Murder, She Cooked

Death al Fresco: A Sally Solari Mystery by Leslie Karst (Crooked Lane Books, $26.99, 320 pages)

Death al Fresco is the third Sally Solari novel by Leslie Karst.  When I first received the book to review and saw on the cover a plug that the book includes recipes, I was immediately skeptical.  I was proven wrong.  Death is a very enjoyable read and Karst manages to deliver a book that allows the reader to read it in big chunks because it breezes along nicely and sustains interest.  Or one can elect to put it down for a while and return to it without having missed a beat.

Solari’s is an Italian restaurant owned by Sally’s father on Monterey Bay in Santa Cruz, California.  Much to her chagrin, she finds herself supporting her father’s endeavors more than she would care to.  She dates a member of the District Attorney’s office and – in addition to her restaurant pursuits, takes up painting as a hobby.

Most importantly, Sally is an accomplished amateur sleuth, which comes in handy when Gino, a renowned Santa Cruz fisherman is found dead (by Sally’s dog) after an evening at Solari’s.  Early in the novel, a local accuses her of being the next Jessica Fletcher (Murder, She Wrote), which, by the way her character is drawn is the exact analogy I had in mind while reading the story.  The unfortunate death compromises a major event planned for the restaurant; an event for which Sally was the unwitting chief organizer.

Sally’s father becomes a suspect in the crime and in order to salvage both the restaurant and her father’s reputation, she becomes the chief busybody and lead investigator in Gino’s death.  Sally is too sweet to be perceived as precocious, but just barely.  She is far too nice to be disliked, even when she is covering up evidence.  She is also, apparently, too cute to upset her boyfriend with all of her meddling.  All of which somehow – and surprisingly – makes for a story that works extremely well.

There are various iterations of possibilities introduced as the circumstances of Gino’s death come to light, from his having imbibed too much before he dined at the restaurant, to an interest in his boat upon his death, and – which is perhaps a bit too much, to lead or copper poisoning.  But in the end, Sally gets it right and the series should continue for at least a fourth novel.

At the conclusion of Death al Fresco, I was a satisfied reader as I put the book down.  I think most readers will arrive at a similar verdict.

Well recommended.

Dave Moyer

A review copy was provided by a publicist.

Dave Moyer is the chief administrator of a public school district in Illinois, and is the author of Life and Life Only: A Novel.

 

Advertisement

The Rest of the Story

No One Ever Asked: A Novel by Katie Ganshert (Waterbrook, $14.99, 368 pages)

Sometimes a promising novel is destroyed by the story telling structure selected by the author.  I found this to be the case with No One Ever Asked.  The fictional tale, about racism and socio-economic differences that affect two public school districts in Missouri, is a worthwhile one.  Ganshert well illustrates how racism impacts everyone – rich and poor, majority race or minority – whether it is overt, covert, deliberately hurtful, or inadvertent.  And this would have been a relevant read for these times if only she had written the tale in standard chronological form.  She did not.

No One starts with a dramatic event.  The event covered in the Prologue – something a novel almost never needs, takes place near the end of the events covered in this book.  Thus, the next 300 or more pages take the reader back in time to see what preceded the climactic event.  The reader’s patience might not have been tried if Ganshert had taken 10, 20 or even 30 pages to “set up” the non-linear story in this unexpected way.  Unfortunately, and regrettably, she used 300 or more pages to do so.  Not only this, she often refers to events that, in legal terms, “are not in evidence.”  For example, an incident that occurred in a boy’s high school locker room is referenced multiple times.  But the reader is never informed, until near the very end of the telling, as to what exactly was involved in this incident.

Hiding the ball from the reader in this fashion builds up fatigue and frustration.  I was ready to put the book down many times, for good.

There’s also the distressing fact that No One has so many characters – white and black, prosperous and poor, that you would need to keep a spread sheet in order to keep track of them.  And the author’s style is not only confusing and sometimes bewildering, but often choppy.

