Only the Good Die Young

Good Graces: A Novel by Lesley Kagen (Dutton, $25.95, 337 pages)

“The almighty works in mysterious ways, ma cherie.”

It’s 1960.   You’re a young girl living in a quiet suburb of Milwaukee, in a community whose foundation is the Feelin’ Good Cookie Factory (the closer one lives to the odoriferous factory, the poorer one’s family is), with your cunning sister Troo.   The problem is that the adults in the community seem to be clueless to the problems in their midst, including juvenile delinquency.   Troo’s reporting of the troublemaker known as Greasy Al means that he’s been sent to a juvenile detention facility, which seems like good news until you find out from your police detective step-dad-to-be (he’s engaged to your  mother) that the evil kid has escaped.   Now it’s up to Troo to come up with a perfect plan for dealing with Greasy Al’s imminent return.

As Troo’s sister, you know that she’s no amateur when it comes to this business.   You previously had a problem with a male summer camp counselor, and Troo made him disappear from the face of the earth.   So now you’re hoping that Troo’s plan for Greasy Al is not too efficient…   And just when you’re dealing with this, you learn from other kids in the neighborhood that one of the respected pillars of the community is making young boys “do bad things,” which immediately changes everything.   Now Troo puts Plan A on the back-burner while she develops a new plan to bring law and order to your town.

You and Troo must rely on a couple of other youngsters to help you – one male and one female – and you have to hope that they can keep their lips sealed forever if Troo’s new solution works.   You both think you can count on Artie and Mary Lane, especially the latter since:  “She’s been tortured by the best in the world – nuns.   So detectives asking her a couple of questions wouldn’t bother her at all.”

Good Graces, written in a child’s voice, is simply one of the most enjoyable novels that I’ve read in years (at least three or more).   Kagen’s ability to write in an adolescent’s voice is remarkable, and she has fun toying with the artifacts of the time, such as the TV shows Queen for a Day and Howdy Doody.   Adult readers who grew up in less prosperous homes will identify with the characters, as will Catholics and lapsed Catholics.   The young characters in the tale attend Catholic school and learn that the  nuns can indeed inflict pain when it’s needed and otherwise.

At its base, this is a fine and fun morality play in which children save a community and the almost-brainless adults are never the wiser.   It’s the sequel to Whistling in the Dark, and I can hardly wait for the third part of Lesley Kagen’s true justice trilogy.

Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   “Moving, funny, and full of unexpected delights…   Kagen crafts a gorgeous page-turner about love, loss, and loyalty, all told in the sparkling voices of two extraordinary sisters.”   Caroline Leavitt, author of Pictures of You.

Good Graces was released on September 1, 2011.

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Kiss From A Rose

The Weird Sisters: A Novel by Eleanor Brown (Amy Einhorn Books/Putnam; $24.95; 336 pages)

“See, we love each other.   We just don’t happen to like each other very much.”

This is the story of three sisters, and of their retired Shakespeare-spouting professor father and a mother stricken with cancer.   They are three very different sisters, which is what creates the tension in this family novel.

Firstly, there is Rose (Rosalind), the oldest and the smart one, born six years before the second child and twelve years before the youngest.   She has found a perfect man to marry but with one small problem:  He’s teaching at Oxford and wants to stay there, thank you very much.   Secondly, there’s Bean (Bianca), the glamorous middle daughter fired from her job in New York City due to a crazy little thing called embezzlement.   She’s not quite perfect.   And, thirdly, there’s Cordy (Cordelia), the baby, the wild one pregnant with the baby of an unknown father.   Cordy’s always been a wanderer.   Is she finally ready to settle down?

It’s their mother’s cancer that brings them back together under the same roof in a small town in Ohio.   There’s not much oxygen to spare…  You are likely thinking that this is going to be one very predictable read; if so, you would be wrong.   This is a novel that surprises and delights.   Author Eleanor Brown seems to tell the story flawlessly – I kept searching in vain for the seams in the tale.   They’re there somewhere, but they seem to be woven with invisible thread.

Brown’s journalistic voice contains a beautiful tone – it is never too strong nor too weak.   It simply feels like one is listening to someone accurately describing and detailing the events of three sisters’ lives.   And there’s likely more than a trace of real life in this tale, as the author just happens to be the youngest of three sisters.

“There’s no problem a library card cannot solve.”

Anyone who loves literature and the greatest writer in the English language will treasure Brown’s educated and clever references to the writings of William Shakespeare.   Each of the daughters is, of course, named after a character in one of the Bard’s plays, and their lives sometimes feel as if they’re characters on a stage.

