Tag Archives: Wm. Morrow
“…there’s no denying that we’re attracted to the dark.”
Imagine if you read a book about a magician’s career, in which the magician refused to divulge the secrets behind any of his tricks. Well, that’s similar to the feeling of reading this short nonfiction account (the equivalent of a novella), in which two political opposition researchers tell us they’re going to take us behind the curtain of their trade but then never so much as lift it. And yet, they tell us that, “Our hope is that by illuminating the process of opposition research you will be better prepared to cull the good from the bad.” Well, there’s virtually no illumination here.
Instead of telling us exactly how they perform “oppo research,” the team of Huffman and Rebejian take us along on a travelogue. They describe numerous interesting – and sometimes frightening, sometime humorous – experiences they’ve had in places that house official records, like courthouses, city halls, tax buildings, college and public libraries, etc. But they critically (in both senses of the word) fail to tell us how they go about conducting the research in question. What is likely just as big a failing is that for a “tell all” account, they never name the names of the persons they worked for, nor name the candidates they were paid to investigate. What’s left is like the hole in the donut, and it’s not very satisfying.
The account has no structure to speak of; it’s as if the two individuals (who each wrote different chapters) simply dictated random thoughts. I read someone’s comment to the effect that she liked not knowing where the book was going… Yes, and for me that was hardly something positive.
“…we’re being paid to take someone out, literally.”
For me, $16.00 is too much to pay for a book that’s less than a couple of hundred pages in length. I think that We’re With Nobody could have used an editor to provide it with some structure, and who might have prodded the authors to add 125 pages or so to justify the price. Finally, that editor might have insisted on naming the political candidates referenced in this journal, giving the doubtful or skeptical reader (present company included) a chance to do some fact-checking. Who wants to read a non-fiction, supposedly factual account of politics, when the authors won’t tell us who they’re writing about?
A review copy was provided by the publisher. We’re With Nobody was released on January 24, 2012.
Spin: A Novel by Catherine McKenzie (William Morrow Paperbacks, $14.99, 448 pages)
McKenzie presents sensitive topics with such blatant honesty and humor that I found myself laughing out loud.
Kate Sanford is trying to hold on to her college days, scheduling parties instead of business meetings, when she is given an interview for the job of a lifetime as a music writer for her favorite magazine, The Line. The night before the interview, to celebrate her potential life changing opportunity and as well her thirtieth birthday, she agrees to go out with her friends for a quick drink. Still intoxicated the morning after, she bombs the interview but is offered an ironic opportunity. Kate’s assignment is to go undercover and follow a Lindsay-Lohan-type icon… in rehab!
Kate signs into rehab (drunk) and begins to go through the steps to recovery as she writes about the “it girl” Amber Sheppard and her “young James Bond” boyfriend, Connor. Yet the story begins to spin as Kate befriends Amber as well as Connor’s perpetual assistant, Henry. As Kate continues her assignment, she is challenged with perhaps the real reasons she is in rehab and the ultimate decision of whether her “dream job” is worth hurting those she has met along the way.
My head is spinning out questions, but I don’t have any answers. I feel like they’re floating in front of me, but they haven’t taken shape. And instead of making progress, I’m in suspended animation, waiting, hoping for something to happen, but unable to make it so.
Spin is a lighthearted, quick read full of interesting characters and believable experiences. McKenzie presents sensitive topics with such blatant honesty and humor that I found myself at times laughing out loud. Her characters are real, both the famous and infamous, with evident flaws but each possessing their own charm. Everyone is on their own path of self-discovery and yield realistic and often disappointing conclusions as they deal with their addictions and shortcomings. As the story unfolds they find that perhaps they have more in common than anticipated.
McKenzie touches upon the realism of chemical dependency. Through her characters’ therapy discussions she presents scenarios on how individuals find themselves in these situations, how relationships are affected and how difficult it can be to continue down the path of sobriety. She keeps the topics light through the quirkiness of her characters and with the flowing humorous dialogue throughout the novel.
McKenzie demonstrates Kate’s love of music with random references to songs that have particular meaning to her main character and provides “Kate’s Playlist” at the end of the novel. This would have been an interesting way to perhaps introduce more of Kate’s past and further describe her family dynamics but I enjoyed the references for their simplicity.
If you are searching for a deep, life-changing novel, you will be disappointed, but if you are interested in a well-written story laden with real issues presented with quick wit and humor, this is the novel for you. Spin would make a fabulous holiday or book club read. I enjoyed the book from page one through to the end; therefore, this novel is… Well recommended.
A review copy was provided by the publisher.
Imagine if Bridget Jones fell into a million little pieces, flew over the cuckoo’s nest, and befriended Lindsay Lohan along the way, and you are beginning to grasp the literary roller coaster ride that is Catherine McKenzie’s Spin. Filled with brutal honesty and wry humour, Spin is a story for everyone who has ever woken up hung over and thought, “Do I have a problem? Yes – I need to find a greasy breakfast.” And by that I mean everyone I know. Leah McLaren, Globe and Mail Columnist, author of The Continuity Girl
Spin: A Novel by Catherine McKenzie (William Morrow Paperbacks, $14.99, 448 pages)
How far would you go to get what you always wanted?
Party girl and music lover Kate Sanford comes closer than most to achieving her lifelong dream when she secures a job interview at her favorite music magazine, The Line. The interview has the potential to be even more special, as it is slated for her 31st birthday. However, when a friend invites her out (just for one drink) to celebrate the eve of her birthday, Kate downs a few too many – leading to a disaster the next morning.
