Tag Archives: Sacramento

Colour My World

liberty-cb

The Liberty Coloring Book (Abrams Noterie, $12.95, 112 pages)

Edward Gorey Coloring Book (Pomegranate Kids, $7.95, 48 pages)

Fantastic Cities: A Coloring Book of Amazing Places Real and Imagined by Steve McDonald (Chronicle Books, $14.95, 60 pages)

The array of coloring books for grown-ups is staggering and inspiring. Here are reviews of three such books that stand out due to their subject matter, intricate details and quirkiness.

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First up is an exquisite offering titled, The Liberty Coloring Book (The Liberty Colouring Book in the U.K. edition). Within its covers are 55 pages of designs from the Liberty of London design archives that span nearly a century of printed fabrics. Anyone who has ever purchased clothing made from Liberty textiles or sewn with the yardage knows the joy of touching and gazing at prints of the very highest caliber – cotton fabric print prices run around $26.00 U.S. per yard and up.

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Each page of the Liberty Coloring Book contains a print design on heavy paper suitable for colored pencils, markers or watercolor paints. The pages can be easily removed for framing in standard 6″ X 8″ frames. This reviewer went beyond the suggested implements and colored with Sakura Stardust Gelly Roll pens as well as Doodle Art Pro pens. The results are nearly magical as the ink in both sets is infused with subtle glitter.

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Second up is the Edward Gorey Coloring Book: The Wuggly Ump and Other Delights. As with the Liberty prints, these pages are printed on one side only. The paper stock has a lovely hard finish and is sturdy. The book contains 22 drawings, the originals of which are printed on the inside covers. The nature of Mr. Gorey’s work being somewhat ethereal, if not otherworldly, calls for colored pencils. I colored with Pedigree Empire pencils with excellent results.

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This reviewer has many of the author’s small, published works in her personal library. The larger format (8.5″ X 11″) of the coloring book showcases the intricate details of his work. Readers not familiar with Gorey’s published work may recognize his style from the opening and closing credits of the PBS series, Mystery!

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The third offering in this group is Fantastic Cities: A Coloring Book of Amazing Places Real and Imagined by Steve McDonald. The largest of this group, the book measures 11.75″ X 11.25″. There are pictures on both sides of the 26 pages printed on stiff paper. The artist/author has traveled the world and presents his take on the wonders he has seen. There are amazingly intricate overhead views of streets and buildings, close-ups of architectural details and some individual buildings as well.

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Mr. McDonald is a graduate of the Ontario College of Art and Design. He infuses each drawing with a point of view, a perspective on the city or the details that best identify the locale. He works on a large scale and his drawings are reduced in size giving them a remarkable feeling of intensity. This reviewer has only used colored pencils in this book; however, some of the drawings would lend themselves to the gel pens – San Francisco Painted Ladies, I’m looking at your page!

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The publisher provided the Liberty Coloring Book. The Edward Gorey Coloring Book was purchased in the gift shop of the Crocker Art Museum in Sacramento. Fantastic Cities was purchased at the Whole Foods Market at 450 Rhode Island Street, San Francisco.

All three coloring books are highly recommended for adults and older children. They would make excellent holiday gifts. Just remember to include colored pencils and/or gel pens.

Ruta Arellano

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Movie Review: “East L.A. Interchange” – A Documentary

east la interchange

Does a documentary film about the Hispanic community of Boyle Heights shy away from tackling the major issue of the day?

Boyle Heights, a community just east of downtown Los Angeles, is a very interesting place. When I lived in Los Angeles, I would often head there on the weekend to make use of the parks, eat at the fine hole-in-the-wall restaurants, or soak up the multicultural feel of the community. “The Heights” was once known as the “Ellis Island of the West” because of its multiracial nature (it was once the largest Jewish community on the West Coast until the end of World War II), but tensions have hit the barrio. As the Los Angeles Times (“Gentrification pushes up against Boyle Heights – and vice versa”; March 6, 2016) recently noted: “Once the landing spot not only for Mexicans, but also for Japanese, Russians, Italians, and Jews, Boyle Heights has long been perceived as a neighborhood sitting on the brink of the next metamorphosis.”

Yes, the dreaded Spanish word gentefication, or gentrification in English, has now struck. Like Brooklyn, Sacramento (Oak Park), and San Francisco (The Mission District), Boyle Heights is trying to decide whether it wants to be old, interracial, and comfortable; or hip, progressive, and an expensive place to live. Community activists vociferously argue that there are too many art galleries in the city and they rail against the replacement of neighborhood bars by overly cool brew pubs.

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Against this background, I had high hopes for the documentary East L.A. Interchange, a one-hour documentary film narrated by actor Danny Trejo. It’s a film that’s currently being screened at selected colleges. To my eyes, it’s a missed opportunity.

One problem is the title. East L.A. Interchange leads people to think this is either a program about East Los Angeles – which is just east of Boyle Heights, or about the Los Angeles freeways. A better title might have been La Colonia: Boyle Heights.

