Looking Back at 2014
With the calendar year about to quickly come to an end, I’ve been giving some thought to positives and negatives in the book trade, and personal lessons learned. So here are a few musings.
The All-Too-Common Plot
One thing that has highly surprised me this year is how often I’ve seen novels – virtually all written by women writers, which have been built on the same plot structure. It’s a bit odd to have seen at least tens of books using a very similar story line in 2014. Here’s the story: Judy Johnston has been away from her hometown for years. She is estranged from her family and her old friends, but returns due to the death of a parent, a once-close relative, a one-time good friend and/or classmate or an old flame. While back in her old stomping grounds, she discovers that her family has a deep, dark secret. It’s something major which, when she discovers and releases it – and she, no doubt, will do so – will either fix the family or utterly destroy it.
I have no problem with a writer finding a good story line and using it, even if others have done so. But I have been surprised that publishers don’t exercise more effort to prevent the recycling of an over-used, if fictional, tale.
It’s clear that more writers, especially debut authors, are participating in social media such as Twitter and Facebook. I see author pages on Facebook as being quite helpful. In fact, when I receive a new book from a publisher one of the first things I do is to check to see if the writer is on Facebook. Why? This viewing gives me a quick sense of his or her personality.
They say that first impressions count and one’s Facebook page often makes one seem likeable or not. Arrogance on the part of a writer is probably the biggest negative on social media; Facebook makes it easy to come across as humble and excited. (One of the best things about debut authors is their use of exclamation points on Facebook, which demonstrates their genuine excitement as “newbies” to the publishing world!)
I think it’s hard to “fake it” and appear to be something you’re not on Facebook. You either love working with other others or don’t; you love cats and dogs, or don’t. You either can handle criticism or you can’t. Again, one’s personality shines through for better or worse.
What’s my point here? Simply that I’m more likely to read and review a book by a writer whose personality and experiences I like and identify with. And the more I know about new writers, the more I’m likely to bond with them. (Which translates into my being more likely to read their current and future work.)
Most of us have had the experience of listening to a record album for the first time after decades and wondering why we liked it in the first place. The reverse also occurs… I was never drawn to the music of David Bowie when it was originally released; however, now I find it fascinating. Why this happens is unclear, but this year I learned that what one thinks of a book can change with the times and circumstances.
As an example, I offer The Nobodies Album: A Novel by Carolyn Parkhurst. I first read the book when it was released and my reaction was, Meh. It had no impact on me, and I decided not to write up a review. Recently, I happened to pick up the book and learned to my surprise that I now found it engaging and extremely well-written. I initially missed the clue that Parkhurst was writing somewhat in the style of Joan Didion – the connection between The White Album by the Beatles (and the book by Didion) and The Nobodies Album title is made clear early on. And then there’s the fact that the story is set in San Francisco – a place I’ve come to better know, and Parkhurst’s scene descriptions are true and realistic.
And so I went from having no opinion on The Nobodies Album to viewing it as a 4.5 star novel.
Falling Off A Cliff
The final trend that I, and my wife, discovered this year is an unfortunate one. This is when the initially successful author writes a second or third novel and it flows quite well, until… It quickly and abruptly ends! Ends so suddenly that the story seems to have fallen off of a cliff. I suspect that this happens because the publisher wants a follow-up to a successful book and sets a strict timeframe for its delivery. I’d like to optimistically believe that in 2015, publishers will display a bit more patience and allow their writers the time it takes to bring a story to its natural conclusion.
Let’s hope that in 2015 we see more originality, increased social networking on the part of authors, and novels with well constructed endings. And, as readers, let’s remember that one benefit of owning a book is the chance to re-experience it at our leisure.
This article originally appeared on the San Francisco Book Review site: