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Modern Blue

Music Review: Rosanne Cash – ‘The River & The Thread’

river and the thread front

Rosanne Cash’s latest release illustrates how the label of country singer is far too limiting for a person of her talents. Perhaps she can be called a modern musician.

Here’s a look at the songs on The River & The Thread, which was produced and arranged by her husband, John Leventhal.

River_And_The_Thread-back basic

“A Feather’s Not a Bird” is a fine opening, as a Bonnie Raitt style attitude meets Creedence Clearwater Revival type instrumentation. It’s clear that there’s nothing tentative about Cash. She’s confident and in charge as she sings, “…a river runs through me.” “Sunken Lands” is unique as a blend of classic and modern country built upon a Johnny Cash pulse.

“Etta’s Tune” is an introspective love song that might have been written by Jackson Browne: “We’re just a mile or two from Memphis/And the rhythm of our lives.” One can easily visualize Tom Petty singing Cash’s rocker, “Modern Blue”: “I went to Barcelona on the midnight train/I walked the streets of Paris in the pouring rain/I flew across an island in the northern sea/I ended up in Memphis, Tennessee….” There’s also a touch of the Eagles in the lyrics: “Everybody around here moves too fast/It feels so good but it’s never going to last/Everything I had is twice what I knew….”

“Tell Heaven” is an unplugged song about faith. The Judds would have loved to have sung this. “The Long Way Home” is an angst-filled song about lost love that calls to mind Don Henley, Mark Knopfler and Carly Simon (“You’re So Vain”). It’s beautifully realized: “You thought you left it all behind/You thought you’d up and gone/But all you did was figure out how to take the long way home….”

“World of Strange Design” is a song about differences and discrimination, with a musical presentation that channels Dire Straits. “Night School” is a Tori Amos style balled: “I’d give anything to be lying next to you/In night school.” The uplifting “50,000 Watts” is reminiscent of Bruce Springsteen’s “The Rising”: “To be who we are/And not just who we were/A sister to him, a brother to her/We live like kings/without any sin/Redemption will come, just tune it on in….”

“When the Master Calls” is a touching song about the Civil War which would have fit well on Elton John’s Tumbleweed Connection album. “Money Road” is the relaxing closing song about a dream, but the standard eleven-track edition of this album is only 38 minutes long. Consider purchasing the Limited Edition Deluxe version, which adds three additional songs and 10-plus more minutes of music.

River and the thread back

“Two Girls” is the first bonus track on the Limited Edition, and it sounds like a song from Neil Young’s Harvest Moon album. “Biloxi” is one of the great songs written by the late Jesse Winchester: “Beautiful girls are swimming in the sea/Oh, they look like sisters in the ocean/The boy will find his path with salted water/And the storms will blow off toward New Orleans.”

“Southern Heart” is a short, 2 minute long, song with plucked violin strings that would have been a great single in the 1960s; it’s a song very much in the style of the Andy Williams hit, “Can’t Get Used to Losing You.”

river and the thread rosanne

Cash has laid out her musical skills for the world to see on this release. It’s a highly recommended masterpiece or very close to it. But forget the ratings, just think of this as a near priceless gift delivered by Cash to her fans, current and prospective.

Joseph Arellano

A review copy was provided by Blue Note Records.

This review was first posted on the Blogcritics site:

http://blogcritics.org/music-review-rosanne-cash-the-river-the-thread/

This review was also used by the Seattle Post-Intelligencer:

http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Rosanne-Cash-The-River-The-5411097.php

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Into the Mystic

When That Rough God Goes Riding: Listening to Van Morrison by Greil Marcus (Public Affairs, 208 pages, $25.95)

“To this day it gives me pain to hear it.   Pain is the wrong word – I’m so moved by it.”   Lewis Merenstein, producer of Astral Weeks

listening-to-van-morrison

Greil Marcus has provided the world with a love letter – one addressed to Van Morrison.   Anyone who’s heard Van Morrison’s music is likely to admire this book.   It’s one of the few nonfiction books in which the Prologue and Introduction do not serve as unnecessary baggage, Marcus taking us back to the world of a very young Morrison with Them.

Rough God (the title taken from a line of poetry by Yeats) is a series of essays on the artist as a young and very mature man rather than a conventionally structured biography.   The entire point of the book, however, is to pay tribute to Morrison’s now 41-year-old masterpiece, Astral Weeks.   The producer of the record said that just 30 seconds into recording the album, “My whole being was vibrating.”   Marcus delves deeply into what Lester Bangs called the “mystical awe that cut right through the heart of the work.”

If you’ve never quite understood the meaning of Astral Weeks, Marcus translates it and makes it clear.   This in itself is worth the price of admission, as if one were unlocking the core of Pet Sounds or Rubber Soul.  This work also examines some of Morrison’s lesser known recordings.   Like his song “Domino,” it’s joyful noise.

Recommended.

Joseph Arellano

A review copy was provided by the publisher.

Reprinted courtesy of Sacramento Book Review.

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