’s also a reminder that love conquers all, even when death stands poised to strike.


Well recommended
.

Joseph Arellano

A review copy was provided by the publisher.

This book was released on September 20, 2016. Elizabeth Lesser also wrote Broken Open: How Difficult Times Can Help Us Grow.

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We’re All Alone

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Delta Lady: A Memoir by Rita Coolidge with Michael Walker (Harper, $25.99, 225 pages)

In the Acknowledgments, Rita Coolidge states that from the age of four she “dreamed of writing a book.” Sadly, this memoir does not read as if it was written. It reads as if it was dictated onto audio cassettes and transcribed by the writer whose name is found beneath hers in small letters. There’s simply no voice, no style present that gives it personality; thus, one never feels like time has been spent with the singer-musician.

Coolidge concedes that people usually think of her as the woman who was once married to Kris Kristofferson. Those wishing to find out something about that marriage may be satisfied with what they read in these 219 pages. But those wishing to learn more about her life in or out of the music trade may be left wanting.

One frustrating thing is that Coolidge makes bold statements before walking them back. For example, she’ll state that musician Joe Blow used too much cocaine, and then retract that by saying it’s not for her to say what too much is. Tentativeness in a “tell all” is so unsatisfying.

It seems like Coolidge waited decades to tell her story and then hedged in the telling.

Delta Lady back cover

Note:

Delta Lady could have used assistance from a strong editor. There are awkward statements and content throughout. For example, at one point we read this about Janis Joplin: “She drank too much than was good for her…” And Coolidge tells us that after her mother died, “I had a gig on the eighteenth and knew she wouldn’t want me to not do that gig.” Ouch!

There’s also noticeable repetition in the account. For example, one particular background singer did some work with the Rolling Stones. So every time her name is mentioned, we’re told – with but one exception – that this woman once sang with the Rolling Stones. These may seem like small points, but they’re not so small when you’ve shelled out $26.00 for a finished work.

Finally, there may be some issues with factual accuracy. Coolidge states that the Mad Dogs and Englishmen tour left Joe Cocker physically and financially impoverished. Other accounts note that Cocker’s poor physical state was due to alcoholism. And the Mad Dogs and Englishmen double-album made Cocker rich. It was the second-best selling album in the U.S. when it was released, and was very likely the best selling recording on college campuses. A&M Records co-founder Jerry Moss stated, “‘The Letter’ (from the Mad Dogs album) was the first hit for Joe… The record went (Top 10) platinum and sold well… That whole group was incredible, and it was an amazing experience – what they did live and on record was magnificent. After that success, we were able to get Joe back in the studio to make more great records.”

Joseph Arellano

A review copy was provided by the publisher.

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Down the Drain

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Beer Money: A Memoir of Privilege and Loss, & The Decline of a Detroit Dynasty by Frances Stroh (Harper, $25.99, 336 pages)

“The house (my father had purchased in New York City when I was six) and most of its contents would soon be gone, just as the brewery was. We’d somehow allowed ourselves to be pinned into place by these things; and in our search for freedom, some of us had self-destructed.”

Despite the title, this poor little rich girl memoir offers no insight into the brewing industry. That’s because Frances Stroh, a one-time partial heir to billions of Stroh Brewery dollars – all of which vanished into thin air, was far removed from the family’s management (and mismanagement) of the company. As with most of these memoirs, Frances did not realize early on how rich her family was. In her bored teen and early adult years she carelessly used and abused alcohol and drugs. And as a grown-up she learned to mourn the fortune she would never acquire.

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However, the rich are different. Even as Frances writes about Stroh’s going down the drain, she makes sure to inform the reader that she flies first class; she lives in a fine abode in San Francisco. And when her spendthrift brother came to visit her in The City, he’d rent out entire floors of swank hotels for parties and feast on the best food and drink from room service.

Stroh’s was a “beer giant… in the eighties and nineties…” But Frances has no explanation for the Detroit company’s rapid downfall other than to admit, “we’d simply blown it.” Indeed.

