Film Review: ‘Roma’ is a Great Movie

Realism.  This is the word that summarizes why the film Roma is so great.  It perfectly reflects the realism of Mexico’s class system.  The indigenous people are at the bottom of the society, while light-skinned people who associate themselves with Europeans rule the land.

I well remember the servants I saw in Mexico.  They were from the lower rungs of the ladder.  One of my relatives was extremely poor and barely had the funds to survive.  But somehow she always found some change in her purse.  It was enough to hire neighboring ladies to do some house work; washing dishes or laundering or ironing clothes.  The ladies would be extremely grateful as the change they earned might provide their family with food for a day.

Roma shows prosperous Americans what the life of an indigenous maid in Mexico is like.  It also displays the role of politics in every Mexican’s life and how they react to and handle the current political situation.  And, sometimes disturbingly, it shows the violence in the country that is never displayed on U.S. news programs.

In one situation, Roma shows how everyone helps in an emergency.  The point is well made that we are all dependent upon each other as human beings, regardless of social status.

Roma is surprisingly good.  I believe it has a solid chance to win the Academy Award for Best Picture.  If it does it will break the glass ceiling in unique fashion and serve as a meaningful tribute to the lives of proud, striving and hardworking people.

Highly recommended.

Alejandro Reyes

Alejandro Reyes is a former production line supervisor for Procter and Gamble.  Educated in Stockton, California, he is enjoying retirement in sunny southern California.

 

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A Room of Our Own

At Home: A Short History of Private Life by Bill Bryson (Doubleday; $28.95: 448 pages)

Veteran author Bill Bryson delights in skewering the arrogant rich in England and the United States, particularly the folks who lived in the nineteenth and early twentieth centuries in this quirky survey book.   His litany of the vast number of servants, silverware and foodstuffs at meals makes this point.   The premise of the book is that an individual home is an excellent jumping off point to a wide variety of subjects.   Bryson happens to live in a former church rectory that was built in 1851.   While his home is not typical of most, it is clearly an excellent basis for an historical survey.   This is a loosely structured stroll through many centuries and cultures with Bryson as the tour guide.   He was born in the United States and educated here; however, his manner of speaking is clearly influenced by his long-time residence in England.

The notion of inventiveness and progress being a function of opportunity and dedication to an idea is a thread that runs through many chapters, each of which focuses on a particular room or area of his home.   The associations are reminiscent of the Public Broadcast System series, Connections, narrated by James Burke.   The tangents developed within each chapter tend to take the reader a bit far afield from the room being featured.   The basement, for example, correlates to the notion of a sturdy underpinning for the home which evolves into an explanation of the evolution of construction, culminating in the Eiffel Tower.   This is clearly a case of going from the mundane to the sublime in a matter of pages.

Conversely, the study, a room which might easily provide a scenario related to reading, education and leisure time, instead becomes the scene of mice and extermination.   The chapter is clearly the most disconcerting as it focuses on the vermin and critters with which we share our homes.   Bryson seems to delight in the mind-numbing and chilling statistics for mouse and rat populations of the past and present.   He concludes the chapter with the smallest living creatures in our homes and on our persons, namely insects and microbes.

Underlying the premise is a charming and unexpected feature.   Many of the chapters draw attention to the unsung heroes who were the real inventors as opposed to the persons who made vast sums of money and achieved fame.   Included for good measure are the names of men who almost got it right but for a twist or turn in their path have not even made it to footnote status in history.

At Home is worth the reader’s effort, but the author may remind the reader of an entertaining college professor who expects a fair amount of retention of his lecture points.   It is a safe choice for history buffs along with the reminder that the accuracy of any non-fiction book is subject to a point-in-time qualifier.   Some conclusions by the author appear to be made to the advantage of his effort to make clever connections.

This review was written by Ruta Arellano.   A review copy was received from the publisher.   At Home will be released by Doubleday on Tuesday, October 5, 2010.