By the end of No One Ever Asked, I realized that Ganshert had written a decent story which might have been enjoyable had she simply kept it straight (chronological) and simple.  She did not.  I am hopeful that an editor will advise her to follow the common path of storytelling in her next effort.  Cleverness for its own sake is rarely a reward for the reader.

Joseph Arellano

A review copy was provided by the publisher.

No One Ever Asked was published on April 3, 2018.

The Decommissioned

Presumption of Guilt: A Joe Gunther Novel (Minotaur Books, $16.99, 304 pages)

Presumption of Guilt is Familiar, Solid

When you have a good thing going, why change?  Archie Mayor’s Presumption of Guilt is the 27th in the Joe Gunther series that began in 1988, and its familiarity is pleasing.  Gunther is an agent with the Vermont Bureau of Investigation (VBI).  His brazen and unorthodox ways get results, and the reader easily and immediately accesses the setting and characters while the plot unfolds.

Mayor’s background as a medical examiner allows for insider commentary when bodies turn up, which some will no doubt find interesting.  His chapters are somewhat longer than most suspense novels, which is due in part to the fact that much of the story is told in dialogue.  In this addition to the Gunther catalog, Gunther’s daughter joins him and considers following in his footsteps with the VBI.

In Presumption, the body of Hank Mitchell is found in a slab of concrete on the property of a recently decommissioned nuclear power plant.  Initially, there is no obvious motive for this 40-year-old cold case.  But during the investigation a police officer is attacked, gagged and left on the side of the road.  A suspect in the old Mitchell case is soon found murdered.

Several people take it upon themselves to solve the initial murder and the related case, and no one seems to be above suspicion.  Joe, of course, gets to the bottom of things but not before taking a bullet, and not without several unanticipated turns.  These turns keep the reader fully engaged until the very last page.

Well recommended.

Dave Moyer

A review copy was provided by the publisher.  Presumption of Guilt is now available in a trade paperback version.

Dave Moyer is the author of Life and Life Only: A Novel of baseball, life and Bob Dylan.  He is a public school superintendent in Illinois.

Murder in the Library

Murder in the Manuscript Room: A 42nd Street Library Mystery by Con Lehane (Minotaur Books, 320 pages, $25.99)

I tend to avoid mysteries for a number of reasons.  Let me go over them here:

1. Most mysteries tend to feature too many characters.  One needs a flow chart to keep track of them.
2. Most mysteries have too many quirky characters.  Why are these characters stranger than the ones in most novels?
3. Most mysteries have too many red herrings.
4. Most mysteries go on too long before the mystery in question is solved.  And then it happens far too quickly (e.g., 305 pages detailing the story, which is wrapped up at warp speed in the last 10 to 15 pages).
5. Most mysteries have too much dialogue and not enough narrative exposition (scene setting and action).

Despite all of this, I found Murder in the Manuscript Room to be quite engaging.  Con Lehane offers a unique premise – someone is not only killing in the New York City Public Library, but in the rare manuscripts room.  Why?  Why there?  Why in that room?

I often find myself not caring about the solution to the crime at the center of a mystery novel.  However, this time I wanted to know the outcome.  What made the read more enjoyable than most mysteries for me is that author Lehane has a bit of a clipped style.  He does not overload the reader with facts and details; instead, I found that sometimes he leaves things out.  Every now and then, in fact, I wondered if I had skipped a page or two because of his conciseness.  (He sometimes, to use a legal phrase, assumes facts that are not in evidence.)

Lehane also throws in a bit of a romance and a variation on the hard-boiled New York City cop.  Well done!

Lehane basically has a unique tone as a writer.  I like it.

Now I look forward to reading the earlier book in the series, Murder at the 42nd Street Library, and I hope I’m sent a copy of Lehane’s next work.

Me, looking forward to reading a mystery…  Imagine that.

Well recommended.

Joseph Arellano

A review copy was provided by a publicist.  This book was released on November 21, 2017.