Beer Money 2

Beer Money is a pointless, meaningless tale of privileged denial.

Joseph Arellano

A review copy was provided by the publisher. Note: According to Forbes magazine, the Stroh Brewery Company blew through $9 billion in profits. That’s a lot of beer money.

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Real Lives, Real Medicine

In medical school, Matt McCarthy dreamed of being a different type of doctor – the sort of mythical, unflappable physician who could reach unreachable patients. But when a new admission to the critical care unit almost died during his first night on call, he found himself scrambling. Visions of mastery faded as he prayed to simply survive a brutally demanding and challenging near-year as a new doctor.

The Real Doctor

The Real Doctor Will See You Shortly: A Physician’s First Year by Matt McCarthy (Crown, $27.00, 323 pages)

“After 10 months of being an intern, I no longer experienced life like a normal person… I now viewed everything through the lens of medicine. It wasn’t something I had planned or particularly wanted, it just happened.”

The Real Doctor Will See You Shortly is a very well written, engaging and entertaining look at what Dr. Matt McCarthy – a one-time minor league baseball pitcher who wrote the memoir The Odd Man Out – calls the “wonderfully insane” world of medicine. While serving as an intern in New York City, McCarthy was to practice – in the most literal sense – at both the massive Columbia/NYU Medical Center with 2,478 beds and the small 201-bed Allen Hospital (Motto: “Amazing things are happening here.”). McCarthy experienced a needle stick early on while treating a patient with HIV and Hepatitis C. In this sense, he became a patient himself, receiving prophylactic treatment and resting while waiting to find out if he had infected himself with one or both of these conditions.

McCarthy draws on the reader’s empathy by focusing not just on himself but also on two infirm patients: Benny, a middle-aged, seemingly healthy individual waiting endlessly for a heart transplant donor; and Carl Gladstone, a university professor whose life is nearly destroyed by a sudden heart attack. We see that, as with many things in life, luck and timing may override fate.

McCarthy goes from being a resident “who had been practicing medicine for less than a week” to a full-fledged hospital physician and Cornell University assistant professor of medicine. It’s an amazing journey, one well worth experiencing.

Highly recommended.

Joseph Arellano

Note: If you enjoyed reading Complications, Better, or Being Mortal by Dr. Atul Gawande or One Doctor by Brendan Reilly, M.D., you will want to consider reading The Real Doctor Will See You Shortly.

A review copy was provided by the publisher.

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Saint Dominic’s Preview

Last Enchantments (nook book)

The Last Enchantments: A Novel by Charles Finch (St. Martin’s Press, $24.99, 336 pages)

Charles Finch has created a fictional memoir centered on a young man’s year in England studying at Oxford University. The narrator’s name is unknown as he prepares to depart New York and his long time live in girlfriend, Alison. We enter his life as he finishes packing while disentangling himself from Alison. We join him on his ride to the airport and flight across the Atlantic Ocean. Is disillusionment with the political scene all that is spurring him back to academia? Perhaps distancing himself from a failed political campaign and Alison is just what he needs.

There are clues to the era including references to working the campaign trail for John Kerry that provide the reader with a timeframe. Our narrator, Will, is a graduate student in the Oxford English department. After Finch establishes Will as his main character, he indulges himself with the sights, sounds, tastes and smells of the total Oxford experience, about which he possesses firsthand knowledge.

To his credit, Finch has the wonderful ability to create fresh phrases and hold the reader’s attention with well-described conflicting human emotions. Will and his fellow graduate students, both male and female, are influenced deeply by these emotions. There is a delicate balance among dialogue, inner musings and narrative. Alas, no quotes may be provided, as the review copy of the book sent by the publisher is an Advance Reader’s Edition.

