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Strong As You

Music Review: James McCartney – Me

Me James McCartneyMe

It’s not often that a musician releases his first full album at the age of 35, but that’s the case with James McCartney. James is not related to the pop rocker Jesse McCartney, but his father once wrote a catchy tune called “When I’m Sixty-Four.” It’s said that the senior McCartney also wrote a few other songs that have been played on the radio.

Me is an album about a person facing adversity in his life. He’s not sure about his love life, his career, his familial relationships, but he tries to display a stiff upper lip: “We’re on our own and we’ve got to go on….”; “I am strong enough to make it through / I am strong enough as strong as you….”; “You think I’m going to lose / But I will win in the end….” Still, he has his doubts, “…we’ve got to go but we can’t go on forever.”

Here’s a look at the lyrics and songs on McCartney’s Me:

“Strong As You” – “It’s hard for me to say how happy I am / Happy man….” On this single from the album, James sounds like Julian Lennon and the lead guitar part that he plays will remind some of George Harrison. Badfinger also comes to mind.

“Butterfly” – “Little bird you don’t quite understand / Everything is lying in the sand….” Here James sounds more like John Lennon, especially in the phrasing, than Julian. It’s a song that might have fit on the Imagine album and there’s a trace of Dave Mason’s “Sad and Deep As You” in the melody.

“You And Me Individually” – “You and me are different / You and me were different individually….” It’s acoustic guitar opening is reminiscent of “Blackbird” from The Beatles White Album and reflects the fact that James and his father reacted in different ways to the death of Linda McCartney. The lighter than air quality of the song shows that James may have listened to Harry Nilsson’s sui generis compositions.

“Snap Out of It” – “You know that I’m not here / The candle’s burning at both ends… And I know that I can make it / And I think that I can take it / I’m not going to fake it anymore….” This is a song that’s very much in the style of George Harrison, who often mixed fear and self-doubt with grit in his compositions.

“Bluebell” – “Something pulls me close to you / Like a moth to a flame like a music box / Unwinding rewinding / I’m on my own / I’ve got to go on but I can’t go on forever….” This melodic piece sounds like a cross between two of John Lennon’s songs, “Across the Universe” and “Beautiful Boy.” It’s nicely done although the slow pace of the music to this point begins to feel plodding. A change is on its way.

“Life’s A Pill” – “…now I’m bleeding still / I know the pain will leave / When troubles disappear… Life’s a pill give it to me now.” Now the rocking begins. “Pill” sounds like a merger of “Things We Said Today,” “Running On Empty,” and “Peaceful Easy Feeling” and it’s just a warm-up for the next track.

“Home” – “I kind of heard it on the radio / Oh my god what am I to do….” James and his musicians kick out the jams on a song that’s a melding of Wings’ “Helen Wheels,” “Magneto and Titanium Man,” and Styx’s “Mr. Roboto.” The drummer kicks, punches and violently pounds on the drum kit until it’s destroyed. Yes, some serious behind is kicked!

“Thinking About Rock & Roll” – “Walking around Disneyland / It’s so pretty me and Mickey the Mouse / And he turns and says / It’s so fine and it’s going to be mine / Life’s so fine and it’s already mine.” This is the “Silly Love Songs”-style track on the album. It’s a song about celebrating life and living and appreciating what one already has (rather than what one wants and desires). A bit silly, but fun.

“Wisteria” – “Baby if you know what love is for / Let me know what it means to you….” This one’s like a track from Matthew Sweet’s Girlfriend album. It’s pure energy. Wisteria is apparently a woman’s name, although it might refer to Wisteria Lane.

“Mexico” – “Moving down to Mexico where the women treat you right / Moving down to Mexico where no one gives a shite….” A celebration of the joys of living in Mexico; it’s no threat to James Taylor’s song of the same name and theme.

“Snow” – “Nighttime falls on Manhattan city / New York like white snow / I’m on the fence for you / I’m in the zone glancing at you / Dancing with you for the very first time / Dance for the first time….” James channels John Lennon in a stunningly beautiful piano-based composition about love and winter in New York City. It’s like a lost love song written for Yoko Ono.

