Tag Archives: ordinary people

Perfect World

The Fragile World: A Novel by Paula Treick DeBoard (Mira, $14.99, 415 pages)

the fragile world

Synopsis:

The Kaufmans have always considered themselves to be a normal, happy family. Curtis is a physics teacher at a local high school. His wife, Kathleen, restores furniture for upscale boutiques. Daniel is away at college on a prestigious music scholarship, and twelve-year-old Olivia is a happy-go-lucky kid whose biggest concern is passing her next math test. And then comes the middle-of-the-night phone call that changes everything. Daniel has been killed in what the police are calling a “freak” accident, and the remaining Kaufmans are left to flounder in their grief.

The anguish of Daniel’s death is isolating, and it’s not long before this once-perfect family finds itself falling apart. As time passes and the wound refuses to heal, Curtis becomes obsessed with the idea of revenge, a growing mania that leads him to pack up his life and his anxious teenage daughter and set out on a collision course to right a wrong.

Like the film Ordinary People, The Fragile World is a story about imperfect people, beset by tragedy, doing their best to get by. It’s a story narrated by both Curtis and Olivia. Not many writers would base the events of a novel in Sacramento, California or Oberlin, Ohio but DeBoard uses both locations. It’s a risk, and it works. It enables her to realistically paint the Kaufmans as a humble family – a family whose breadwinner drives an over-used Ford Explorer with a bad transmission. There’s nothing glamorous to see here, people.

The story is about a father and daughter road trip, from Sacramento to Omaha. Olivia thinks that the purpose of the trip is to reunite her with her mother, Kathleen, who could not live with Curtis’s unending mourning of Daniel’s death. But Curtis plans to deposit Olivia with her mother while he travels to Oberlin to confront the person he believes was responsible for his son’s death.

Initially, the reader has the impression that he or she knows how this tale will play out. Don’t bet on it. DeBoard throws in some unexpected events – such as having Curtis show up at his hated father’s death bed in the Chicago area – before the denouement in tiny Oberlin. Curtis finds the man he’s looking for and he’s got a gun in his hand. Knowing this does not provide a spoiler because DeBoard tips the chessboard over. The book is worth reading to discover how DeBoard wraps things up.

The Fragile World is also worth reading because it perfectly examines the imperfections of family life. There’s a father who hates his own father so much that he’s never communicated with him during his adult life. There’s a daughter who blames herself for not being what her brother was. There’s a wife and mother who cannot accept or understand why her husband and daughter are unable to simply move on with their lives after a tragedy. These are ordinary people who are hurting, people who feel pain. They inhabit a fragile world, one with which many readers will identify.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher. “Emotionally powerful… This bold and moving story is absolutely unforgettable.” New York Times bestselling author Heather Gudenkauf

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Waitin’ On A Sunny Day

Bruce by Peter Ames Carlin (Touchstone, $28.00, 494 pages)

I was living in Los Angeles in the winter of 1975 when a live concert by a then-unknown East Coast band was stereo-cast late one evening by a Metromedia FM radio station.   The group, Bruce Springsteen and the E Street Band, was playing at the Roxy Theatre and for all of Southern California.   The performance began with a song called “Thunder Road,” and the band proceeded to play all of the songs that we would soon come to know as the Born to Run album.   (I saw Springsteen and the E Street Band when they hit San Francisco the following year.)

Fans of Springsteen know that despite all of their digging, not much is known about his personal life.   Peter Ames Carlin, author of the well recommended Paul McCartney: A Life, and of Catch a Wave: The Rise, Fall and Redemption of the Beach Boy’s Brian Wilson, attempts to remedy this in Bruce.   Carlin draws upon numerous interviews to flesh out a picture of a real human being behind the rock legend.

Some will be surprised to see how vulnerable Springsteen is.   He’s a man who often worries about what others think of him, one who has been unsuccessful in numerous personal relationships, one who has experienced a high level of depression and relied upon years of professional counseling, and one who has often sought a geographical solution to his problems (moving from East Coast to West Coast and back, to the South and back to the West before settling back down in New Jersey).   The mature Springsteen is now a family man, with a wife, son and daughter, who has repeatedly stuck his neck out for social causes and for political candidates – notably supporting Barack Obama in the 2008 and 2012 presidential races.

Carlin has an insider’s ear for music and provides a quite satisfying amount of information about Springsteen’s recording sessions over several decades; some of the insights may cause readers to purchase albums or revisit the ones they already own.   Carlin’s best, detailed work comes in reviewing how The Rising album – a work of healing and redemption if there ever was one – was recorded after 9/11.   His analysis is excellent except for the fact that it fails to mention the very best song on the album, “Waitin’ On A Sunny Day.”   (How did that happen?)

“(Springsteen is) an artist fixated on the intimate stories of ordinary folks whose labors make wealthier mens’ dreams come true…”

Bruce provides the insight that Springsteen has crafted his albums in the same manner in which a movie producer crafts a film.   Each album is intended to represent a story, generally about the people left behind in an otherwise prosperous society.   It’s no wonder that Springsteen’s most recent release pleaded for us to take care of our own.

This story of a performer and his unique band of brothers is more satisfying than most musician bios and it makes for a fast read despite its length.   It is, however, likely to have a short shelf life as the “definitive” biography – to quote Publishers Weekly – of The Boss.   As with bios of Paul McCartney, Brian Wilson, Bob Dylan, Joni Mitchell, Mick Jagger and other rock notables, there’s certainly more to come

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.  

“There are many things I could and should be doing right now, but I am not…  I am reading and rereading this book.   Why did you do this to me?”   Jon Stewart to Peter Ames Carlin  

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