Tag Archives: Sgt. Pepper’s

(I Can’t Get No) Satisfaction

1965

1965: The Most Revolutionary Year in Music by Andrew Grant Jackson (Thomas Dunne Books, $27.99, 352 pages)

1965 could have been a direct, engaging and entertaining account of that year’s music. Instead, this nonfiction story begins with Acknowledgements, a Selected Time Line, an Introduction, and a Prologue before it actually starts. The ending is, naturally, followed by an Epilogue. And instead of simply discussing the music of the 12-month period, Andrew Grant Jackson proceeds to attempt to cover all of the political and social developments of the time, with far too much attention paid to psychedelic drugs. (Boring, “oft-covered” territory.)

One or two factual errors might be excusable, as Jackson was not alive when these events occurred. But there are far too many in 1965. Jackson writes that the Beatles tried to out-jingle-jangle the Byrds with the song “Nowhere Man.” No, it was George Harrison’s “If I Needed Someone.” He lists the Beatles’ “Think For Yourself” as a song about politics and free expression. No, it was a break-up song. He writes that the Lovin’ Spoonful’s “Daydream” was a remake of “Baby Love” by the Supremes. Not even close. And he cites “Sloop John B” by the Beach Boys as a drug song. It was a remake of a West Indies traditional folk song earlier recorded by the rather benign, innocent Kingston Trio.

There are other statements that are questionable. Jackson writes, for example, that the Rolling Stones based their single “Paint It Black” on “My World Is Empty Without You” by the Supremes. Maybe, maybe not. One of the highly doubtful statements made by Jackson is that Brian Wilson based his classic song “God Only Knows” on the lightweight song “You Didn’t Have To Be So Nice” by the Spoonful. C’mon, now.

1965 is also plagued with no small amount of repetition. Jackson often makes the claim that specific rock song introductions were based on Bach’s classical music. In a couple of instances, he is likely right, but he goes on to state that this is the case for a large number of songs. Again, this is questionable.

beatles-1965-granger

Every now and then Jackson does uncover something of interest. He may have discovered the song that Paul McCartney heard as a very young boy in the early 50s, which subconsciously inspired him to write “Yesterday.” Well, maybe.

aftermath-usa

The book’s subtitle claims that 1965 was the most revolutionary year in rock music. Really? Pet Sounds and Blonde on Blonde and Aftermath were released in 1966, and Sgt. Pepper’s Lonely Hearts Club Band followed in 1967. I’d argue that these were the most significant, revolutionary years in rock music.

One final point is that Jackson often attempts to connect one type of music to everything else, musically and otherwise. You can love the music that Frank Sinatra recorded in the 60s without tying it to what the Beatles, Bob Dylan or the Rolling Stones were doing at the time. There are different types of music, and some music is created without reference to the political struggles or happenings of the time.

1965 is a book that had a lot of potential. Due to its strangely formal structure and its errors, the potential was largely wasted.

Joseph Arellano

A review copy was provided by the publisher. This book was released on February 3, 2015.

Advertisements

Leave a comment

Filed under Uncategorized

Coming Up Next…

A review of Fab: An Intimate Life of Paul McCartney by Howard Sounes.

Leave a comment

Filed under Uncategorized

Love You To

A Dog’s Purpose: A Novel for Humans by W. Bruce Cameron (Tor Forge; $22.00; 320 pages)

“And the people who hide themselves/ Behind a wall of illusion/ Never Glimpse the truth/ Then it’s far too late/ When they pass away.”   George Harrison (“Within You Without You”)

A Dog’s Purpose is a 320-page novel targeted for adults.   This is a story of a dog named Toby who dies and is reborn as Bailey, then becomes the female Ellie and finally Buddy.   It is a novel on the subject of reincarnation that will not convince anyone that it actually happens, but it’s told in a charming voice.   The dog’s voice, no matter which of the four dogs is being portrayed (and regardless of age) is that of a non-threatening and generally naive pup which is why children will identify with it.

Had this been truly written for adults, it would have been better structured as a novella.   It goes on too long to make the rather simple point that love between humans and their pets is always reciprocated.   Any child who has loved stories like My Dog Spot will likely be enchanted with this one, but the adult reading it to a child is best advised to break it into 40 or so digestible bites.

Any they lived happily ever after, and were reborn again and again and again.   Woof!

Take Away:   This novel, sold as a childlike story for adults, is actually a long children’s story that might be read to children by adults.   There are, however, dozens and dozens of great children’s books currently available, any one of which might be a better choice.     

This review was written by Joseph Arellano.   A review copy was provided by the publisher.  

Leave a comment

Filed under Uncategorized