Tag Archives: Miami Vice

Hold the Line

On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (Minotaur Books; $14.99; 320 pages)

If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!

Rozan writes in a style that is part 1950s detective magazine, part retro (think of Denis Johnson’s Nobody Move), part Miami Vice/Hill Street blues and more than a bit of Batman and Robin.   In order to follow her story you will need to suspend reality or believe in – as does the main character – miracles.

As the story opens our protagonist P. I. Bill Smith receives a mysterious message on his cell phone telling him that his partner and love interest Lydia Chin has been kidnapped.   Smith doesn’t know who’s behind this but he correctly suspects that it’s someone he helped put in prison.   He’s soon provided with a “clue” that leads him to an abandoned building in Manhattan in which he finds a dead girl.   This, naturally, is a set-up.   The NYPD officers arrive just after Smith does and suspect him of murder.   Smith has to fight with and escape from the cops just as he’s about to begin his frantic search for Lydia.

The person who has kidnapped Lydia has set a clock on this “game” of cat and mouse.   Smith must find Lydia before time runs out, because her kidnapper has promised to kill her once the clock reaches double-zero.   Smith needs to figure out who exactly has taken Lydia, and where she’s been taken while he hides from the police and – oh, yes – as new crimes take place and the police suspect him of being the perpetrator.   Smith would have little chance of dealing with this all by himself, but two young assistants come to his rescue and he’s also got a friend inside the NYPD who performs a few of the miracles he needs.

Rozan’s writing style is rapid and breathless.   As the story begins, the reader will likely feel (as with Nobody Moves) that too much is happening too fast.   But if you accept the fact that dramatic events are going to happen every few pages, the read becomes a highly entertaining  and exhilarating one.   If you’re like this reader, you will begin On the Line wondering if you will be able to finish it.   On doing so, you will be calling a bookstore to order one of the nine previously released Bill Smith/Lydia Chin novels.

Recommended.

Joseph Arellano

A review copy was received from the publisher.   On the Line was released in a trade paperback version on August 30, 2011.  

“A high-velocity entry in a reliable series.”   Booklist

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Hold the Line

On the Line: A Bill Smith/Lydia Chin Novel by S. J. Rozan (St. Martin’s Press; $24.99; 336 pages)

If reading a suspense thriller by David Baldacci is like driving in a new Porsche, reading a private investigator thriller by S. J. Rozan is like riding through the streets of New York City in a turbo-charged go-kart.   You never know what you’re going to bump into!

Rozan writes in a style that is part 1950s detective magazine, part retro (think of Denis Johnson’s Nobody Move), part Miami Vice/Hill Street Blues and more than a bit of Batman and Robin.   In order to follow her story you will need to suspend reality or believe in – as does the main character – miracles.

As the story opens our protagonist P.I. Bill Smith receives a mysterious message on his cell phone telling him that his partner and love interest Lydia Chin has been kidnapped.   Smith doesn’t know who’s behind this but correctly suspects that it’s someone he helped put in prison.   He’s soon provided with a “clue” that leads him to an abandoned building in Manhattan in which he finds a dead girl.   This, naturally, is a set-up.   The NYPD officers arrive just after Smith does and suspect him of murder.   Smith has to fight with and escape from the cops just as he’s about to begin his frantic search for Lydia.

The person who has kidnapped Lydia has set a clock on this “game” of cat and mouse, life and death.   Smith must find Lydia before time runs out, because her kidnapper has promised to kill her once the clock reaches double-zero.   Smith needs to figure out who exactly has taken Lydia, and where she’s been taken while he hides from the police and, oh yes, as new crimes take place and the police suspect him of being the perpetrator.   Smith would have little chance of dealing with all of this by himself, but two young assistants come to his rescue and he’s also got a friend inside the NYPD who performs a few of the miracles he needs.

Rozan’s writing style is rapid and breathless.   As the story begins, the reader will likely feel (as with Nobody Move) that too much is happening too fast.   But if you accept the fact that dramatic events are going to happen every few pages, the read becomes a highly entertaining – and exhilarating – one.   If you’re like this reader, you will begin On the Line wondering if you will be able to finish it.   On doing so, you will be calling a bookstore to order one of the nine previously released Bill Smith/Lydia Chinn novels.

Recommended.

This review was written by Joseph Arellano.   A review copy was received from the publisher.   On the Line was released by St. Martin’s on September 28, 2010.

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Whatever Happened to Saturday Night: A Review of Nobody Move (A Novel)

Nobody Move 2A talented young writer wins the 2007 National Book Award for a serious novel about the Vietnam War.   Then he decides to sell a four-part retro breezy crime serial to Playboy magazine.   Okay, so it did not make sense to me either, and that serial here becomes an under-200-page tale that reads like a rejected script for Miami Vice.   The dialogue reads a lot like a middle-schooler’s first attempt at writing.   But then, some may find this sample fascinating:  “You know where he lives, right?”  “Yes.”  “Fine.   I said we had ten percent of a plan.   It’s more like two percent.   I gotta get some smokes.”

Sometimes less is more.   In this case, less is less.   And, oh yes, there are a number of characters who you just know from the first few pages are going to fight it out at the end of this not-at-all-disguised shaggy dog story.

Is this Johnson’s idea of a $23 practical joke?   I don’t know, but let’s just hope that Playboy paid him a Ferrari’s trunk full of money, because recovering from this is going to be a long shot.   Bang!

Farrar, Straus & Giroux, $23.00, 196 pages

Reprinted courtesy of Sacramento Book Review.

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