I will return to the problematic issue of gentrification. What Interchange does well is to deal with the history of Boyle Heights, as heard mostly from U.S.C. professors. And one of the intriguing points made in the documentary is that social discrimination issues began to ease as the predominantly Mexican-American students at Roosevelt High School began to learn about the history of their city: “One of the cradles of Mexican-American culture in the U.S.” Knowledge precedes pride.

To its credit, Interchange is not only well researched but beautifully filmed. And yet its Achilles heel is that the documentary refuses to take a stance on the key issue of gentrification. We learn that Jews first left the community, then Russians were forced out by freeway construction, and now the low to middle-income Hispanics who live in Boyle Heights are threatened by newly prosperous Hispanics and rich hipsters.

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In order to afford a typical new housing unit in the area, one needs an income of $90,000 and above. Yet the median household income in the Heights is $41,821. It’s a big problem and results in stress, grief and anger. As one current resident states, in Spanish: “I would like it to stay just as it is.” Gentrification, of course, will make this impossible.

The creators of Interchange, after illustrating how the poor have been displaced from the area in the past, inform the viewer that 1,187 affordable housing units are scheduled to be destroyed and replaced by 4,400 new and pricey units. And yet, even after imparting this information, they remain neutral.

The documentary asks the question, “What constitutes beneficial (versus harmful) development?” but fails to answer it. Instead, at its conclusion we hear an elderly Jewish gentleman assure us that, despite recent changes in the neighborhood, everything will be alright. It’s hardly convincing.

Boyle Heights

One key statement heard in Interchange is, “We’re not trying to get out of the barrio. We’re trying to bring the barrio up.” Fine, but in life one must ultimately choose between stasis and change. In electing to support neither the status quo nor change – neither the past nor progressivism, East L.A. Interchange loses its raison d’etre.

Joseph Arellano

The reviewer was provided access to a press screener. The film was directed by Betsy Kalin.

This review was first posted on the Blogcritics site:

Movie Review: ‘East L.A. Interchange’ – A Documentary

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A Raisin (City) in the Sun

Fresno Growing Up

Fresno Growing Up – A City Comes of Age: 1945-1985 by Stephen H. Provost (Craven Street Books, $24.95, 230 pages)

Anyone who grew up in Fresno, California, or who has lived there for a period of years, should enjoy perusing and reading the coffee table book Fresno Growing Up. This is a 230 page biography of the Raisin Capital of the World accompanied by beautiful color and black and white photographs. The first two-thirds of the book is strong as it fondly examines restaurants and movie theaters that used to exist, the once prominent Fulton Mall downtown (similar to Sacramento’s K Street Mall), TV and radio personalities, and the offerings for adults and children in Roeding Park.

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Fresno also provides a detailed look at the past noteworthy music scene. Stephen Provost’s argument that Fresno gave birth to “the Bakersfield Sound” in country music is not fully convincing, but worth considering.

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The book flounders in its third section which focuses on sports. Readers who are not fans of bowling, baseball, college football, boxing or hockey will find that it stretches on for far too long. This space might have been better devoted to the history of dramatic arts in the area, bookstores that once flourished (like the Upstart Crow Book Store), family businesses, etc. And the growth of greater Fresno-Clovis from west to east, and south to north might have been visibly charted. Still, this work might serve as a template for future efforts looking at the modern history of Sacramento, Stockton, Modesto, Chico and Bakersfield.

Go, Bulldogs!

Well recommended.

Joseph Arellano

Fresno+Sign

A review copy was provided by the publisher. Note: The finished product I received contained a large number of typos. Hopefully, these will be caught and corrected in future printings.

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Perfect World

The Fragile World: A Novel by Paula Treick DeBoard (Mira, $14.99, 415 pages)

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Synopsis:

The Kaufmans have always considered themselves to be a normal, happy family. Curtis is a physics teacher at a local high school. His wife, Kathleen, restores furniture for upscale boutiques. Daniel is away at college on a prestigious music scholarship, and twelve-year-old Olivia is a happy-go-lucky kid whose biggest concern is passing her next math test. And then comes the middle-of-the-night phone call that changes everything. Daniel has been killed in what the police are calling a “freak” accident, and the remaining Kaufmans are left to flounder in their grief.

The anguish of Daniel’s death is isolating, and it’s not long before this once-perfect family finds itself falling apart. As time passes and the wound refuses to heal, Curtis becomes obsessed with the idea of revenge, a growing mania that leads him to pack up his life and his anxious teenage daughter and set out on a collision course to right a wrong.

Like the film Ordinary People, The Fragile World is a story about imperfect people, beset by tragedy, doing their best to get by. It’s a story narrated by both Curtis and Olivia. Not many writers would base the events of a novel in Sacramento, California or Oberlin, Ohio but DeBoard uses both locations. It’s a risk, and it works. It enables her to realistically paint the Kaufmans as a humble family – a family whose breadwinner drives an over-used Ford Explorer with a bad transmission. There’s nothing glamorous to see here, people.

