Movie Review: “East L.A. Interchange” – A Documentary

Does a documentary film about the Hispanic community of Boyle Heights shy away from tackling the major issue of the day?

Boyle Heights, a community just east of downtown Los Angeles, is a very interesting place. When I lived in Los Angeles, I would often head there on the weekend to make use of the parks, eat at the fine hole-in-the-wall restaurants, or soak up the multicultural feel of the community. “The Heights” was once known as the “Ellis Island of the West” because of its multiracial nature (it was once the largest Jewish community on the West Coast until the end of World War II), but tensions have hit the barrio. As the Los Angeles Times (“Gentrification pushes up against Boyle Heights – and vice versa”; March 6, 2016) recently noted: “Once the landing spot not only for Mexicans, but also for Japanese, Russians, Italians, and Jews, Boyle Heights has long been perceived as a neighborhood sitting on the brink of the next metamorphosis.”

Yes, the dreaded Spanish word gentefication, or gentrification in English, has now struck. Like Brooklyn, Sacramento (Oak Park), and San Francisco (The Mission District), Boyle Heights is trying to decide whether it wants to be old, interracial, and comfortable; or hip, progressive, and an expensive place to live. Community activists vociferously argue that there are too many art galleries in the city and they rail against the replacement of neighborhood bars by overly cool brew pubs.

Against this background, I had high hopes for the documentary East L.A. Interchange, a one-hour documentary film narrated by actor Danny Trejo. It’s a film that’s currently being screened at selected colleges. To my eyes, it’s a missed opportunity.

One problem is the title. East L.A. Interchange leads people to think this is either a program about East Los Angeles – which is just east of Boyle Heights, or about the Los Angeles freeways. A better title might have been La Colonia: Boyle Heights.

I will return to the problematic issue of gentrification. What Interchange does well is to deal with the history of Boyle Heights, as heard mostly from U.S.C. professors. And one of the intriguing points made in the documentary is that social discrimination issues began to ease as the predominantly Mexican-American students at Roosevelt High School began to learn about the history of their city: “One of the cradles of Mexican-American culture in the U.S.” Knowledge precedes pride.

To its credit, Interchange is not only well researched but beautifully filmed. And yet its Achilles heel is that the documentary refuses to take a stance on the key issue of gentrification. We learn that Jews first left the community, then Russians were forced out by freeway construction, and now the low to middle-income Hispanics who live in Boyle Heights are threatened by newly prosperous Hispanics and rich hipsters.

In order to afford a typical new housing unit in the area, one needs an income of $90,000 and above. Yet the median household income in the Heights is $41,821. It’s a big problem and results in stress, grief and anger. As one current resident states, in Spanish: “I would like it to stay just as it is.” Gentrification, of course, will make this impossible.

The creators of Interchange, after illustrating how the poor have been displaced from the area in the past, inform the viewer that 1,187 affordable housing units are scheduled to be destroyed and replaced by 4,400 new and pricey units. And yet, even after imparting this information, they remain neutral.

The documentary asks the question, “What constitutes beneficial (versus harmful) development?” but fails to answer it. Instead, at its conclusion we hear an elderly Jewish gentleman assure us that, despite recent changes in the neighborhood, everything will be alright. It’s hardly convincing.

One key statement heard in Interchange is, “We’re not trying to get out of the barrio. We’re trying to bring the barrio up.” Fine, but in life one must ultimately choose between stasis and change. In electing to support neither the status quo nor change – neither the past nor progressivism, East L.A. Interchange loses its raison d’etre.

Joseph Arellano

The reviewer was provided access to a press screener. The film was directed by Betsy Kalin.

This review was first posted on the Blogcritics site:

Movie Review: ‘East L.A. Interchange’ – A Documentary

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A Coming Attraction

A Working Theory of Love: A Novel by Scott Hutchins (Penguin Press, $25.95, 336 pages)

This debut novel by Scott Hutchins – a University of Michigan graduate, a former Truman Capote Fellow in the Wallace Stegner Program and a current Instructor at Stanford University – will be released on October 2, 2012.   The protagonist, Neill Bassett, lives in a San Francisco apartment building “on the south hill overlooking Dolores Park.”   He commutes to work in Menlo Park, where he works at a small but innovative Silicon Valley company.   Here is a synopsis of A Working Theory of Love:

Neil Bassett is now just going through the motions, again joining the San Francisco singles scene after the implosion of his very short-lived starter marriage to ex-wife Erin.   He’s begun to live a life of routine, living with his cat in the apartment that he and Erin once shared.   On one otherwise ordinary day he discovers that his upstairs neighbor Fred has broken a hip.   Neil summons an ambulance, and when the paramedics arrive Fred says to Neil, “I’m sorry, Neill.   I’m sorry.   I’m so sorry.”   This sets Neil to wondering about life itself — was Fred apologizing for “his basic existence in this world, the inconvenience of his living and breathing?”

Neil’s physician father committed suicide ten years earlier, leaving behind personal diaries of thousands of pages.   The artificial intelligence company Neil works for, Amiante Systems, is using the diaries to create a human-like computer which uses the words of Neil’s late dad to communicate.   To Neil’s surprise, the experiment seems to be working as the computer not only gains an apparent conscious awareness it even begins asking Neill difficult questions about his childhood.

