Brooklyn Story: A Novel by Suzanne Corso (Gallery Books; $23.99; 336 pages)
Suzanne Corso’s Brooklyn Story is described on the back cover as being a true-to-life novel, which is something of an understatement, considering the acknowledgements open by stating, “The one thing that I know is that I am a survivor and was extremely determined to have my story told.”
This admission is good because without it, some of the storytelling would be confusing. The story is told in a very even and objective manner, but in the first person. The reader is inclined to believe this to be a personal tale. But when the detached narrative continues, it becomes difficult to understand how the main character, Samantha Bonti, can continue to be so naive as to follow along with her mobster boyfriend, Tony Kroon, seemingly oblivious to the obvious. The admission that the story is largely, if not entirely autobiographical, makes it easier to accept the human frailty associated with this young girl’s mistakes.
In the book Bonti grows up in Brooklyn and dreams of being a writer and crossing the Red Sea, or, in this case, the Brooklyn Bridge into Manhattan and an alternate lifestyle – one free of the curse of abusive males, crime and cyclical poverty. The life she dreams of differs radically from that of her mother, who, though pregnant young, poor, and addle-minded from years of drug and alcohol abuse, deeply wishes for her daughter to avoid these traps, despite her inability to adequately communicate that to her.
When Bonti falls under Kroon’s spell, thanks to her best friend Janice’s efforts to connect the two, Bonti’s life begins to unravel. Miraculoulsy, she narrowly escapes her mother’s fate.
Bonti’s grandmother is a kind soul who takes up residence with the two, both to take care of her daughter and, at the same time, shield her grandmother from her.
There are two redeeming male characters in the book, Samantha’s teacher, Mr. Wainright, who encourages Samantha in her writing endeavors, and Father Rinaldi. Both see the good in Samantha and encourage her to pursue a more enlightened path. Without either, she may have not made it beyond her circumstances. If she frustrated them as much as she frustrates the reader with her behavior. then they perhaps both should be up for sainthood, because Samantha’s escape is a near miracle. How desperate must one be to ask a priest for money for an abortion?
At least one passage serves more to provoke the reader or appeal to a certain readership than to actually advance the core themes of the story, but these are things that one must accept when digesting a story that is, for the most part enjoyable, though it did not elicit in this reviewer the emotional reaction that the author was likely shooting for.