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An Interview with Sarah Jio

This is an interview with New York Times and USA Today bestselling author Sarah Jio, whose new book was released on November 26. Joseph Arellano

Sarah Jio

Q: There are actors who are called method actors. They like to put themselves inside the skin of the characters they play. For example, if a method actor is hired to portray a boxer, he or she will take boxing lessons and box with professionals. I tend to think of you as a method writer, one who inhabits a world before she writes about it. With this in mind, could you tell us about how you prepared to write the novel Morning Glory, which is set on a houseboat in Seattle?

A: Renting a houseboat for four months while writing this novel was the single greatest thing I could have done to put me in the right headspace to capture the essence of the floating home community. I got to soak up little details that I would have never known had I not experienced them – like how a houseboat sways ever so gently on a windy day or how a pair of Mallard ducks waddle up to the doorstep on Saturday morning and gaze in to the French doors. I will forever treasure that time on Seattle’s Lake Union writing this book.

Morning Glory 2

Q: Would you briefly summarize the plot of Morning Glory, your latest release?

A: Here is what is written on the book jacket: “New York Times bestselling author Sarah Jio imagines life on Boat Street, a floating community on Seattle’s Lake Union – home to people of artistic spirit who for decades protect the dark secret of one startling night in 1959.

“Fleeting an East Coast life marred by tragedy, Ada Santorini takes up residence on houseboat number seven on Boat Street. She discovers a trunk left behind by Penny Wentworth, a young newlywed who lived on the boat half a century earlier. Ada longs to know her predecessor’s fate, but little suspects that Penny’s mysterious past and her own clouded future are destined to converge.”

Q: In your novels, women who lived at different times (and who never met) are brought together by unique circumstances. Generally the woman who lives in current times is called upon to resolve a mystery involving a woman who lived 50, 70 or 80 years before her time. It has struck me that in this way each character gets to live twice; it’s a form of time travel. Is there an experience in your life or in your family that prompted you to write about this type of situation? Did you personally solve a mystery involving someone who preceded you?

A: I just smiled reading this question, because, yes – I love the concept of time travel, and I find it so heartbreaking that it isn’t really possible (someday?). I suppose the reason I tend to like to write books in this way is it gives me a chance to look back to the past. I feel incredibly romantic about my grandparent’s generation, and I’ve often thought that I should have been born in 1920, so I could have been a young woman in the 1940s.

Q: In Morning Glory a character states, “I know I may always ache for the past… but I want to be a bird now. I want to flap my wings through the rainstorms. I want to start my day with the earnestness of the morning glory….” Do you find yourself being both past and present oriented?

A: Absolutely, and I remember writing that passage. While I write fiction, yes, there is a lot of my heart and my own personal journey in all of my stories. It is impossible to separate the author from her characters. While they are not always me, I get to create them, and I get to choose favorites. And I often turn to my protagonists as I think about the important elements of life, or big things I’m working through.

Q: One thing I found in common among The Violets of March, Blackberry Winter and Morning Glory is that while your story conclusions are logical, they are unpredictable. Is this something that you strive for – to keep the reader guessing until the last page, or is this simply how the stories play out in the writing process?

A: Yes, I love to be sneaky like that – surprising readers with a conclusion that they didn’t see coming, or some surprising reveal at the end. Because isn’t that true of life? Often it is unpredictable and unchartered. Even the best laid plans have hiccups or surprise endings. And I love carrying this through in my books.

Q: Did anyone in our family or background use the phrase, “True love lives on….” (used by Esther Wilson in The Violets of March)?

A: No, I have never had that uttered to me by a loved one, but I believe it, and I cling to it.

Q: There are characters in your novels that are less than nice and honorable; but in general your stories tend to restore our faith in the best of human nature. Does this reflect a view on your part that while life can be mean and nasty, the better angels of our nature win out? In other words, do we see Sarah Jio’s basic optimism play out in your work?

A: Yes, we are flawed creatures – and that comes out in my books, for sure. At the end of the day, I am an optimist. We get one life, and only so many trips around the sun, and I believe in love and happy endings and beautiful sunsets that make you smile.

Q: Will most of your stories be set in the Seattle area?

A: Not all, but most. My heart is here and will always be. I naturally gravitate to setting my stories in the Northwest, but I’m interested in other locations too, so perhaps I’ll be switching things up in the next few books.

Q: I consider it as a positive that when I read Blackberry Winter, I was reminded of Jamie Ford’s Hotel on the Corner of Bitter and Sweet since the two novels share a similar stage – Seattle past and present – and a journey of personal discovery. I loved both books. Have you met Ford and would you agree that the two novels are bookend-like in scope and theme?

A: I own Hotel on the Corner of Bitter and Sweet, although I haven’t had a chance to read it yet (it is on my nightstand!). I have not met Jamie Ford, but enjoy following him on Facebook and Twitter and I think we’d have a lot to talk about over coffee (and anyone who is not following him on Twitter should – he’s hilarious). Readers have mentioned a similar connection in our books, and it’s a huge compliment to me, for sure.

Note: Before becoming a full-time author, Sarah Jio was the Health and Fitness writer-blogger for Glamour magazine.

