Book Lovers

My Bookstore: Writers Celebrate Their Favorite Places to Browse, Read, and Shop, edited by Ronald Rice (Black Dog & Leventhal Publishers, $23.95, 384 pages)

In My Bookstore, edited by Ronald Rice, numerous authors pay tribute to their favored bookstores, which are usually, but not always, the ones located near their homes. Eighty-one bookstores are examined, including three of the best, essential bookstores — Powell’s Books of Portland, Vroman’s Bookstore of Pasadena, and the University Book Store in Seattle (across from the University of Washington). Chuck Palahnuik explains that the city-block sized Powell’s is divided into color-coded rooms and “…each of these rooms is the size of most independent bookstores.”

Californians will be pleased to see that ten of the state’s bookstores, including two in San Francisco, are lovingly described here. (But San Franciscans will be shocked to find that both City Lights Books and Dog Eared Books are excluded.) Only 3 of these “favorite places to browse, read, and shop” happen to be in southern California. The underlying message of these accounts is that one-on-one service counts. These private businesses have thrived and survived the onslaughts of Amazon, Barnes and Noble, and now-departed mega-chains.

This collection of essays will no doubt cause some to visit bookstores that they were previously unaware of. And perhaps at some point Mr. Rice will ask book reviewers to write about their favorite places, and this reader will shed a light on Orinda Books and Lyon Books of Chico.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.

Note: City Lights Books is located at 261 Columbus Avenue at Broadway in San Francisco. Dog Eared Books is located at 900 Valencia Street in the Mission District of The City. Both are worth paying a visit to.

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Good Times, Bad Times

Good Times, Bad Times in the Book Trade

The New York Times created a dust-up recently by posting an article about what was said to be the current glut of memoirs.   The writer seemed to think that everyone and his dog and cat were writing their book of memories, and that there should be some type of pre-publication test of worthiness.   Most did not meet his standards.   Of course, that was but one person’s opinion, one which I happen not to share.   If there’s one area in which the publishing industry seems to have shone brightly in 2010-2011, it’s in the publication of some fine memoirs.

Five memoirs are on my recommended list:  The Memory Palace by Mira Bartok (nothing short of brilliant), The Foremost Good Fortune by Susan Conley (a cancer survivor), Between Me and the River by Carrie Host (another cancer survivor), No Place Like Home: A Memoir in 39 Apartments by Brooke Berman (about being nearly homeless in New York City), and Perfection by Julie Metz (sometimes frustrating but ultimately satisfying).   It also appears that new and worthwhile releases are on the way, including The Long Goodbye by Meghan O’Rourke (about a daughter’s crushing grief following her mother’s death) and History of a Suicide by Jill Bialosky (an examination into the causes of a sister’s self-destruction).

But then there are a couple of negative trends that I will touch upon here.   When it comes to popular fiction, tight editing seems to have been relegated to the sidelines.   More and more I run across novels that seem to have no beginning; they meander on and ramble for dozens of seemingly unstructured pages.   And some make things worse by incorporating non-chronological structures that veer back and forth between the present and past, past and present until it becomes dizzying.   Every now and then I’m reminded of the frustrating quick-cut and overly trendy music videos of the 70s.

Are there no longer any editors who will tell a writer, “Look, you need to be very clear about the storyline at the start and quickly hook the reader.   Confusion has its costs!”   Who has the patience to read a hundred or two hundred pages just to figure out what story is being told?   Sigh…  Well, I guess some people do.

Then there’s the release of what I call the non-biographical biography.   These are the ones that decide to be clever by telling us everything about the subject except precisely what it is they’re supposed to be known for!   If the subject is an actor, we’re told about his sex life, his animals, his apartments and homes, marriages and divorces, where he went on vacations, what he liked to eat, and how much he tipped the servers.   Yes, we come to learn about everything in his life except his acting and the films he made.

The same rule seems to apply to politicians – the cool author writing a bio of Ronald Reagan using this style would cover everything except Reagan’s acting career and his terms as governor of California and president of the U.S.   If you prefer, substitute the name Robert F. (Bobby) Kennedy or Edward M. (Ted) Kennedy and the same strange rule will apply – there are sideways bios on them out there on the book store shelves.   I won’t name names but they’re not that hard to find.

So, despite the view from Manhattan when it comes to memoirs the state of the publishing industry seems to be strong.   When it comes to editing today’s novels, improvements may be in order.   And when it comes to biographies, readers should hold out for the old-fashioned substantive kind, even if it requires a journey over to Powell’s Books to find a used one.

Joseph Arellano

Pictured:  The Long Goodbye: A Memoir by Meghan O’Rourke, which will be released by Riverhead Books on April 14, 2011.

Wonderful World

Good Vibrations: The Physics of Music by Barry Parker (Johns Hopkins University Press, $27.95, 274 pages)

“Music is sound but it’s a very special type of sound.”