While in a state of shock over the events at Amiante, Neil meets an intended one-night stand named Rachel.   He falls for her and wonders what his life would be like in her company; and, yet, he remains bogged down with his feelings for Erin.   To make matters worse, Erin continues to intersect with Neil at unlikely and unexpected times.   When Neil discovers a missing year in the diaries – a year that might unleash the secret to his parents’ seemingly troubled marriage and perhaps the reason for his father’s suicide – everything Neil thought he knew about his past comes into question.   Neil now becomes paralyzed with confusion and indecision. 

Scott Hutchins’s story deals with love, grief and reconciliation while teaching us about life’s lessons.   He shows us how we have the chance to be free once we let go of the idea that we’re trapped by our family histories – our sad or disappointing childhoods, our poor youthful decisions, and our unintended miscommunications with those we love and have loved.   A Working Theory of Love presents the reader with a unique, highly gifted new writing talent in the form of Scott Hutchins.

“A brainy, bright, laughter-through tears, can’t-stop-reading-until-it’s-over kind of novel…  This book’s got something for everyone!”   Gary Shteyngart, author of Super Sad True Love Story and Absurdistan

“Scott Hutchins’s wonderful new novel is right on the border of what is possible…  The book is brilliantly observant about the way we live now, and its comic and haunting story will stay lodged in the reader’s memory.”   Charles Baxter, author of The Feast of Love

“It takes a genius, a supercomputer, a disembodied voice, and a man who’s stopped believing to create A Working Theory of Love, Scott Hutchins’s brilliantly inventive deubt novel…  This book is astonishing.”   Adam Johnson, author of The Orphan Master’s Son

Joseph Arellano

The synopsis of A Working Theory of Love was based on information provided by the publisher, and on an Advanced Uncorrected Proof.   The novel will be released in hardbound form in October, and will also be available as a Nook Book and Kindle Edition download.

Sweet Dreams (Are Made of This)

How to Eat a Cupcake: A Novel by Meg Donohue  (Harper, $13.99, 320 pages)

This debut novel by Meg Donohue is set in San Francisco (the author’s home), and tells the tale of the young Annie Quintana who dreams of opening a bakery specializing in fine cupcakes.   Her dream is set to come true because the wealthy Julia St. Clair is willing to fund the business.   The problem is that Julia was once Annie’s best and worst friend (Annie’s mom having worked as a housekeeper for the St. Clairs).

Donohue paints The City as a place where folks engage in massive quantities of eating and drinking, and she does a great job of making various locations – including the largely Hispanic Mission District – come to life.   It’s likely that a number of male readers will, however, find this tale to be a bit too sweet in the telling for their taste.   But female readers may willingly be caught up in the knotty struggles of X chromosomal relationships.   How to Eat a Cupcake winds up being a type of psychological mystery in which the reader wants to find out what happens at the end.

Donohue displays a gift for dialogue in the debut and a certain sense of stylistic charm, but it’s hoped that she stretches herself a bit more in her next release.   (Perhaps her next novel will be set in Clovis?)

Recommended.

Joseph Arellano

A review copy was provided by the publisher.   “Beautifully written and quietly wise…”   Sarah Jio, author of The Violets of March and The Bungalow.

Ain’t She Sweet

How to Eat a Cupcake: A Novel by Meg Donohue (Harper, $13.99, 320 pages)

Meg Donahue’s debut novel How to Eat a Cupcake is a delicious treat!

Annie Quintana, is an eccentric, artistic woman raised by her mother, a housekeeper and caretaker for a wealthy family in San Francisco.   Julia St. Clair, an astute, beautiful businesswoman, is the daughter of this fortunate family.   She grew up alongside Annie.   Estranged since high school due to a life-changing betrayal the girls are reunited when Annie, now a talented baker with a gift for creating unique cupcake flavors, brings desert to the St. Clair’s for a benefit event.

Julia, needing a project to create a distraction from a secret she is keeping from her betrothed, offers to finance and temporarily manage the business of a cupcakery for Annie.   Annie, still healing from her mother’s death, agrees to the partnership in order to fulfill her dream and follow in her mother’s baking footsteps.   Together Annie and Julie are forced to work together on a daily basis and put the past behind them.   However, when a series of vandalisms threatens to close down their shop, the women are not only forced to deal with their past, but embrace the secrets that surface and redefine the importance of friendship and family.

Donohue presents an interesting storyline with prose as vibrant and satisfying as a great recipe.   She layers her story with multidimensional characters and intertwining plots, most of which are unpredictable and maintain the reader’s interest throughout the story until it’s resolved in the end.

Donohue touches upon the complexities of social class and friendships and demonstrates how impressions and relationships change and that family bonds – no matter how they are defined – can withstand the test of time.

How to Eat a Cupcake is a delightful read and although a few of the scenes seem a bit farfetched, the typical reader will enjoy the novel to the very end.   If the storyline does not seem appealing, you will undoubtedly enjoy the book based on the detailed descriptions of the exotic cupcake flavors alone.   So get real comfy with your favorite latte and grab a rich cupcake because this mouth-watering novel is well recommended!

Kelly Monson

A review copy was provided by the publisher.