Death in Special Collections

Murder in the Manuscript Room: A 42nd Street Library Mystery by Con Lehane (Minotaur Books, 320 pages, $25.99)

As she dug through the possessions Leila left behind, she was aware that what she searched through was not so different than what she might find in any of the boxes in the manuscripts and archives collection.

Author Con Lehane follows his first novel in this series, Murder at the 42nd Street Library, with an equally engaging tale.  Raymond Amber, newly-discovered grandfather of Johnny, jumps into another quirky situation in his role as the curator of the crime fiction collection at the New York City landmark/institution.

The cast of characters includes several carry-overs, the most prominent among them are: Raymond’s almost-love-interest librarian Adele Morgan, New York police detective Mike Cosgrove, and beloved Library Tavern bartender McNulty.  Despite the obvious enormity of New York City, Lehane deftly conveys a small town vibe by further developing the strong relationships among the characters introduced in the first book.  They interact within a fairly tight radius around the library and their respective neighborhoods.

Of course there is the promised murder and ensuing investigation into the who and why of the event.  New member of the library staff and murder victim, Leila Stone, gave off strange vibes and did not fit in with the normal flow of work.  Mike and Raymond form a tension-filled team to solve the crime.  In the past, Raymond has proved his skill at detective work which puts him in friendly competition with his buddy the detective.

Adele is the one library staff member who was able to forge a relationship with Leila and she takes up the thankless task of delving into Leila’s past in the hope of finding a motive for the otherwise pointless murder.  Adele ventures away from New York City all the way to Texas.  There are murky figures lurking wherever she travels which adds a menacing note to the tale.

Numerous plot threads connect the characters within the murder investigation, while at the same time daily life goes on.  Raymond’s continuing custody tug-of-war with Johnny’s wealthy grandmother allows the reader to experience his evolving emotional development from a neat and tidy librarian’s life to the messiness of a life infused with deep feelings.

The satisfying second novel in the 42nd Street Library series from Con Lehane is a  product of his adept skill at writing dialogue, describing scenery and portraying emotions.  The added bonus blended into the mystery is another behind-the-scenes glimpse of the workings of a priceless institution.

Highly recommended.

Ruta Arellano

A review copy was provided by the publisher.

Livin’ La Vida Loca

The Reason You’re Alive: A Novel by Matthew Quick (Harper, $25.99, 226 pages)

Living the Crazy Life

The Reason You’re Alive is, supposedly, a novel about a Holden Caulfield-like character who has reached the age (68) at which he has a seven-year-old granddaughter.  He’s angry (of course) at the government that sent him to Vietnam in his youth, ultra-conservative (OK), and perhaps more than slightly deranged.  However, author Quick (The Silver Linings Playbook) begins the story with his version of charming writing.  There is, for example, a scene in which the main character, David Granger, sits down to an imaginary tea party with granddaughter Ella.  It’s sweet and cute.  And the reader is informed that it just so happens to be the case that Ella is the “spitting image” of Granger’s dead wife – by suicide (naturally).

Jessica Granger was a painter who apparently did little else with her life – David screamed at her on what proved to be her last night on earth, “You have to contribute SOMETHING!” – except for providing Granger with a son; a son which he did not father.  Quick, as Granger, writes beautifully about Jessica:

I feel like shedding a tear or two when I think about a nineteen-year-old Jessica looking up from a canvas as big as her, smiling at me with paint smudges all over her face, like camouflage.  Her long, brown hair is always braided with pigtails, and she is perpetually in overalls, as if she were a farmer riding on a tractor.  All she needed was a piece of hay hanging out of her mouth.  You could see the light in her eyes back then.  It was as bright as goddamn June moonbeams shimmering off ocean waves still warm from day’s sun.   

At this point in the novella, not a novel, the story is quirky with some parallels to the style of The Catcher in the Rye.  But this style on the part of the writer does not last, does not hold.  It’s not long after one’s approached the halfway point of the story that Quirk goes haywire on us.  The suspension of disbelief disappears as he relates events that ring as fully implausible.  The story goes from Catcher in the Rye to Catch-22; from simply quirky to fantastical, that is, odd and bizarre.

The outright crazy part of the book focuses on a bonkers Native American soldier, Clayton Fire Bear, who Granger served with in ‘Nam.  Fire Bear – who took scalps from dead Viet Cong soldiers, sounds like a character that one would have found in Catch-22.  Granger is determined to find Fire Bear in the U.S. and achieve some type of closure with him.  There are other inane things that the story focuses on – things which I won’t waste time relating.  Suffice it to say that, in the words of a Beatles song, it’s all too much.

There are two possible explanations for the author’s diversions.  Perhaps Quick decided to transform Granger from a more than slightly unstable individual to a fully insane unreliable narrator because he believed it was clever from an intellectual – “brilliant author,” standpoint.  If so, it’s too clever by half.  The other explanation is that Quick was simply enjoying himself at the reader’s expense, setting the reader up for what seemed like a serious journey only to drop him/her into the twilight zone.  If the latter is the case, then Quick has fashioned a work that is intentionally and illogically unrestrained.

At the least, this work is inconsistent and unsatisfying.  It starts off as an engaging look at a troubled human being – one the reader can partially relate to, and concludes as a work whose faults will be overlooked by those who prefer convoluted, strange literary forests to sensical, sensible trees.

Bottom line: This book is not The Catcher in the Rye and it’s quite far – incredibly far, from being enjoyable.  Do yourself a favor and pass on it.  You have better things to do with your time.

Joseph Arellano

A review copy was provided by the publisher.

One Man’s Castle

This is an interview with J. Michael Major, author of the unique crime novel One Man’s Castle.  Joseph Arellano

In One Man’s Castle, you wrote a novel based upon a fascinating premise: A man kills people, but only criminals who break into his home.  How did you come up with this idea for the plotline?

It was a short story first.  Like most of my ideas, it was a combination of something I read or saw on the news combined with a “What if?” twist.  What could be another reason bodies are buried in a crawlspace?  And what is something personal that would make a person do this instead of calling the police? The characters stayed in my head even after the story was published, and several writer-friends encouraged me to expand it into a novel.

As I read Castle, I was sure that I knew exactly where the story was going.  I believed the story was going to conclude with an O.J. Simpson style trial.  But that’s not where the story went.  Did you have the ending planned out all along, or did the story just happen to take the path it did?

I’m glad I surprised you!  Yes, it was all pre-planned.  I am an outliner, even for short stories, and the core was already there.  After years of cut-cut for stories, the hard part was learning how to expand the idea without making it feel padded.  The novel gave me the freedom to show how Riehle and Capparelli initially met, get to know the backstory on Walter’s wife so the reader would care more, and explore Walter’s conflict in wanting justice for his wife’s murder without having to pay more of a price himself.

I describe the novel as “Death Wish meets The Fugitive,” and I had to figure out how to structure Castle to keep the tension and conflict while the reader was (hopefully) rooting for both Walter to get away and the police to catch him.  So, yes, I had to know where the story was going at all times.

Speaking of the end of the novel, I was reminded of Presumed Innocent by Scott Turow and Defending Jacob by William Landy.  Were these legal novels influences on you?

Absolutely!  In fact, Presumed Innocent is one of my favorite novels of all time, so I am incredibly flattered that my novel reminded you of it.  Thanks!

Most criminal justice system related novels are written by lawyers.  How did you, as a dentist, decide to tackle a legal novel?

I saw it more as a crime novel with legal issues, which allowed me to focus on the definition of the crime and its consequences, rather than having to follow strict legal structure.  But mostly, it was just the story that I wanted to tell.  “Write what you want to read” rather than “Write what you know.”

What steps did you take to research the criminal justice system to ensure that your novel was reasonably accurate and representative of the justice system?

In addition to friends, relatives and patients who were police officers, I also talked with a couple of lawyers in the State’s Attorney’s Office and Attorney General’s office.  They not only answered my questions, but read early drafts of the novel and made helpful suggestions and corrections.  I am very grateful for their time and patience with me.

If you could press the reset button on your life is there something you would change?