This article first appeared on the Blogcritics website:

http://blogcritics.org/an-interview-with-sarah-jio-author-of-morning-glory/

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Oxford Messed Up

Oxford Messed Up: A Novel by Andrea Kaufman has been getting a lot of buzz in the publishing trade.   This debut novel by Kaufman is about a young, academically brilliant woman –  Gloria Zimmerman – with severe Obsessive-Compulsive Disorder who attends Oxford University.   There she meets a unique and tragedy-stricken neighbor by the name of Henry Young.   Gloria and Henry find themselves drawn together by a shared obsession with the music and lyrics of one Van Morrison.

“Van Morrison’s lyrics provide a backdrop for this narrative, which is more than a love story – it is a study of fatalistic optimism.   I couldn’t put this book down because Kaufman makes you care deeply about the individual journeys of her two protagonists.”   Kathleen McCartney, Ph.D., Dean, Harvard Graduate School of Education

Oxford Messed Up is a hardbound release from Grant Place Press ($24.95, 328 pages).   It is also available as a Kindle Edition or Nook Book download.   You can sample the book now by clicking on this link:

http://andreakaynekaufman.com/wp-content/uploads/2011/10/OMU_Preview_Download.pdf

Joseph Arellano

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Coming Up Next…

A review of The Last Blind Date: A Real-Life Love Story by Linda Yellin.

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Between Me and the River

Between Me and the River: Living Beyond Cancer by Carrie Host (Harlequin; $22.95; 304 pages)

Carrie Host’s book Between Me and the River is a moving memoir that chronicles her journey and struggles to survive an incurable form of cancer.   In the book, Carries shares all the pain, physical and emotional, she went through after her diagnosis.   She also relates the guilt she felt and anger at her new life.   But more than that, she provides a story of hope, love and self-awareness that many of us have never felt in our lives.

Host compares her trial in dealing with cancer to falling in a river.   Whether sinking into the deep water, rushing toward a waterfall, or resting in an eddy, it’s easy to identify with her as she explains where in the river she feels on any particular day.   It is heart wrenching to read of her account (being a mother of five) of how she delivered the news of her fate to her children, to follow along as she struggles to do the simplest tasks a mother must do, and to see her relationship with her husband flourish under the strain of what they have to deal with.

I applaud Carrie for having the courage to write so openly and honestly about her disease.   Reading this book has changed my life in a profound way.   It has made me more patient and loving with my children and more thankful of my husband.   While Host’s book at first is a heavy read, as you turn more pages you start to see the positive impact this devastation has on her family, her friends and her own consciousness.   Overall I found this book very easy to read, though I had to put it down at times to wipe the tears away.   I would definitely keep a tissue handy.

This review was written by Denna Gibbons and is used with her permission.   You can see more of her reviews at http://www.thebookwormblog.com/ .   Between Me and the River is also available in a low-cost Kindle Edition version and as an Unabridged Audio Edition.

 

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Loneliness Is Just A Word

Lonely: A Memoir by Emily White

“…the lonely were more likely to have died than the nonlonely.”

Emily White’s Lonely succeeds as a survey book, specifically when she examines the surprising lack of research on what would appear to be a nearly essential topic for study – human loneliness.   She finds, for example, one study which demonstrated that post heart surgery patients were twice as likely to die if they experienced the effects of loneliness.   She also describes the  more standard physical impacts that plague the person who is determined to be lonely, and to her credit she had “to find the papers…  myself.”

The book is much less effective when it attempts to serve as a self-proclaimed memoir.   To be explicit, the book would have been far more engaging if it had begun with a review of the research on the matter of loneliness, and then finished with White describing its impact on her own life.   This is because much of what she stated in the opening seems either odd or contradictory.

This reviewer suspects that most readers will approach the topic with an understanding of loneliness as isolation.   We are lonely when we must be away from the people who are close to us; as when, for example, someone leaves the family nest to go to a faraway college.   But such loneliness is temporary and others come in to fill the empty spots in our existence.

White, however, is the person who is lonely in crowds; she states that, “I just feel a lack of connection around people, even when I’m around people.”   Thus, she responds to this by spending more time alone and, “The more time I spent alone, the more difficult I found it to be around others.”   This seems desperately confusing, especially when we read about how she chose to live way across town from friends and relatives:  “…odd…that I should have chosen a place so far removed (to live).”

White also appears to display a knack for making lemons out of lemonade.   Of cherished car drives with her father she complains that they “always ended.”   And although in law school she was surrounded by smart people, it seemed to signal the start of her era of self-isolation.

This reviewer must disclose that my life and the author’s appear to be considerably parallel as to our experiences, and yet, the very ones that she found limiting were for me empowering.   Thus, we may have a clash of perspectives here.   So, I will re-emphasize that White presents some valuable information when one views this work as a review of a little-developed field.   To her credit, she raises some questions that do call out for an answer – such as whether or not loneliness is inherited.

White might have been served by having the assistance of a professional writer who could have toned down her tendency to look at life through somber dark-colored glasses.   A second set of eyes in the person of an editor might have added a bit of needed joy to this look at our lives and the need we have to share it with others.

A review copy was provided by Harper.

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