The story is about a father and daughter road trip, from Sacramento to Omaha. Olivia thinks that the purpose of the trip is to reunite her with her mother, Kathleen, who could not live with Curtis’s unending mourning of Daniel’s death. But Curtis plans to deposit Olivia with her mother while he travels to Oberlin to confront the person he believes was responsible for his son’s death.

Initially, the reader has the impression that he or she knows how this tale will play out. Don’t bet on it. DeBoard throws in some unexpected events – such as having Curtis show up at his hated father’s death bed in the Chicago area – before the denouement in tiny Oberlin. Curtis finds the man he’s looking for and he’s got a gun in his hand. Knowing this does not provide a spoiler because DeBoard tips the chessboard over. The book is worth reading to discover how DeBoard wraps things up.

The Fragile World is also worth reading because it perfectly examines the imperfections of family life. There’s a father who hates his own father so much that he’s never communicated with him during his adult life. There’s a daughter who blames herself for not being what her brother was. There’s a wife and mother who cannot accept or understand why her husband and daughter are unable to simply move on with their lives after a tragedy. These are ordinary people who are hurting, people who feel pain. They inhabit a fragile world, one with which many readers will identify.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher. “Emotionally powerful… This bold and moving story is absolutely unforgettable.” New York Times bestselling author Heather Gudenkauf

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Once More, With Feeling

A review of You Should Be So Lucky, an album by Benmont Tench.

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A review posted in the April 30, 1971, issue of the UOP Pacifican newspaper (“CSN&Y Present New Album: 4 Way Street is Dishonest”) dealt with the issue of honest and dishonest recordings. Although that article dealt with the release of a band’s carefully selected and edited live recordings, the discussion might be expanded to include solo recordings. With his first solo album, Benmont Tench has defiantly issued an honest record.

From Tench’s days with Tom Petty – days that began before they formed Mudcrutch, Tench has been experiencing life and the mysteries that come along with it. Touring with Bob Dylan in 1987 and his subsequent work with Mr. Dylan certainly added to his musical experiences.

Those listening to a concert or album bring their own baggage and then try to incorporate their thoughts, feelings and emotions into a composer’s work. Some cannot enjoy a Nick Drake album while others will play it over and over. When it comes to You Should Be So Lucky, I offer the notion of sitting back and leaving the analyst’s hat on the table. Jump on the musical roller coaster, put your head back and just listen. Sit back and enjoy the ride as this album is a good one. Tench’s album is an honest recording – one free of tricks and unnecessary adornments, that should be experienced for the pleasure and enjoyment it brings.

Well recommended.

Robert Gorham

Mr. Gorham is a Sacramento resident and a past president of the Friends of the Sacramento Public Library.

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Picasso’s Last Words (Drink to Me)

A beer review: A look at two India Pale Ales.

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Rubicon India Pale Ale from Sacramento is a High Quality Product.

India Pale Ales (IPAs) originated when English explorers had to transport hearty hops to the West Indies that could survive the journey, thus providing a flavor distinct from traditional pale ales. The West Coast of the U.S.A. has long been the forerunner in the craft beer craze, and Rubicon Brewing Company of Sacramento, CA, has brewed a fine IPA.

This reviewer’s journey through craft beers has consistently led him to settle on IPAs as far and away the favorite. Usually, the hoppier the better. However, Rubicon’s IPA is neither excessively hoppy nor overly fruity. At 6.5% alcohol-by-volume (ABV), it is instead instantly refreshing. That is the initial impression on the taste buds.

I am told that Rubicon will now be releasing this beer in six-packs. I first sampled it in the traditional 22-ounce bottle. As a Chicago customer, I am not sure if it will be available in the region, but if one can get this on draught at a bar or restaurant, it is highly recommended. I am speculating, based on the regional pricing, that the beer would go for about $9.99 to $10.99 for a six-pack if available.

The ever reliable Beer Advocate website rates Rubicon IPA as an 83 on a 100 point scale.

Sam Adams Rebel IPA

By virtue of comparison, Boston Beer Company has recently released Samuel Adams Rebel IPA, it’s version of a West Coast IPA. Rebel is also 6.5% ABV. Upon release, my local store sold it for $13.99 per 12-pack – a steal and well worth the price. Now that consumers have had a chance to taste it, the price has risen and a six-pack of bottles goes for $8.99 (a fairly typical price for decent beer in this area). Beer Advocate ranks this beer as an 82.

Given a choice between the two, Rubicon is slightly better, though Rebel is no slouch. For a slightly higher price, Rubicon’s distinctive IPA is probably worth it, assuming you can find it. If not, Sam Adams’ latest effort – which is well recommended – will easily do the trick.

Dave Moyer

Dave Moyer is an education administrator and the author of Life and Life Only: A Novel.

Note: The ugly, garish label on the Sam Adams Rebel IPA should cost it at least a few ratings points on Beer Advocate and elsewhere. (Joseph)

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Coming Up Next…

rubicon-ipa

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A beverage review! We take a look at how Rubicon India Pale Ale (IPA), from Sacramento’s Rubicon Brewery, stacks up against another brewer’s new IPA.

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