Full Circle

Music Review: Gene Clark (of The Byrds) – ‘Two Sides to Every Story’ [2014 Deluxe Edition]

I’ve been a huge fan of the music of the late Gene Clark. In fact, when I purchased the 2006 Byrds 4-CD box, There Is a Season, the first thing I did was to find all of the songs written or co-written by Clark and place them on a single CD-R. So I anxiously looked forward to hearing Two Sides To Every Story, a record that, as noted by Clark’s biographer John Einarson, “was (less than) appreciated in 1977.” After listening to the 10 tracks on Two Sides To Every Story, I can understand why the album was not a commercial success.

Story has been re-issued by High Moon Records in a deluxe hardbound Eco-Book (actually, a booklet) with 26 color pages. An enclosed download card allows one to hear over 90 minutes of Clark songs performing live in 1975.

Here’s a look at the content of the album.

“Home Run King” sounds like a Michael Nesmith tune. The lyrics do not make much sense: “You are either the newspaper boy/Or you’re either Babe Ruth.” Interestingly, the song is structured a lot like “The Bug” from Dire Straits: “Sometimes you’re the Louisville Slugger/Sometimes you’re the ball.” It’s a whimsical track but Clark did not seem to enjoy singing it.

“Lonely Saturday” is a straight country – not country-rock – tune that might have fit well on a Jimmy Clanton (“Just a Dream”) or Jimmie Rodgers album. It’s a high quality song but Clark’s limited vocal range in ’77 does not do it justice.

“In the Pines” is a banjo and violin-laden track that’s 110% country and needlessly over the top. This song speaks of a “black girl” who causes the singer to leave his home, while “Home Run King” referenced “the black Madonna sleeping with a star.” Autobiographical?

“Kansas City Southern” is a rocker, fortunately. It’s kind of like Bob Seeger-meets-the Eagles. If only the entire album was like this! “Well, I’d sit and watch those trains go by/And wish that I was homeward bound.” It’s a track that requires some attitude to be done properly – Clark is not quite up to the task here. I’m sure that either Rosanne Cash or Bonnie Raitt could record a dynamite, knock-your-socks-off version.

“Give My Love to Marie” is Clark’s cover of a song written by James Talley about a black lung miner. It’s an emotional ballad about a poor dying man (“There’s millions in the ground/not a penny for me….”) that would have been a splendid B-side if “Kansas City Southern” had been released as a single. It’s definitely the best vocal performance by Clark on the album.

“Sister Moon” is a simple 12-line song in the vein of “Moonlight Mile” by the Rolling Stones. There’s too much orchestration because there’s not much content to the song: “Ah, Sister Moon, I am your son.”

“Marylou” is a gritty blues-rock cover of a song written by Sam Ling and Obie Jessie. It’s somewhat reminiscent of “Steamroller” by James Taylor. If John Cougar Mellencamp were to ever record a covers album, he might want to include this one.

Should Jackson Browne be countrified, he would sound like Clark does on “Hear the Wind”: “Life’s the house where we live/We cannot feel tomorrow/Only feel what we give.” It’s a three-minute track that’s pretty weak. “Past Addresses” is a wordy Clark composition – wordiness never being a problem with his earlier songs – that imparts a wistful Late for the Sky feel: “I can only make guesses/On some of my past addresses/And tell you what my broken memory recalls.”

The album concludes with “Silent Crusade,” a song about life as a journey on the ocean. It reads as a nice, admirable poem performed in the style of Gordon Lightfoot. But Clark’s voice cracks and fails him on this closer.

Story is a collection of songs with more losers than winners. It’s more country than country-rock, which limited its appeal back in 1977 and may well do so again. The remastered sound is fine. However, at an Amazon price of $33.47 it’s awfully expensive (even with the live tracks that can be downloaded), especially when you consider that the limited edition deluxe of Rosanne Cash’s The River and the Thread, also packaged in an Eco-Book with 36 color pages, goes for $16.19 on the same site.