As the story unfolds, each of the daughters must deal with their mother’s mortality and with their own coming to grips with what it is they actually want out of life.   In one sense, each of them must decide between an external version of achievement and an internal one.

Boomers and those of a younger generation will identify with the struggles of these late-maturing sisters:  “When had our mother gotten so old?   Was it just because she was sick?   Or was this happening to us all without our noticing?…  There was no use wondering about it – we were all getting old.”

“We were all failures,” thinks Bean at one point about herself and her siblings.   But they all wind up successes in a story that is wrapped up so beautifully well.   Contentment is the reward for the reading.

Highly recommended.

Joseph Arellano

A review copy was received from the publisher.   The Weird Sisters was published on January 20, 2011.

Two of Us

The Last Will of Moira Leahy: A Novel by Therese Walsh (Three Rivers Press; $15.00; 304 pages)

Therese Walsh’s first novel is a story of twins; a pair of near mystical sisters who call to mind the twins in Her Fearful Symmetry by Audrey Niffenegger.   The twins share thoughts, a unique language and their lives until an accident with tragic consequences for the piano-playing prodigy Moira.   Maeve, the narrator, must then find the means to continue her life on her own.   She’s assisted on her journey by finding a magical keris sword, and this leads her to Europe, where she finds out special things about her life and her sister’s life.

Maeve blames herself for the accident involving Moira and the journey that she takes provides her with a new perspective and much-needed forgiveness.   This is a well-told and very entertaining read from Walsh, although the reader must be willing to suspend reality as parts border on magic and science fiction.   There’s also a tremendous amount of jumping around, jarring the reader’s patience with the lack of chronological order.  

Sticking with the story until the end will, however, reward the reader with a satisfying conclusion to this unique tale by a very promising writer.

Highly recommended.

Joseph Arellano

   “This tender tale of sisterhood, self-discovery, and forgiveness will captivate fans of contemporary women’s fiction.”   Library Journal

A review copy was provided by the publisher.

With a Little Help From My Friends

The Island: A Novel by Elin Hilderbrand (Unabridged Hachette audio book on 13 CDs; $34.98)

When the going gets tough for Chess Cousins, she and three other East Coast ladies retreat to Tuckernuck Island off the coast of Nantucket.   These ladies are not just anyone; they are Chess’s mother Birdie Cousins, aunt Ida Bishop and sister Tate Cousins.   Tough doesn’t begin to describe Chess’s situation as her recently dumped fiance has died in a rock climbing incident and she has walked out on her editorial job at a prestigious culinary magazine.   To make matters worse, Chess decides to cut her shining golden hair and shave her head.

Birdie masterminds their trip to the family vacation home on Tuckernuck.   The house lacks hot water, electricity, and television and cell phone reception.   After a 13-year family hiatus from vacationing on the property, the ladies come together for the month of July.   The plan is to allow Chess the solitude and support she needs to get beyond her depression.

Author Hilderbrand present a masterfully simple story that expands as the days on the island are counted off, one by one.   The cadence of the story, narrated by Denice Hicks, is one of calm repetition that includes descriptions of the locale, conversations, meal preparation and the introspective thoughts of the ladies.   The activities they perform daily become part of the story line.   There are bursts of emotion that erupt from the interactions of the characters.   The narrator balances the dulcet tones of Birdie with the harsh outbursts from Tate and Chess.   India’s throaty voice is a sharp contrast to those of her sister and nieces.   This is only right as she is a worldly woman who is herself the widow.

The key male character is Barrett Lee, a golden hunk of a man in his thirties, who is the caretaker of the house.   He brings the food, wine, ice and clean laundry daily from Nantucket.   Although Nantucket is only a half-mile away by boat, it might as well be on another continent.   Both Barrett and his father Chuck before him have captured the hearts and imaginations of the respective generations of sisters.

The sense of isolation felt by Birdie, India and Tate serves to prompt them to deal with their own issues even though they are supposed to be assisting Chess.   There is a sense of dancing around each one’s life situation, avoiding the whole truth, shying away and then revisiting them again and again.   Each revisit brings more of the backstories to the fore.   The complexity of the emotions and fears brought on by the need for someone to love is flavored with loving kindness, frustration, self-awareness and anxiety.

In a sense, the book is a confessional.   The four points of view on love and loss, sibling rivalry and what it means to be loved are beautifully portrayed in this multi-generational saga.

Highly recommended, and, yes, it’s a fine example of chick lit.

This review was written by Ruta Arellano.   A copy of the audio book was provided by Hachette Audio.