A Bridge Over Troubled Water

Finding solace in a record album.

Like most individuals, I was extremely troubled by the events that transpired at the Boston Marathon. I found myself searching for something that would make me feel better, something that would be soothing. Nothing seemed to help until I listened to the Paul Simon and Art Garfunkel album, Bridge Over Troubled Water. Though released in 1970, it seems to provide relevant messages for these times. All of the lyrics, with the exception of the cover of an Everly Brothers song, were written by Paul Simon. Here is a track-by-track look at the album, starting with lyrical excerpts.

When you’re down and out. When you’re on the street. When evening falls so hard, I will comfort you. I’ll take your part. Oh, when darkness comes. And pain is all around…

Your time has come to shine. All your dreams are on their way.

“Bridge Over Troubled Water” This is a song about human beings facing crisis. In times of crisis, we need the better humans among us, or guardian angels, to rise and protect us. We saw both the best and worst of humanity in Boston. The song reminds us that a better day is on the way.

I’d rather feel the earth beneath my feet. Yes I would.

“El Condor Pasa (If I Could)” Paul Simon added lyrics to a Peruvian/Andean song. In its way, it celebrates multiculturalism, like the national flags that lined the end of the Boston Marathon course near the finish line. We will find strength in diversity.

Cecilia, you’re breaking my heart. You’re shaking my confidence daily.

“Cecilia” The protagonist of the song comes face-to-face with life’s imperfections. He loves a girl who is unfaithful to him, she shakes his confidence daily. While our own sense of confidence was shaken and bruised by recent events, the music’s energy reminds us of the simple joy of life and living. The sun rises tomorrow over Boston.

Home is where I want to be.

“Keep the Customer Satisfied” The traveling performer want to return home. Boston has served as a second home to many college graduates, for whom the bombings — as President Obama expressed — felt quite personal. The senselessness of events made us feel exhausted like the traveling troubadour.

I can’t believe your song is gone so soon.

“So Long, Frank Lloyd Wright” This is a song that feels both like a dream and its conclusion. It signals the end of something, perhaps the end of the days that we take safety at sporting events for granted.

He carries the reminders of every glove that laid him down…

“The Boxer” The people of Boston may get knocked down, but they get back up.

I wonder how your engines feel?

“Baby Driver” This is Simon’s song about his family in which he pays tribute to sports, in the form of auto racing. Life and athletic competition will go on.

Half of the time we’re gone and we don’t know where.

“The Only Living Boy in New York” The song is about isolation. No doubt some Bostonians, in virtual lock-down for days, felt like the only living man or woman in the city.

Something is wrong and I need to be there.

“Why Don’t You Write Me” We all feel apprehension over events we cannot control.

Hello loneliness, I think I’m going to cry… Hello emptiness.

“Bye Bye, Love” Tears and hollow feelings ruled the day. The loss expressed in this song was echoed in the pain felt by those mourning the three persons killed in the bombings.

Ask me and I will play all the love that I hold inside.

“Song for the Asking” The nation displayed its love for the city and people of Boston during this fateful week.

Sail on by. Your time has come to shine. Your dreams are on their way. (Title track)

Sail on, Boston.

Joseph Arellano

This article originally appeared on the Blogcritics Music site:

http://blogcritics.org/music/article/bridge-over-troubled-water-finding-solace/

Coming Up Next…

An article about the tragic events in Boston and music.

Midnight Confessions

The Wrecking Crew: The Inside Story of Rock and Roll’s Best-Kept Secret by Kent Hartman (Thomas Dunne Books/St. Martin’s Press, $25.99, 292 pages)

Carol Kaye is the female bass player/musician who came up with and played the opening notes on “The Beat Goes On” (Sonny and Cher), “These Boots Were Made for Walkin'” (Nancy Sinatra) and “Midnight Confessions” (The Grass Roots).   She also came up with the opening notes for Glen Campbell’s first hit, “Wichita Lineman.”   These are the kinds of unique, Behind the Music-style, facts cited in The Wrecking Crew, a book whose second subtitle is, “The unknown studio musicians who recorded the soundtrack of a generation.”

Kent Hartman writes about most of the hit songs recorded between 1962 and 1975, starting with “The Lonely Bull” (Herb Alpert) and ending with “Love Will Keep Us Together” (Captain and Tennille).   Special attention is paid to 19 specific songs, and if one or more of these happens to be a favorite of yours, you’ll want to read Hartman’s account to find out how the song(s) were written and recorded.   Here’s the list (I’m eliminating the quote marks here for the purpose of clarity):  California Dreamin’; Limbo Rock; He’s a Rebel; The Little Old Lady (from Pasadena); What’d I Say; I Got You, Babe; Mr. Tambourine Man; River Deep, Mountain High; Eve of Destruction; Strangers in the Night; Good Vibrations; Let’s Live for Today; Up, Up and Away; Classical Gas; Wichita Lineman; MacArthur Park; Bridge Over Troubled Water; (They Long to Be) Close to You; and Love Will Keep Us Together.

Back in the day when these songs were first released, not too many radio listeners and record buyers realized that the Mamas and the Papas, The Byrds, Jan and Dean, The Beach Boys, The Grass Roots, The Monkees and others were not playing the instruments on their songs.   A group of select musicians, informally known as The Wrecking Crew, recorded the music in Los Angeles studios while the “performers” played the songs on stage when they toured.   It was generally a “win-win” situation for both the high-paid touring musicians and the highly paid studio musicians, and it allowed Brian Wilson to create and record on his own while the official members of the band that he created were off touring.

To his credit, Hartman does cover the occasional conflicts that arose, especially among the musicians – such as Creed Bratton of The Grass Roots and Mike Clarke of The Byrds – who felt insulted by not being permitted to play on their band’s “own” recordings.   Most of the musicians who couldn’t handle the public fame but private shame were shown the door; one exception being the four members of The Monkees, who eventually gained enough power to overrule their managers and record their own songs.

MacArthur Park is melting in the dark, all the sweet green icing flowing down…  Someone left the cake out in the rain, and I don’t think that I can take it, ’cause it took so long to bake it, and I’ll never have that recipe again.   (J. Webb)

The stories of how some of these songs came to be written are perhaps even more engaging and intriguing than the tales of how they were recorded.   And likely the most interesting of all the composition stories is that behind the song “MacArthur Park” and the song suite by Jimmy Webb that eventually became the best-selling album A Tramp Shining by Richard Harris.   It turns out that Webb was quite gun-shy about offering the suite to anyone after it was soundly rejected by the soft-rock group, The Association.   The story of how Harris came to hear what he was to sing as “MacArthur’s Park” is almost worth the price of admission itself.

One caveat about The Wrecking Crew is that Carol Kaye has some personal objections to the book which she has expressed on Amazon.   (I won’t attempt to summarize her concerns here.)   Still, this is a worthwhile read for music fans, musicians and future composers.

Well recommended.

Joseph Arellano

A review copy was provided by the publisher.   The Wrecking Crew is also available as a Nook Book and Kindle Edition e-book, and as an unabridged audiobook.

Note:  The personal story of the musician Glen Campbell (pictured on the cover of The Wrecking Crew) is covered in some detail in this book.   Campbell was a member of The Wrecking Crew for several years, as well as a member of The Beach Boys touring band.   Interestingly, he went on to record a relatively successful cover version of “MacArthur Park.”