This reviewer was surprised at the sheer volume of beer drinking, punting on the river and hooking up that takes place during Will’s year of living unencumbered. The pompous image this American has of students at Oxford was quickly erased! What’s striking is the ambiguity with which the characters view their relationships. Perhaps the delay of making adult commitments woven throughout The Last Enchantments is the norm for a certain group of folks these days.

Well recommended.

Ruta Arellano

A review copy was provided by the publisher.

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Goodbye

This Is How You Say Goodbye: A Daughter’s Memoir by Victoria Loustalot (St. Martin’s Press, $24.99, 240 pages)

This is How You Say Goodbye (Nook Book)

Everyone I dated felt like a hotel room – clean, organized, empty and everyone the same. Nothing less, nothing more.

Victoria Loustalot lost her father, who’d been living a double life, at the age of 11. Her bedridden and HIV-infected parent died at the age of 44. Three years before his death he offered her a trip around the world, with stops in Cambodia, Stockholm and Paris (places that had been important in his life). In this memoir Loustalot embarks on a trek to visit Angor Wat, Stockholm and Paris as an adult in an attempt to find the man she never quite knew: “Everything I was seeing I imagined my father saw, too.”

The book will appeal to those who have traveled to a new place and found it to be magical – “I was unprepared for how (the towers at Angor Wat) were going to make me feel.” What’s a bit strange is that the writer, who grew up in Sacramento, has little love for the California valley town. She describes Sacramento winters as “wet and dark” and adds that her father “had no love” for the place.

In the end, Loustalot may not have come closer to locating her mysterious father’s true character, but she does complete a fulfilling journey of self-discovery. This memoir may lead some readers to fashion a similar journey.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.

Note: Loustalot begins her account by describing how hard it was for her to learn to smile. There’s a reserve about her. It’s this reserve that keeps this entertaining true story from becoming a completely engaging and enthralling account.

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Coming Up Next…

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A review of This Is How You Say Goodbye: A Daughter’s Memoir by Victoria Loustalot.

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Working 9 to 5

The Receptionist: An Education at The New Yorker by Janet Groth (Algonquin Books of Chapel Hill, $14.95, 240 pages)

The Receptionist

Then there was the shame of the writer who doesn’t write. The me who carried within my breast in equal shares the conviction that I could write and the certainty that I could not.

Longtime fans of The New Yorker magazine are the perfect audience for this memoir. Ms. Groth writes of her 20+ years as a receptionist on the 18th floor of the building where the magazine offices were located. The floor housed 40 writers and six or more cartoonists. The reception desk can be likened to a ringside seat at a much-loved and revered weekly publication.

The opening chapters serve as a low-key introduction to Ms. Groth, a newly-minted graduate of the University of Minnesota with aspirations of becoming a writer. The move to New York City was like going to a foreign land after living in the Mid-West. These slowly-evolving vignettes are strung together to illustrate her rather humble beginnings at the magazine.

The vignettes offer the reader glimpses into a world of art and literature based in Manhattan where the game of six degrees of separation can be traced back to Ms. Groth’s earliest years – beginning in 1957, right up to her “graduation” to the world of college teaching in 1978 after earning a PhD in literature from NYU. Her grammar is impeccable and the evenly-paced narrative becomes remarkably open with many elements of her life that are both risque and expected for life in Manhattan during the sexual revolution. It is as if the reader is delving into all aspects of Ms. Groth’s life after getting to know her.

A young woman whose job is receptionist in a rarefied circumstance sees and hears rather remarkable things. She can become indispensable to the staff and literally become part of their lives outside of work. This is especially true when she is a constant presence in an otherwise changing array of personnel. Clearly, some of the long-time and revered writers and editors form the nucleus of the staff and their interactions with Ms. Groth are fascinating.

Today it would be unusual for an employee to maintain a receptionist position for such a long time in one department or company or area of an organization. To her credit, Ms Groth provides the reader with an even-handed account of her ownership of what transpired over her two decades at The New Yorker. It is a sui generis true story.

Well recommended.

Ruta Arellano

A review copy was received from the publisher.

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