It Won’t Be Long

The Girl Who Became a Beatle by Greg Taylor

“I wish I were as famous as a Beatle.”

Sixties-inspired musician-songwriter Regina Bloomsbury is casting about for ways to keep her garage band from dissolving when, in frustration, she makes the wish that her band was as famous as the Beatles.   Fame, she reasons, would fix the problems in her life:  no boyfriend, a shaky self-image, and loneliness.   Enter the fairy godmother who Regina didn’t know she had, and suddenly she’s not just as famous as the Beatles, she’s inherited their place in history and their entire catalog of music.

Life in the Grammy lane is fab, but being the smart 16-year-old she is, Regina comes to understand the tradeoffs that go along with fame and world popularity.   Then the question becomes, Should she stay or should she go?

The Girl Who Became a Beatle (Feiwal and Friends, an imprint of MacMillan) is a rock ‘n’ roll-themed fairy tale for a young adult audience.   Though there is the drama of a girl-on-girl fight scene, for the most part the story maintains the innocence of the “I Want to Hold Your Hand” days.   The plot is fast-paced; the ending is satisfying, even though it’s predictable; and the characters are interesting “types.”   There’s the supportive, cool-in-a-Cosby–sort-of-way dad; the divorced mom who’d rather be a big sister; and the soulful band-mate love interest.   The problem is that the characters never step off the stage and run with the story.   Even Regina remains flat, especially when she wonders things like, “Are all teenagers like that?   Ricocheting from despair to euphoria within one turn of the minute hand?  If so, no wonder we’re always so exhausted?”

If the novel has the “tell, don’t show” feel of a screenplay, it’s probably because author Greg Taylor was a screenwriter before he started writing novels.   This is his second.   His first, Killer Pizza, is being made into a movie for 2013 release by Italian producer Raffaella De Laurentis (The Forbidden Kingdom, The Last Legion, Dragonheart: A New Beginning).   And according to the publisher, De Laurentis has optioned the film rights to The Girl Who Became a Beatle, too.

If you’re a YA reader who favors light, fast-paced, feel-good fantasies, don’t wait for the move version.   You’ll like The Girl Who Became a Beatle.   Especially if you’ve ever dreamed of any kind of stardom.

Recommended.

Kimberly Caldwell Steffen

A review copy was provided by the publisher.   The Girl Who Became a Beatle was released on February 15, 2011.

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Women of Heart and Mind

Girls Like Us: Carole King, Joni Mitchell, Carly Simon and the Journey of a Generation by Sheila Weller (Washington Square Press; $17.00; 608 pages)

This is, quite simply, a fabulous book about the careers of three key singer-songwriter-musicians of the ’60s and ’70s and beyond; the three just happened to be women.   There was a big surprise for me in the reading, as I had earlier read that author Weller interviewed both Carly Simon and Carole King.   She did not have the opportunity to directly interact with Joni Mitchell.

Based on this, I fully expected this to be a book strong in details about Carly and Carole, and weak on information about Joni.   This was not the case…  As someone else said, Weller spoke to virtually every musician, friend and intimate in Joni’s life and it shows!

The next surprise is that I was sure the tales of Carly and Joni would sizzle like steak fajitas, while Carole’s life story would sit to the side like a bland order of re-fried beans.   Instead, both Joni and Carole come off as fascinating early hippie-earth mothers, who were blessed with both tremendous intelligence and natural musical skills.   (Despite my initial doubts, Weller fully and effectively makes the case for Carole’s stature in modern rock and music history.)

Carly, sadly, comes off as a patrician – daughter of the extremely wealthy founder of Simon and Schuster – who married a fellow patrician.   This, of course, was James Taylor, whose father ran the University of North Carolina School of Medicine.   “James was a…  lifelong-privilege man.”

Here, Carly’s career appears to be a product of social connections, luck (she was often said to be the least talented of the singing Simon Sisters trio) and blatant use of her long-legged sex appeal.   “(There was) a sex-teasing leitmotif in every one of Carly’s early albums.”

Also, a lot of Carly’s story is devoted to James’ drug use and abuse; a topic that simply does not make for interesting reading.   The days of wine and roses, this is not.   Concerning Carly’s patrician status, Jac Holzman, founder and president of Electra Records said that he and the singer “were from similar backgrounds – haute Jewish New York, although she was certainly more Brahmin.”

Further, Weller notes that Stephen Holden of Rolling Stone wrote of Carly with faint-praise-turned-full:  “She has the whitest of white voices and uses it well, singing…  with her fearless enunciation.   Her almost literal note-for-note phrasing of songs is…  ingenuous.”

Weller has to be given props for finding the fascinating details you won’t find in other musician/band bios.   I’ll provide just one example here…

Weller writes of a young man who cleaned apartments in the Bronx in return for using the occupants’ pianos.   While most immigrant families managed to scrimp and save enough to purchase a piano, this young Italian immigrant’s family was just too poor to do so.   We came to know him as Bobby Darin, and one of the tenement flats he regularly cleaned belonged to the parents of a young woman who came to be called Connie Francis!

Weller may not be quite as talented when it comes to describing the turbulent culture and times of the ’60s and ’70s, but then this is still a rock and folk-music tale after all and not a pure historical overview.   All in all, this is a fabulous read that adds heft to the musical reputations of Joni Mitchell and Carole King, as it somewhat diminishes the career of one Carly Simon.

Well recommended.

Joseph Arellano

This book was purchased by the reviewer at Orinda Books.   Girls Like Us will be adapted by writer John Sayles into a screenplay for a Sony Pictures film.