An alternate title for this book might have been Music and Math for Morons, but it is seriously easy to understand.   Yes, there have been many survey books out in the last few years attempting to explain the science of sound.   Most of them have been too high-level for the average reader to understand, including this reader.   Kudos should go to Barry Parker for translating a few not always simple-to-understand concepts into plain English.

It is clear that Parker loves having been born into a world that includes music.   Reading this book is like listening to a teacher who worships his subject matter.   Parker explains rhythm and the major types of music, and gives us an overview of how all of the major instruments – including the human voice – work.   He examines the acoustics of classical concert halls, but he’s no snob when it comes to “new” recording techniques.   He concludes his survey by explaining electronic (computer-generated) recordings and acceptance of the new world of iPods and mp3s.

Bach or Dylan?   It’s all good.

Well recommended.

Joseph Arellano

This book was purchased by the reviewer at Powell’s Books in Portland, Oregon.

The Barricades of Heaven

The Opposite Field: A Memoir by Jesse Katz (Three Rivers Press)

“Better bring your own redemption when you come/ To the barricades of Heaven where I’m from…”   Jackson Browne

“Some nights I think, just maybe, I have found the place I belong.”   Jesse Katz

There are probably just three groups of people who will be attracted to this memoir by Jesse Katz – parents, baseball fans and those who love the greater city of Los Angeles.   No, make it four groups, as nomads must be included.   Nomads in this case being defined to include those who were born and grew up in one part of the United States but found their true, instinctual home in another part of the country.

Jesse Katz is one of those nomads but in his case it was genetic.   His parents met and were married in Brooklyn, but felt the need to move a million miles west to Portland, Oregon.   This was the pre-hip Portland, a city of mostly white persons before it became the ultra-cool city that attracted Californians – a city with a bookstore so big that it requires a map to get around inside of it.

Author Katz grew up in a humble apartment complex near downtown Portland’s Chinatown, his father a suffering artist and later a professor at Portland State.   Katz’ mother was a late bloomer, a Robert F. Kennedy inspired feminist-activist who eventually was elected to the State Legislature, then became the first woman elected as Speaker of the Assembly before becoming a two-term Mayor of the Rose City.

But this is Katz’ story which describes his escape from Portland as a teen, moving to the wilds of Los Angeles, a city that he so accurately describes as the anti-Portland.   In L.A. Katz – “a white boy” – found that, “I had become a minority, the exception…  I was a curiosity even.   God how I loved it!   Los Angeles…  Where had you been all  my life?”

Katz first lives north of downtown before he moves to the multicultural community of Monterey Park.   Monterey Park, a city of taco stands, noodle shops and Mexican restaurants, bereft of national retailers, where the local 7-Eleven sells the Chinese Daily News.   There he burrows into the Hispanic-Asian suburb (yet an independent city) just 7 miles east of downtown L.A.’s skyscrapers.   And he finds a new life that centers around the seemingly minor sport of Little League baseball.

Katz, a reporter by profession, becomes the Little League coach of a team that plays at the La Loma fields in Monterey Park; coaching a team that includes his son Max.   Max, unlike his father, is himself multicultural, the product of his Jewish father and Nicaraguan mother.   The game of baseball as played by children may not seem to offer great lessons, but Katz comes to find the truth as expressed by writer John Tunis:  “Courage is all baseball.   And baseball is life; that’s why it gets under your skin.”

The game gets under Katz’ skin to the point where he agrees to serve as the Commissioner of Baseball for the multi-age league centered at La Loma.   This means that every waking moment for several years, not devoted to reporting on gangs for the Los Angeles Times or writing about the city for Los Angeles magazine, is reserved to keeping the league afloat.   It is, in many respects, serious business but also fun…  “I could not escape the feeling that Little League was like summer camp for adults, a reprieve from whatever drudgery or disorder was besetting our regular lives, a license to care about things, about events and people, that otherwise would have passed us by.”

Katz wisely chooses to omit little of the successes and failures that he encountered, both as “The Commish” and as the single father of a teenage son.   This is a look back at a life lived both large and small, and a look at a city, Los Angeles, that embraces the people who make up its communities.   Yes, the city and its suburbs embrace its citizens in a fashion that is far more real than the media’s myths of L.A.’s violence and tawdriness.

This reader, who lived in L.A. and learned to love it (and was embraced by it), would love to raise a toast to Jesse Katz (AKA Chuy Gato).   Perhaps one day he will let me buy him a beer at the Venice Room in Monterey Park (“the seamy cocktail lounge that sooner or later everyone ended up at…”).   A toast to greater L.A., the barricades of Heaven; a place to which we were not born, a place we discovered before it was too late.

Highly recommended.