I think Two Sides to Every Story will appeal to Gene Clark completists. It’s unlikely to hold much appeal for others.

Joseph Arellano

This article first appeared on the Blogcritics site and in the Seattle Post-Intelligencer:

http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Gene-Clark-The-Byrds-Two-Sides-5918222.php

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Just About a Moonlight Mile

Moonlight Mile: A Kenzie and Gennaro Novel by Dennis Lehane (William Morrow Paperbacks, $14.99, 336 pages; Harper, $9.99, 368 pages)

Dennis Lehane’s Moonlight Mile is a typical crime novel that weighs in as above average, but not enough to be considered a great work. The book relies significantly on dialogue. When an author’s story rests on a foundation of dialogue, the dialogue had better be good. In this case, it is strong at times but cheesy at others. All in all, the results are mixed.

While Lehane’s earlier novel, Live by Night, was a superb novel with a crime backdrop, Moonlight Mile is more of a stereotypical crime novel; although there are high points found throughout, it is basically “run of the mill.”

Private Investigator Patrick Kenzie and wife, Angela Gennaro, are caught up in the sequel to Gone, Baby, Gone, in which the enigmatic Amanda resurfaces twelve years later. As in any good crime novel, Russian gangsters are somehow prominent and, in this case, baby smuggling is the theme/motive. Dre, the Doctor that becomes entangled in the enterprise, is introduced well on into the story – which makes it a bit difficult for the reader to track and become emotionally involved. However, the doctor’s dereliction of duty provides an explanation for how and why everybody involved is involved. Sadly, the character development is lacking.

Kenzie and Gennaro struggle through the fact that they are in a relationship in which one person is shot at on a regular basis. Luckily, they remain attracted to each other. Okay.

While this is, overall, a good book with an exciting conclusion that some – or even many – will enjoy, I found it to be just passable. One would be better advised to pick up and read any Frederick Forsyth novel.

Recommended for less demanding readers.

Dave Moyer

A review copy was provided by the publisher. Dennis Lehane also wrote Mystic River: A Novel.

Dave Moyer is an educator and the author of Life and Life Only: A Novel.

Coming Up Next…

A review of Moonlight Mile: A Kenzie and Gennaro Novel by Dennis Lehane.

Moonlight Mile

Moonlight Falls by Vincent Zandri (R. J. Buckley Publishing, $19.00)

Our hero-protagonist, Richard Moonlight, has a bullet fragment lodged in his brain.   This is no ordinary bullet fragment either, it found its way there via a gunshot delivered by Moonlight!   As the story unfolds, there is a sense of urgency that builds.   The quirky premise is somewhat similar to the movie from 2000 named “Momento.”   There has been a crime and it must be solved.   The police chief’s wife, Scarlet, has been murdered, or did she commit suicide?   To make matters worse our hero may have been one of her last visitors.

Moonlight is a human time bomb who has had more than one serious failing of common sense.   Clearly, his filter for right and wrong was damaged by the bullet fragment.   Considering he placed the fragment in its present location during a botched suicide attempt serves to validate the notion that he’s not all there.

The relationships in the story are tightly intermingled.   The charm and peril of living in a small town are well portrayed as Moonlight relies on family and friends to solve the mystery.   The names of the characters serve as double entendres; the adulteress is “Scarlet,” the former cop partner who steals Moonlight’s wife is “Cain” and the painfully simple young cop is “Joy.”   Added to this group are two government agents whose interrogation forms the premise for Moonlight’s recounting of his escapades.   Several more deaths pile up along the way.   All of them tie neatly back to our hero.   It’s up to him to use his faulty brain to clear himself of the charges.

What’s not obvious is when the testimony ends and Moonlight’s thoughts about his situation are being shared with the reader.   Author Zandri has spun a super shaggy dog story that begins a bit haltingly and shifts gears into a powerful pace that holds the reader’s interest.   This book is filled with plenty of action and excellent character development.

Highly recommended.

This review was written by Ruta Arellano.   A review copy was provided by Baker Public Relations.