Who wouldn’t want to go back and un-say/un-do some things, or do something you later regretted that you hadn’t?  But the truth is, I love my wife of 25+ years and I am so proud of the wonderful people that my son and daughter are, that I would not want to go back and jeopardize losing what I have with them.  Still, if I had to change anything, I would go back to when my children were younger and find a way to spend more time with them.  Though I was an involved father, they grew up so fast!  Where did the time go?

As with many legal novels, One Man’s Castle is in some sense a critique of the existing criminal justice system.  If you were made King of the Courts, is there something you would change about the system?

I would get rid of, or greatly reduce, the continued victimization of the victims.  While I understand the need for someone to be able to defend himself/herself against false accusations, the victims and their family and friends should not have to suffer through the torture and shaming they must endure during trials.  This seems like common sense and decency, but common sense and the law seem to follow non-intersecting paths these days.

Will your next novel be in the same vein?  Would you give us a preview of it in two or three sentences?

Sadly, when my publishing company decided that it was not going to publish mystery novels anymore, I had to scrap plans for sequels to Castle using the same detectives.  I wrote many short stories for a while, the most recent having been published in Weirdbook #34, until I got an idea for something different.  I just started writing the story of a rookie cop who descends into a hardened, shadowy vigilante over the course of three books.  I’m very excited about this project!

One final point, Carolyn Parkhurst stated, “The ending of a novel should feel inevitable.  You, the reader, shouldn’t be able to see what’s coming.”  I did not see the ending of One Man’s Castle coming, thus it passed her test.  Great job.  I certainly highly recommend the book.  Do you have any final comments?

First, thank you for this terrific interview.  Great questions!  I am thrilled that you enjoyed the book and greatly appreciate your recommending it.  Second, to all beginning writers, HANG IN THERE!  Life throws you curve balls, but as long as you keep writing and submitting your stories, you will persevere.  And read the screenwriting book Save the Cat! by Blake Snyder, because it will help you with structure and inspire you.  Good luck!

This interview was originally posted on the Blogcritics site:

http://blogcritics.org/interview-j-michael-major-author-of-one-mans-castle/

It was also used by the Seattle Post Intelligencer:

http://www.seattlepi.com/lifestyle/blogcritics/article/Interview-J-Michael-Major-Author-of-One-Man-s-11229481.php

 

 

 

Sisters of the Moon

Almost Sisters: A Novel by Joshilyn Jackson (William Morrow, $26.99, 352 pages)

Every family has secrets that persist over generations.  When a family happens to have its roots in a small town in Alabama, long-standing Southern mores bring added depth to its history.  Author Joshilyn Jackson has written a family tale worthy of high praise, The Almost Sisters.  Her main character, cartoonist Leia Birch, is the family outlier.  Her stepsister, Rachel, is the conventional, perfectionist Southern wife who resides in a faux-Tara home with her husband, Jake, and daughter, Lavender.

Leia Birch is not just a cartoonist; she’s the artist behind a DC Comics limited series, Violence in Violet.  The success of the series brought Leia to a comic-book convention in Atlanta where she was the featured artist.  Months later Leia has a secret that she knows will only be met with acceptance by her beloved grandmother, Miss Birchie.

Miss Birchie has her own secrets; although, if she can’t stay quiet in church, at least half of Birchville will find out.  The town, founded by her family, retains many vestiges of the old South.  There is the white neighborhood and the colored one.  People have their places in society and the ridged structure rarely bends to accommodate modern beliefs from outside.

Leia not only has a secret, she has a contract to write and illustrate the prequel for her Violence in Violet series.  The pressure is on as she drives to Birchville to confide in her grandmother.  Little does she suspect that what awaits her may be beyond what she’s able to handle.  There is more than one set of sisters.

Readers will be drawn into the fascinating threads of Author Jackson’s tale.  This book may be fiction but it could also be drawn from real life.  Ms. Jackson is that good at conveying the humanity of each of her unforgettable characters.

Highly recommended.