Joseph Arellano

A review copy was received from The Crown Publishing Company.   The Opposite Field was released in trade paperback form by Three Rivers Press on July 13, 2010.

No Expectations

Reservation Road: A Novel by John Burnham Schwartz (Vintage Contemporaries, $15.00, 304 pages)

“Our love is like our music, it’s here and then it’s gone.”   Jagger/Richards

Reservation Road was the second novel from John Burnham Schwartz, author of The Commoner.   It is a tale of psychological suspense made all the more interesting as it is told through the thoughts of three characters (Ethan, a college professor; Grace, his wife; and Dwight, the man whose actions cause the death of Ethan and Grace’s son).   Ethan is a literature professor at a small college in New England, whose life is on course until…  

Returning late from an outing, the family makes an unscheduled stop at a gas station on Reservation Road.   As Grace and daughter Emma go in to use the rest room at the almost-abandoned gas station, Ethan and son Josh wait near the side of the road.   In a matter of mere seconds, a car driven recklessly by Dwight hits and kills 10-year-old Josh.   Life will never be the same for Ethan and Grace Learner…

Life, in fact, becomes “too much to bear” for the Learners.   Grace becomes paralyzed by her grief and Ethan moves on driven strictly by thoughts of revenge against the hit-and-run driver who killed his son.   Dwight, by contrast, is a man who has already ruined his life, his marriage and his legal career due to his recklessness and violence.   He becomes “like many whose lives are fueled largely by regret.”   He’s a dead man walking who eventually does “not seem to care any longer what happened to him.”

Schwartz does a masterful job of building and maintaining suspense through this novel’s 292 pages even though the denouement is obvious…   When the criminal justice system fails to find the man who so tragically killed Josh, we know deep down – as does Dwight – that Ethan will find him.   And what then?

But this is more than just a crime mystery.   It is a quasi-morality play about how people deal with losses – death and separation – in their lives.   We see how some rebound to live again and others never recover.   What is the line from Neil Young?   “On the day that she left he died but it did not show.”   This is a story about Ethan and Grace, who lose part of their life (their reason to exist) late; and of Ethan, who has lost his strength and his will to survive early on.

At the end of Reservation Road, Ethan finds Dwight and gets to serve as his judge, jury and – perhaps – his executioner.   What happens?   You’ll have to read Schwartz’s Reservation Road to find out.

Recommended.

Joseph Arellano

Note:   This book was purchased by the reviewer at Powell’s Books in Portland, Oregon.

Coming Up Next…

A review of Reservation Road by John Burnham Schwartz, author of The Commoner.

Dave Eggers Goes Retro

It’s derivative…

“…we, the loudmouths who so cloyingly espouse the unshackling of one’s ideas about work and life…”

“If you don’t want anyone to know about your existence, you might as well kill yourself…   You will die, and when you die, you will know a profound lack of dignity.”

There’s been an ongoing dispute over Dave Eggers.   His initial novel, A Heartbreaking Work of Staggering Genius, came out in 2000 (hardbound) and 2001 (trade paperback).   Some viewed him as a genius – “like a young Bob Dylan” in the words of the Washington Post – while others just found his writing style to be clever.   After reading this book, I tend to concur with the latter group.   Eggers is clearly funny and he has an obvious knack for writing humor but content-wise there’s not much here.   Heartbreaking is a bit like Seinfeld, which was a TV show about nothing.

Here Eggers fictionalizes his own life, when both of his parents die while he’s in his early twenties and he moves from Lake Forest, Illinois to Berkeley.   Oh, and he also takes care of his nine-year-old brother while his sister studies law at Bolt Hall.   That’s about it for the plot except for Eggers’s work in starting a magazine and auditioning for The Real World, MTV’s so-called reality show.   (Eggers, of course, is not selected to live in the fun house in San Francisco.)

Eggers seems to be at his best when telling shaggy dog stories.   For example, he tells a story of when he and a date were jumped on a San Francisco beach by a group of Hispanics.   He blames them for stealing his late father’s wallet but the reader figures out halfway through the lark that Eggers left the wallet at home in Berkeley.   Not so clever or funny.

Eggers looks back more than once at the 70’s.   But this book is actually a throw back to the 60’s, and this is the biggest flaw with Eggers’s not-so-unique style.   While the style is entertaining, it’s a blatant return to the Gonzo rock journalism practiced back then by Lester Bangs, Ben Fong-Torres (who appears as himself in the novel The Year of Fog) and others too obvious to mention.  

Reading this “work of fiction” in which all the events are said to “have actually happened,” is like hearing a newly formed rock band that sounds like the Beatles and Badfinger.   One would be tempted to say, “Good work but we’ve already been there, done that.”   Next.

Note:   This book was purchased by the reviewer at Powell’s Books in Portland, Oregon.