Catherine McKenzie, in her debut novel, ably invites the reader into the story. Just when Kate believes she has blown her opportunity, she gets a call to go on an undercover assignment for the company’s sister publication, Gossip Central, a celebrity rag. Her task is to enter the same rehab facility as pop-phenom Amber Sheppard, “The Girl Next Door,” and produce an exclusive story that could lead to permanent employment at The Line. The opportunity for a juicy expose gets even better when TGND’s equally dysfunctional boyfriend and James Bond portrayer, Connor Parks, enters the same rehab facility.
Things quickly get very complicated. Does Kate herself actually need rehab? When Amber befriends her, can so go through with the story? Is there a more meaningful existence beyond living the life of a perpetual college student? Can Kate get comfortable enough with herself that she can form a meaningful relationship with another person?
In rehab Kate falls for Connor’s bodyguard, Henry. Their unlikely convergence and subsequent relationship/non-relationship/relationship form the basis for most of the second half of the book. This is where the story either takes off or gets derailed, depending on your perspective. McKenzie misses an opportunity to delve deeply into the pathos of the media entertainment industry and the addiction to celebrity of so many seemingly normal people. The moral quandary as to whether Kate should write the story comes into play in the last fourth of the novel, but serves more as a mechanism to wrap up the story than a theme that’s explored.
The author could have opted to delve deeper into Kate’s behavior, background and possible addiction, but her family and past are dealt with in a cursory manner. This oversight makes less credible any transformation in Kate at the conclusion of the story. Several music references reveal Kate’s interests and help establish some measure of place and time but do not do much to advance the story or reveal much about her or the other characters.
What’s left is the love story which, by a process of elimination, appears to be the crux of the narrative. Can Kate find true love? The book leaves just enough loose ends to satisfy the reader, yet still leave us wondering.
For readers who enjoy a light, breezy love story, this book clips along well and is satisfying. For those who prefer to go a little deeper into some questions that gnaw at the human condition, the novel does not go far enough. This reviewer concludes that many will find this book enjoyable; a worthy debut effort by McKenzie.
A review copy was provided by the publisher. Spin was released on February 7, 2012. Dave Moyer is the author of Life and Life Only: A Novel.
Fault Lines: A Novel by Anne Rivers Siddons (William Morrow, $12.99, 352 pages)
In all the world I had never seen anything so strangely inhumanly beautiful. In this place, man would soon seem simply extraneous. I shivered. I did not think I would feel welcome for long in this world where the very earth spasmed and the great trees would not acknowledge my presence.
Between finishing college and starting graduate school, I was lucky enough to have a summer job that involved taking young people camping in the Santa Cruz Mountains in northern California. This is a unique area – a special place – filled with ancient redwoods and wild animals, including bears, and being there is an other-worldly experience. If you can’t take a trip there, you may wish to read Fault Lines, which permits the reader to experience the place via the eyes of a Southerner making her first trip to California; and, for good measure, Siddons throws in visits to Los Angeles and San Francisco in this novel about a woman whose life is shaken up – a woman who experiences “an earthquake in the soul.”
Merritt Fowler is a proper Atlanta housewife, married to a succesful physician named Pom, and mother to Glynn, her sensitive sixteen-year-old daughter. For years she also served as a pseudo-mother to her younger sister Laura, an actress who fled to southern California after finding it impossible to live in the household of the stern doctor Fowler. Pom turns out to be one of those good men (he provides free health care to the poor of Atlanta) who practices good deeds everywhere except in his own home. He’s also unable to face reality when his mother – whom he insists be referred to as Mommee – is afflicted by Alzheimer’s and her actions become literally life-threatening. When Glynn insists that Mommee be placed in a residential care facility, Pom becomes so hostile toward his daughter that Glynn runs away to join her aunt Laura in Palm Springs.
Merritt has been the responsible and forgiving one her entire life, but this single incident permits her to see that her husband has become (in the words of Jackson Browne) a “perfect fool” She stands up to Pom for the first time, and elects to go and find her daughter and bring her back home. Once she gets to California, she sees that both Glynn and Laura are different people there than they were in Georgia… and the environment begins to also take hold of her actions, and of her very being.
In California, Merritt – who is said to resemble the late actress Kay Kendall – realizes that she and her sister and daughter are all viewed as great beauties, even in a city (Los Angeles) filled with actresses. And she begins to become fascinated with the notion of earthquakes, especially after experiencing her first one. She’s unaware that the big earthquake, in her personal life, is soon to hit.
Oh, it was such a day, it really was. A pinnacle day, a ball bearing on which a life turns.
While this novel starts slowly, filled with dialogue that initially seems to be both clumsy and awkward (I had an image of actors practicing their lines off-screen – never able to get them right), the reader’s patience is rewarded with an engaging story that warms up to the point where you don’t want to put the book down. If Merritt begins as a cardboard figure, she soon turns into a person alive as you or me… Merritt’s a person – a mature person – who is still trying to find her place in the world. She’s lost herself in the air somewhere between Atlanta and LAX, and now she has to decide if she’s the Merritt of Old Atlanta or the Merritt of the New West. The way in which she finds herself will surprise you.
Highly recommended. Siddons is a writer who wisely pulls her punches before delivering a knockout blow.
A review copy was provided by the publisher. “A literary meteor shower… One great read.” Detroit News/Free Press