Ruta Arellano

A review copy was received from the publisher.  Almost Sisters was released on July 11, 2017.

 

New York State of Mind

The Widow of Wall Street: A Novel by Randy Susan Meyers (Atria Books, $26.00, 352 pages)

As with The Murderer’s Daughters, The Widow of Wall Street transports the reader into situations that few people experience.  Author Randy Susan Meyers  maintains her running theme of human frailty in this, her fourth novel.

A bitter opening chapter sends the tale to nearly the end of its long and treacherous timespan, from August 1960 to 2009.  Author Meyers has taken the horrific scandal that was the Bernard Madoff Ponzi scheme and reworked it into an up close and personal morality piece that provides raw emotion and insight into the lives of her fictional characters.  While the general premise of the telling closely mirrors the real life front page story, the details that are specific to Meyer’s characters are of her own invention.

Phoebe has a better than ordinary life living on a nicer street in Brooklyn.  She’s pretty and doesn’t look like the rest of her Jewish family.  At age fifteen Phoebe has become smitten with Jake Pierce who has just turned eighteen.  Jake’s family is down the economic ladder from Phoebe’s.  Jake is ambitious, agressive and determined to get ahead.

As the chapters unfold, the pace of the tale quickens.  Phoebe and Jake’s life as a married couple in New York has its up and downs.  Jake is clearly obsessed with making money and Phoebe feels she has been relegated to a boring housewife life.  Jake is a risk-taker and he lacks the sort of empathy that would temper his personal drive.  Consistent with the Bernard Madoff scenario, Jake borrows money from his wife’s family, which as we know puts them at jeopardy of being his victims.

Author Meyers does an excellent job of depicting her characters.  Jake is hard edged and deluded, as a Ponzi scheme boss must be to maintain the illusions he creates.  Phoebe, for the most part, lacks the fortitude and willingness to see past the glittering life she leads as the scheme grows and grows.

While the tale is not original, the writing is superb.  Readers will wonder at the lives led by the super rich.  It’s like being behind the scenes of the pages of People magazine.

Well recommended.

Ruta Arellano

A review copy was provided by the publisher.

The Widow of Wall Street was released on April 11, 2017.

 

Against All Odds

The Odds of You and Me: A Novel by Cecilia Galante (William Morrow, $14.99, 384 pages)

Cecilia Galante’s The Odds of You and Me combines multiple themes – the underdog, youth, love and forgiveness – into one very solid novel.  Without providing a spoiler, if the reader is hoping that tough odds will be overcome and a Hollywood-style ending is in store, forget it.  This is not a Hallmark or Disney movie.  Nevertheless, this story may appeal to readers who are open to a unique display of what happiness, life, grit, and perseverance mean in the real world.

In Odds, Bernadette “Bird” Sincavage bears a child at a young age under less than ideal circumstances.  She is close to being released from probation when she happens to cross the path of James – a former co-worker, a bad boy that she found to be fascinating.  James is being hunted by the police and Bird is unintentionally drawn back into the complicated orbit of his life.

As the story’s details begin to come together, there are “gray” decisions to be made.  Mrs. Ross, a probation officer, and Jane and Mr. Herron – two of the individuals whose homes Bird cleans, recognize her basic goodness and become advocates for her.

James, destined to be an ill-fated match for Bird, is the ultimate hero/villain.  It’s up to the reader to make up his or her mind in terms of what’s right and wrong; which is precisely why this is a very good, challenging novel.

Bird’s mother sees things in simple black and white, and Catholic priest Father Delaney (a representative of a church that has seen much controversy and turmoil in modern times) attempts to provide a measure of moral conscience.  But there are no easy answers; matters remain quite complicated.

The Odds of You and Me works at many levels, and should appeal to many readers including a potentially significant number of young adults.

Well recommended.

Dave Moyer

A review copy was provided by the publisher.

“The Odds of You and Me is (a novel) in the vein of Meg Donohue and Sarah Jio.”  Amazon

Dave Moyer is a public school superintendent in Illinois, and he is the author of Life and Life Only: A Novel.