Tag Archives: recommended poems

Crawling Back to You

Breakup/Breakdown – Poems by Charles Jensen (Five Oaks Press, $12.99, 42 pages)

Can one find hope in poems of heartbreak and loss?

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This is a fascinating chapbook of poems by Charles Jensen.  These are poems about heartbreak and loss.  After all, we lose things in life, like people and laptops and places:

I understand that/purpled anger in her/face, the way she’s/aware she was/just a pitstop in/someone else’s/marriage. To know/you are not/the one, but just another one.

These are also poems about disruption, the kind that comes with rapid change, with the shedding of the present for the future:

Disruption/is the pulling apart of two independent lives. A rupture/but I didn’t know it until it was too late.  Everything we’d placed/inside those years spilled out/like blood escaping from a vein./Love, my friends, should never/be entrusted to the heart, whose job/is to push away the only thing/the world will ever offer it.

(Disruption, previously published in HIV Here + Now.)

Jensen understands that life is about accepting the changes that are beyond our control:

We shake our lives loose like a braid/untwirling at the end of a long day/I want everything and nothing that belongs to you…

And finally, there’s the notion of place.  A place is ours, if only for a transitory period.  We occupy a space for a moment, like time travelers:

I move into a one bedroom overlooking Glassell Park and/the Los Angeles Rivers and the 5 and the hills of Echo Park/between Division and Future streets.  Division runs drunk/through the neighborhood, splitting Mount Washington/into two separate lives.  Future Street rises straight up the face,/turns sharply and then goes down to just one lane, a 90 degree/curve and, from time to time, gets lost in the spaghetti of streets/only to reappear suddenly on the far side of the hill, shunning/drivers with its abrupt end in a one-way alley.  The apartment/gets a lot of light, and at night the yellow glow of porch lamps/and street lamps dot the dark landscape like a pattern for the/Lite Brite I played with as a child, plugging in plastic pegs to make/something beautiful appear…

(Between Division and Future Streets, previously published in Diode.)

I very much enjoyed reading and rereading these poems by Charles Jensen, whom I feel I now know as a friend.  If the world is something we cannot fathom, we can understand a fellow traveler who is headed down the same highway in search of peace, comfort and understanding.

Highly recommended.

Joseph Arellano

A review copy was received from the publisher.

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Charles Jensen is a graduate of Arizona State University, and is the Director of the UCLA Extension Writers’ Program.

 

 

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Alive and Kicking

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Alive at the Center: Contemporary Poems from the Pacific Northwest (Pacific Poetry Project; Ooligan Press, $18.95, 277 pages)

“This is something new in our shared lives, how she turns so gentle.” I Am Pregnant with My Mother’s Death by Penelope Scambly Schott

Nine editors selected 151 poems for inclusion in this anthology. The poets, each represented by one or more poems, live in Vancouver, Seattle and Portland. What they have in common is a sense of un-commonality, representing the free spiritedness of the Pacific Northwest. This free spiritedness is reflected in “an array of poems that challenge… preconceptions, including those of what a poem might be.”

The reader is encouraged to “think your own thoughts,” about the worthiness of each composition. I was pleased that this buffet serving of art allows the reader to sample different styles and tastes in order to discover what resonates with one’s own life experiences. I identified with the more traditionally-styled poems, but others will no doubt be drawn to the ones with youthful edginess and rebellion.

It was a joy to discover poets whose work I want to read more of, including Alex Winstaley, Christoper Levenson, Lilija Valis, Catherine Owen, Kagan Goh, Susan Rich, Kathleen Holme, Jesse Morse, and Penelope Scambly Schott. The rainy weather that these three locales share apparently fosters rather than dampens creativity. Let’s hope that Alive at the Center is but the first release of many comprehensive – insightful yet challenging – collections of poetry from the Pacific Northwest.

Well recommended.

Joseph Arellano

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