Tag Archives: The Long Goodbye

The Art of Dying

The Long Goodbye: A Memoir by Meghan O’Rourke (Riverhead Trade, $16.00, 320 pages)

Someone once wrote: “We fear death the way children fear going into the dark.”   Meghan O’Rourke

There’ll come a time when all your hopes are fading/ When things that seemed so very plain/ Became an awful pain/ Searching for the truth among the lying/ And answered when you’ve learned the art of dying…  But you’re still with me.   George Harrison (“The Art of Dying”)

Meghan O’Rourke has presented us with a serious, somber and thoughtful memoir about the grief she suffered when her mother died at the age of fifty-five.   Although her  mother’s age is noted, one has the impression that she would have felt the same burden if her mother had lived to be 100, as O’Rourke was simply unprepared to live in a world without its (to her) most important resident.   As she states so well, “One of the grubby truths about a loss is that you don’t just mourn the dead person, you mourn the person you used to be when the lost one was alive…  One night (my brother) Liam said to me, as we were driving home from my dad’s to Brooklyn, ‘I am not as sad as I was, but the thing is, it’s just less fun and good without her.'”

In order to deal with her pain, O’Rourke conducted a personal study of death, the standard fear of it, religious beliefs and the traditions surrounding it, and the vast amount of research that’s been done on the human grieving process.   She even addresses the matter of grief in animal colonies.   One discovery she made in the process is that Elizabeth Kubler-Ross’ work on the stages of grief has often been misunderstood.   These were intended to represent the stages that the chronically ill pass through, not the stages that mourners – those left alive – go through.

O’Rourke is at her best when she discusses her own fears with the reader.   She has been afraid since childhood of the notion of death and yet it remained an abstract – if still frightening – notion up until her mother’s passing.   Then her grief became all-consuming, and it became something that she could not put aside in order to live a “normal” life.   Grief, in a sense, made her crazy for a period of time but it also brought with it some very valuable lessons – the chief among them being that one has to focus on death in order to truly appreciate life.   As O’Rourke’s father told her several months after his wife’s death, he had always focused on what he didn’t have; now he had learned to appreciate what he did possess in the world and the universe.

After a loss you have to learn to believe the dead one is dead.   It doesn’t come naturally.

There’s a sense of accepting humbleness that permeates O’Rourke’s account.   Although she was raised as a Catholic, she refers numerous times to Buddhism.   If there’s a weakness in the telling, it’s a factor that naturally affects most memoirs, a tendency to make one’s own life sound more important than that of the others that share the planet with the writer.   And, like Julie Metz in Perfection, O’Rourke tends to tell her readers more than they would actually want to know about her social (meaning sexual) life.

At one point, O’Rourke comes off as strangely naive when it comes to social relationships.   At the time that her mother died (at Christmas), an old boyfriend – whom she once dropped without the benefit of an explanation – comes back into her life, and she wonders why, “…he always seemed to be holding back – why, I did not know.”   The reader wants to scream back at her, “Because you dumped him when you went away to college!”   (The ex was simply acting like a normal, scarred, self-protective human being.)

But these are minor points, because O’Rourke succeeds quite well in making us examine death as something both micro and macro;  internal and external.   It is something that must be fully understood before we can make realistic choices about what is key in our lives.   In her almost philosophical approach to examining death and dying, she has written not only a monumental love story for the person who went missing in her life, she has also placed death in its natural and proper context.

(I think I wanted to grow up to be my mother, and it was confusing to me that she already was her.)

This is, in the end, a work about acceptance – the good with the bad – life continuing on through death, the sudden eclipse of a life and eternal love.   O’Rourke masterfully teaches us about the art of dying, a matter for both hearts and heads (minds).

Very, very well done.   Highly recommended.

Joseph Arellano

A review copy was provided by the publisher.   The Long Goodbye: A Memoir was released as a trade paperback book on April 5, 2012.   “We feel our own grief, past and potential, as O’Rourke grapples with hers…  Now her book can provide similar comfort for others.”   The Washington Post

“And life flows on within you and without you…”   George Harrison (“Love You To”)

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Two for the Road

Riverhead Books is releasing two books,  a memoir and a nonfiction book about a personal obsession, on April 14, 2011.   You will have to wait until then to buy and read them, but you can try right now to win a galley copy of these books.  Based on the responses received to this giveaway, Munchy the cat may decide to give one galley each to two readers, or both of them to one lucky reader.   (These galleys are pre-publication paperback versions of books that will be released in hardbound form.)

The first of the two books is a memoir, The Long Goodbye by Meghan O’Rourke.   Here is the official synopsis:

What does it mean to mourn today, in a culture that has largely set aside rituals that acknowledge grief?   After her mother’s death, Meghan O’Rourke found that nothing had prepared her for the intensity of her sorrow.   In the first anguished days, she began to create a record of her interior life as a mourner, trying to capture the paradox of grief – its monumental agony and microscopic intimacies – an endeavor that ultimately produced this book.   With poignant lyricism and unswerving candor, O’Rourke captures the fleeting moments of joy that make up a life, and the way memory can lead us out of the jagged darkness of loss.  The Long Goodbye is not only an exceptional memoir, but a necessary one.

The Long Goodbye is emotionally acute, strikingly empathetic, thorough and unstintingly intellectual…  and elegantly wrought.  …It’s above all a useful book, for life — the good bits and the sad ones, too.”   Richard Ford

Meghan O’Rourke is the author of the award-winning book of poems, Halflife.   She is a culture critic for Slate.

The second book is The Wilder Life by Wendy McClure, subtitled My Adventures in the Lost World of Little House on the Prairie. Here’s a summary:

Wendy McClure is on a quest to find the world of beloved Little House on the Prairie author Laura Ingalls Wilder – a fantastic realm of fiction, history and places she’s never been yet somehow knows by heart.   She retraces the pioneer journey of the Ingalls family – looking for the Big Woods among the medium trees in Wisconsin, wading in Plum Creek, and enduring a prairie hailstorm in South Dakota – and immerses herself in all things Little House.   This is a loving, irreverent, spirited tribute to a series of books that have inspired generations of American women.   The Wilder Life is also a story about what happens when we reconnect with our childhood touchstones – and find that our old love has only deepened.

Wendy McClure is the author of I’m Not the New Me.

To enter this giveaway, please provide your answer to this question:  Which of these books would you like to win, and why?   You can post your response here (with your name and an e-mail address), or you can choose to send an e-mail with your answer to Josephsreviews@gmail.com .   This will count as a first entry.   For a second entry, give us the title and author of the very best or very worst book that you’ve read in 2010-2011, and explain why you loved it or hated it.  

In order to be eligible to win a galley in this giveaway, you must live in the continental United States and be able to supply a residential mailing address.   You have until Thursday, April 14, 2011 at midnight PST to submit your entry or entries.   Munchy will use his feline instincts and judgment to pick the winner or winners.   The winner(s) will be contacted via e-mail.  

As always, be careful out there.   Good luck and good reading!

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