“Virginia” – “…my baby’s gone and left me… She left me at the station / And I don’t give a toss….” This is a non-essential bonus track that displays the McCartneys’ wry sense of humor. It would have fit well on the Wings Wild Life album.

Me is definitely a good album, but the question is where does James McCartney go from here? He is so clearly fascinated with the Lennon sound that it might make sense for him to join with 50-year-old Julian Lennon to jointly write and record a collection of songs together.

What would they call such an album? That’s easy, Lennon & McCartney.

Well recommended.

Joseph Arellano

A review CD was provided by ECR Music Group.

This article originally appeared on the Blogcritics website:

http://blogcritics.org/music-review-james-mccartney-me/

This review was also used by the Seattle Post-Intelligencer newspaper:

http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-James-McCartney-Me-4637098.php

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A music review! We take a look at the album Me by James McCartney.

James McCartney

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Talking Book Revisited

Talking Book, a review of the cover album by Macy Gray (429 Records, $15.99)

It has often been said (and frequently on the TV show American Idol) that Stevie Wonder’s songs seem deceptively simple, yet they are actually complex and difficult to sing.   Thus, it may seem odd that Macy Gary, with her raspy voice and somewhat narrow range, has elected to not only cover a Stevie Wonder song, but an entire album of Stevie Wonder.   Talking Book – the first of her albums that I’ve listened to – is a re-working of Wonder’s classic 1972 release, and Gray covers all 10 of the original tracks in order.

Surprising though it may be, the results show that Gray’s judgment is just fine and she generally adds some energy and unique flavors to Wonder’s sometimes understated original versions.   (In college, I often listened to Talking Book and felt it was filled with great songs.   But his recordings seemed like preliminary, unfinished versions.)

“You Are the Sunshine of My Life” now comes off as nice and breezy and jazzy, with a few Brasil ’66 touches.   It would be the perfect song for a Sunday drive in a top-down convertible in southern California.

With “You and I (We Can Conquer the World),” Gray adds a sense of joy and hopefulness to the romantic tome.   “Blame It on the Sun,” one of Wonder’s almost-lost classics, is now brought back to life.   The sorrow for a love, once here, now gone, lies just on the edge of Macy’s voice.   “Tuesday Heartbreak” sounds like a track from a romantic movie soundtrack (hint, hint).   And the essential song, “Superstition,” is now spooky and moody, but awfully nice.   Gray presents the listener with a seemingly daydreamed version of Stevie Wonder’s simply great original.

“Big Brother” is more upbeat than the original recording.   In a word, it’s sweet.   Three of the songs, “Maybe Your Baby,” “You’ve Got It Bad Girl,” and “Lookin’ for Another Love,” are perhaps too true, too close to the original versions, but with Stevie that’s not such a bad thing.   And Talking Book closes on the bright spot “I Believe (When I Fall in Love It Will Be Forever).”   Here Wonder’s romantic anthem is presented in an arrangement that makes it sound as if two songs were merged into a medley.   A sense of joyfulness returns with traces of Johnny Nash-style sound (“I Can See Clearly Now”) heard in the background.

As a concept, attempting to recreate (and perhaps improve upon) one of Wonder’s better albums seemed far from promising.   It was, after all, forty years ago that the vinyl album arrived in record stores.   But Macy Gray holds her own and, strangely enough, her world-weary voice presents just the opposite message – that she loves life and the music of Stevie Wonder.

I have the feeling that Stevie Wonder will be quite pleased with this audio valentine; something that may also be true for a number of music purchasers.

Highly recommended.

Joseph Arellano

Stevie Wonder’s album Talking Book was released on October 28, 1972.   Macy Gray’s cover version was released on October 30, 2012.   A review copy was provided by a publicist.

This review originally appeared on the Blogcritics Music site:  http://blogcritics.org/music/article/music-review-macy-gray-talking-book/ .

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